Notes: There's a freedom in not waiting for a cure. Traditional music is a way to connect to your spiritual ancestral community; it can affirm your experience and there's the "big expansion of empathy that is happening when we sing." Ornamentation and pronunciation of words in oral tradition. We don't create in isolation. How Saro's mom conveyed joy in singing, and what Saro would love "every human being on the planet to understand about disability." The broad umbrella of disability. Speaking with compassion to our bodies, and how that relates to justice work. Why singing is too important to be left to the professionals. Need I say more? This conversation with Saro has left me mulling over so much, and learning "Navigate the Current" has touched me deeply. Here's a chance to dig into what authentic expression feels like...
​
Sign up for the A Breath of Song mailing list (the little form on the home page; you might have to scroll down a bit) to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Songwriter Info: Saro Lynch-Thomason is an award-winning ballad singer, song leader, folklorist, and documentarian from Asheville, North Carolina. Saro has been studying and teaching traditional song and balladry from the British Isles, Appalachia and the American South for over a decade. Saro believes that old songs help modern learners access history, folklore, and (most importantly) compassion for the experiences of others, and she uses in-person teaching, film documentary, podcasts and more to convey these lessons. She holds an M.A. in Appalachian Studies and a Certificate in Documentary Studies.

Links: 
www.sarosings.com
www.patreon.com/sarolynch,
Music at sarolyncht.bandcamp.com,
TikTok and Instagram at @songspeaksaro
Sign up for Saro's newsletter to be the first to hear when the class info is available...
​​Tim Eriksen Soul of the January Hills -- the link goes to Bandcamp, because if you buy the album there, the artist receives a larger % than any other source. Learn more about Tim Eriksen here: Tim Eriksen (timeriksenmusic.com)
Michael & Carrie Kline at ​Talking Across the Lines (folktalk.org)

Nuts & Bolts: 2:2, Aeolian (minor), ballad form

Notes: I came across We Are the Way in 2020 when I was joyfully listening through Annie Zylstra’s online collection in Heartland Harmony – if you love songs and haven’t found her library yet, you are in for a huge treat! Annie had this song, which lifted my heart and became a touchstone song for me in very short order. She explains that Christine Kick was living in her basement during a major home renovation that was taking longer than expected, and she found herself feeling a little shamefaced when friends would ask, “How’s it going?”, as it very much WASN’T… and then she reminded herself to celebrate the difference & distance she had come. We’ve just moved out of our home for 22 years to a new community, we’re unpacking boxes, searching for things in new places, slowly starting to meet new people… I am using this reminder on the regular!

Sign up for the A Breath of Song mailing list (the little form on the home page; you might have to scroll down a bit) to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Songwriter Info: Christine has been writing songs ever since she was a kid, growing up singing in choirs, and playing flute, guitar, piano, hand drums, etc. She wrote We Are the Way in 2016. She teaches yoga as a way to harness more energy for life by overcoming our limitations and fears - energy that can then be applied to any passion or pursuit that fills us up! Christine believes that music is medicine, especially singing since it opens the throat chakra which allows energy to flow. Her mission is to inspire others to live their best life possible and show up for their heart's true calling.... and music is part of and parcel of who she is and what she does. When we connected for permission for me to use this song, she was in Costa Rica travelling, and sharing songs. Christine enjoys leading and hosting song circles, kirtans, and music jams.

Links: 
Find Christine's website here: Christine Kick
on facebook as ChristineKick
or Instagram as @acrounicorn

Nuts & Bolts: 4:4, Mixolydian, round and layer

Notes: Okay, I procrastinated on recording this episode for the longest of any song yet... I respect Moira so much, and I desperately wanted to share her song in a beautiful way that convinced you to love it, too. I felt like I wasn't good enough, and I got a good run of the whole imposter syndrome going, yada, yada, yada. But you know what shifted? I remembered why this podcast exists -- to share songs that help me heal, adapt, and grow, so you can sing them, too. And this song is one that I've sung to myself over and over in the middle of troubling times to help me release and let go. When I sing this into myself, I can see more clearly which actions might be mine to make next. And when the world is in turmoil, this is what helps me navigate a way forward. None of us (myself included) need to have a stunning voice for a song to be a companion... and I'm grateful to Moira for this gift. Please notice, I haven't shared the entire song here, only an excerpt... check out the links below to hear the whole song, and buy the music on her website for yourself or to share with others. Next episode: a conversation with Moira Smiley herself, who turns out to be absolutely lovely and generous -- we talk creativity, how rest is part of the job, how her voice has protected her, and more...​

Sign up for the A Breath of Song mailing list (the little form on the home page; you might have to scroll down a bit) to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! This week, for example, I shared a video collected by the Polyphony Project of Ukrainian women singing a traditional song about a son who has gone to be a soldier, and I included a list of possible organizations to support the people harmed by war. No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Songwriter Info: As a composer, Moira Smiley is known worldwide for choral arrangements like Bring Me Little Water, Silvy and originals, Stand in That River and How Can I Cry. Her music is sung by millions of singers worldwide. She’s credited with helping to bring body percussion into the choral mainstream and is in demand as a commissioned composer, writing multi-movement pieces including Time In Our Voices and In The Desert With You for the Los Angeles Master Chorale, evening-length secular liturgy, The Song Among Us and Tis A Fearful Thing for Craig Hella Johnson’s Conspirare and CVAE, Vonnegut Requiem: Light Perpetual for Voces Novae, Loud My Soul for Ad Astra Festival and I Have A Voice for ACDA Women's Choral Consortium. The European premiere of Time In Our Voices was performed by the voices and mobile phones of Ars Nova Copenhagen under the direction of Paul Hillier.
  In 2018-2019 Moira released the album and choral songbook, Unzip The Horizon as companion to her ‘The Voice Is A Traveler’ solo show. In 2021 she released the all-vocal social-justice centered album, In Our Voices with four powerful singers of diverse ethnic and cultural backgrounds. She continues composing and improvising in collaboration with artists in film, video game production, theater and dance, and her work can be heard on feature film soundtracks, BBC & PBS television programs, NPR, and on more than 70 commercial albums.
  “Moira Smiley is a marvel—an omnivorous singing and composing chameleon with a voice that can wail or caress at will!” -- Grant Gershon - artistic director, Los Angeles Master Chorale
  “Moira Smiley is a brilliant musician – an innovative composer and arranger, and a heartbreakingly beautiful singer. Her music transcends (and expands) boundaries.” -- Billy Childs - multi-grammy-winning composer/pianist
  “I’m so thankful I’ve had the privilege of performing and recording with Moira. She embodies the endless creative potential of the voice, and… (has made) a deeply moving body of work.” -- Merrill Garbus - Tune-Yards

Links:
www.moirasmiley.com for all info including sheet music, practice tracks!
https://moirasmileysubscription.com/ to support Moira monthly for as little as $4/mo.
https://www.instagram.com/moirasmiley/ for up-to-date personal and music pics
https://www.youtube.com/c/MoiraSmileyMusic for official music videos, song and body percussion tutorials and live performances
A beautiful recording of a quartet singing the full Stand In That River, part of "The Mt. Tom Sessions".
Moira's own recording of Stand In That River with VOCO.

Nuts & Bolts: ​3:4, Ionian, harmonized melody

Notes: Lisa Forkish shares her song, Hymn to Loving, and talks about song titling, songwriting away from keyboards, deconstructing binaries, singing as a pure, liberating expression of the self, learning to love and be tender with our voice... and the surprise of connections through Zoom. Now, maybe that's all immediately appealing to you, or maybe it sounds complicated and brain-challenging! Let me tell you, Lisa has a gentle, welcoming presence and wide-open curiosity and questioning that makes this conversation a pleasure to eavesdrop on -- and whether her views raise questions for you, or drop easily into your pocket, I hope you will find useful connections through Lisa's explanations and in the links to help you follow up on whatever sparks your interest. She talks a lot about what she experiences as healing in voice work... and a tiny bit about her experience with the movie, Pitch Perfect, and her role in popularizing and opening up the collegiate acapella world.

Sign up for the A Breath of Song mailing list (the little form on the home page; you might have to scroll down a bit) to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Songwriter Info: Lisa Forkish (she/they) is a queer singer-songwriter, community-builder, artivist, song-healer, and self-described "Love Warrior," infusing all she creates with fierce authenticity and heart. For the past 20 years, Lisa has been using song as both an expressive art and a tool for building connection. For Lisa, facilitating music spaces is much more than a job; it is a sacred calling. Lisa breathes humanity into their music and teaching with infectious joy and compassion, aiming to heal the wounds of music elitism and not-enoughness through an embodied, trauma-informed and heart-centered approach. For Lisa, Love is paramount and closeness is the antidote to cisheteropatriarchy, white supremacist delusion and cultural disconnection. Lisaʻs mission is to utilize music for personal and collective healing and liberation. 

Links:
Lisa's website: lisaforkish.com
Lisa's singing offerings: wesingthebody.com
adrienne maree brown (principles of emergent strategy): https://adriennemareebrown.net/
Holistic Resistance (Black-led movement facilitating racial justice and other work to heal oppression): https://www.holisticresistance.com/
white supremacy culture (what exactly does that mean?): https://www.whitesupremacyculture.info/
Rev angel Kyodo williams (radical dharma): https://angelkyodowilliams.com/
On Being podcast (Krista Tippett interviews with various people): https://onbeing.org/
Brene Brown (wholehearted, daring living): https://brenebrown.com/
Rhiannon (vocal art as vehicle for change; improvisation): https://rhiannonmusic.com/

Nuts & Bolts: 4:4, Mixolydian, verse followed by layer

Notes: I love a layer song which gives me options -- what do I feel like singing? Is singing low and warm feeling yummy? Or floating high? Or getting snuggled in the middle of a set of harmonies? Lisa Forkish's "Possibility" song offers all those choices, starting with a low, potentially gritty, determined line that says "An end is not THE end -- it can be the beginning." Then a fluid river line that requires some release to sing, as it flows among notes. Finally, when singing about being open, there is an amazing note on the word "open" that moves the whole song into a slightly unexpected place, giving a visceral experience of opening up to a different possibility. Love it. A song that helps me embody the knowledge of possibility that change brings.

Sign up for the A Breath of Song mailing list (the little form on the home page; you might have to scroll down a bit) to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Songwriter Info: Lisa Forkish (she/they) is a queer singer-songwriter, community-builder, artivist, song-healer, and self-described "Love Warrior," infusing all she creates with fierce authenticity and heart. For the past 20 years, Lisa has been using song as both an expressive art and a tool for building connection. For Lisa, facilitating music spaces is much more than a job; it is a sacred calling. Lisa breathes humanity into their music and teaching with infectious joy and compassion, aiming to heal the wounds of music elitism and not-enoughness through an embodied, trauma-informed and heart-centered approach. For Lisa, Love is paramount and closeness is the antidote to cisheteropatriarchy, white supremacist delusion and cultural disconnection. Lisaʻs mission is to utilize music for personal and collective healing and liberation. 

Links:
lisaforkish.com
wesingthebody.com
www.patreon.com/lisaforkish
Insta and Youtube / lisaforkish

Nuts & Bolts: 4:4, Dorian, 3 layer song with 2 layers harmonized, so 5 parts

Notes: I met creator Elise Witt online during the pandemic, when we were both in a course led by the extraordinary improviser Rhiannon… I was honored, because I already knew of Elise as a composer of unusual choral work that I had explored doing with my community chorus. In fact this piece was conceived as a choral piece, and Elise very generously let me excerpt a bit of it to be a pocket song. I love the way the rhythm wakes me up from an uninspired, tired place -- whenever I sing this, I almost always end up moving somehow. And now that I know Elise a little, I can see why -- her brain is the definition of fertile, and she exudes energy and joyfulness you can almost touch through her little Zoom rectangle. Elise says, "I believe that if we listen deeply, we can hear music in the wind, the water, the earth, and deep in our bones. And no matter how disconnected we get, that music is always there, when we are ready to return and listen."

Sign up for the A Breath of Song mailing list (either go to the home page, or the songnotes of Episode #15) to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address.

Songwriter Info: Elise’s concerts of Global, Local & Homemade Songs™ and her Impromptu Glorious Chorus™ workshops create and connect singing communities around the world. Born in Switzerland, raised in NC, and living in Atlanta since 1977, Elise speaks 5 languages fluently and sings in at least a dozen more. The Elise Witt Choral Series features choral arrangements of her original compositions and she recently published All Singing, a songbook with 58 original songs including music notation, lyrics and chords, stories and photos. In addition to her global touring, Elise serves as Artist-in-Residence & Director of Music Programs at the Global Village Project, a non-profit, special purpose middle school for teenage refugee girls in Decatur Georgia.

Links:
www.EliseWitt.com -- Learn more about Elise on her website
"Song Deep in Your Bones" as recorded by Malcolm Dalglish’s Ooolation Singers in rehearsal at Yosemite National Park
Recorded on "We're All BORN SINGING" EMWorld Records 1012
Available for SATB, SSAA, TTBB in the Elise Witt Choral Series
​Included in ALL SINGING: THE ELISE WITT SONGBOOK

Nuts & Bolts: Mixed Meter (5:8, 3:8, 3:4 or 6:8), Mixolydian mode, and in this teaching, unison.

Take 2 has arrived!  After listening, Tembre realized I was sharing an early, unfinished version of this song, which later evolved into a version she loves and shares. Tembre said, "As I remember when Rolling River was complete for me when the extra parts/delayed harmony was created , it was a special moment, as I felt this song was complete in that moment and it is loved.  I love the simpleness of the melody, as the other parts are added, it slowly becomes something that is resonant, full and fluid. " So here we have the version of Rolling River Tembre loves and would like shared...  I'm wondering if, for those who heard the first, mistake episode, if that's like owning one of those special stamps that was printed backward?​

Notes Rounding, smoothing, softening... I love the way this song invites us to relish the tumbling flow of life and let it comfort and carry us, let it reassure us that we are enough, we are home. There's a rocking, rolling melody, which can be harmonized, and then a lovely descant, or upper line, that responds to the melody. I love the way this song lets me, (not an eager swimmer!), sense the release and acceptance of allowing the water to carry me. Next episode, a conversation with Tembre that includes cold water swimming, how she supports singers who might not be matching yet, finding time to songwrite, what makes Ireland a special place for a songleader, and more!

Songwriter info Tembre de Carteret lives in County Clare, Ireland, and has led a beautiful online singing circle called "We May Sing" during the pandemic. You can learn more about her and the way in which she facilitates, mentors, and builds song communities at her website, www.tembresong.com

Sign up to know when a new episode is released either on the home page or in the shownotes for Episode #10. 

Nuts & Bolts The song is in 4:4, in 2 layers, one of which is harmonized. It is Aeolian (natural minor).

Notes Lisa Littlebird shared that Samara wrote this in the Big Sur, after her first surfing lesson, and said it was a personal cure for FOMO (Fear of Missing Out). During the pandemic, I heard it differently, and it became my go-to song for letting go of what I wanted to be happening, and just riding the crazy times.

Click here to listen to (and sing along with?) Samara Jade and Acorn Kin singing Right Place, Right Time.

Songwriter Info A modern folk troubadour, Samara is dedicated to the art of listening deeply and crafting soul-centered songs that are medicine for the moment. Inspired greatly by the wild wisdom of nature and the landscape of the human psyche, her songs ride the crest of the unknown and balance between shadows and light.
Coming from a musical background as diverse as classical, jazz, folk, Broadway musical and progressive rock, Samara stitches together a unique tapestry of sounds with a quality of musicianship distinctly her own. As heart-opening as they are intellect-stimulating, A fan once coined the term "Philosopholk” to describe Samara’s tunes, and no one has ever described it better in a one-word nutshell.
Samara lived in her van, Vincent VanGo, until very recently, and is committed to sharing her song-beings around like thousands of spiraling maple helicopter seeds - which is, not coincidentally, what a samara is.

Next week, Episode #10 will feature an extended conversation with Samara in which she shares her song, "I Trust My Roots", with us.
You can also find her in all these places:

On Patreon: www.patreon.com/samarajade
On Bandcamp: https://samarajade.bandcamp.com/
On her website: www.samarajademusic.com
On Facebook: https://www.facebook.com/samarajademusic
On Youtube: https://www.youtube.com/user/WildPamplemousse/videos

Nuts and Bolts 3-Layer song in 2:2, Ionian (major).

Notes I wrote this song a few months into the pandemic, at a point when I was disappointed with how I seem to know all this wisdom in my head, but have so much trouble translating it into body knowledge... I was tearful & fearful – and so frustrated with myself. Then I realized – oh, right -- this what it feels like to grow! Moving from comfortable to uncomfortable in a spiral of growth. Which started me thinking about prairie grass – the beauty of acres of grasses swaying and moving in the wind. Roots in the dirt and touching the sky... both growing up and coming down. Natural patterns that occur and recur -- including the spiral.

You can learn more about me and what influences my choices and work here​.

Nuts and Bolts 4:4, Layer song, Aeolian (minor)

Notes To be open to the possibility of something wonderful happening seems both counter-intuitive in the middle of the pandemic and multiple crises, and also surprisingly comforting and hopeful. And indeed, wonderful things are happening in addition to what's hard and perplexing and dismaying. I love how I feel lighter after singing this -- I wonder how you feel?
Debbie said she wrote this song to help a couple people in her life that were going through difficult times. She says it is a great song to help manifest a dream into being -- you can think of something you want to come into your life and sing that into being, to embody it as you sing and to really see it happening, to call it in for yourself.

Songwriter info Debbie Nargi-Brown started singing and dancing on the day she was born! A gifted community song leader, an award-winning dance teacher, and a talented songwriter, she offers her songs with love, compassion, and the hope of bringing joy and healing to others. Debbie’s lyrics and melodies are sung all over the world. She writes songs for the heart, healing, transformation, love, grief, and all that connects us as human beings. Bringing people together in dance and song is one of her greatest joys in life!

You can connect with Debbie and her work at debbienargi-brown.com

Nuts and Bolts 2 harmonized sections which can be sung as a round or layered, in 2:2, Ionian (major) mode.

Notes Let's highlight a song by next episode's guest artist Maggie Wheeler, Maggie said she wrote this on her birthday on a gray day by the beach in 2019. She told her husband and daughters to just hang on, because a song was coming through… I thought, ah, she treats her creative urges with honor. Both my cat and dog contribute to this particular recording, but although the purring and dream yips seemed really loud as I was recording, they're quite faint in the final product.... I decided to just let them blow through.

Maggie Wheeler is best known in the U.S and internationally for her work as an actress in film, television and voice-over and most notably as the character of Janice on NBC’s hit series Friends. Maggie is a passionate singer, songwriter, choir director and workshop facilitator. She has been teaching her vocal workshop "Singing In The Stream" for over 30 years at retreat centers, universities, communities and schools to provide the experience of creating interpersonal harmony and internal harmony through the powerful act of creating vocal harmony. Maggie directs the 100-voice Golden Bridge Community Choir in Hollywood, an inter-generational, non-auditioned choir now going in its 16th year.
She is a prolific songwriter with a catalog of powerful and timely songs that have been sung by choirs worldwide. Maggie’s original music for choirs and communities is available on iTunes and other music platforms. To accompany her most recent CD entitled 'Walk With Me’, Maggie has created a songbook available by request through her website www.goldenbridgechoir.com Throughout this year of change Maggie hosted a weekly online community gathering called Together In Song, bringing together people from around the world to join in the healing power of singing.

To learn more about Maggie’s work please visit: www.goldenbridgechoir.com and maggiewheeler.net

Nuts & Bolts This layer song is a slow 4:4, Aeolian mode (natural minor)

Notes You'll hear me playing with different patterns and rhythms under this song... some of which work well right off, and some of which are more... umm... experimental! But we're all about exploring and growing and changing here -- and one of the downfalls of the highly polished recordings we are immersed in is that we forget that in real life, as we sing by ourselves or with each other, some of our experiments sound great, and some turn out to not be ones we want to continue -- heaven knows where we are going! But we'll get there...
Sol Amarifio was the Ghanian drummer of the band Osibisa. The band members were African and Caribbean musicians living in London: Teddy Osei, Sol Amarfio, Mac Tontoh, Spartacus R (Roy Bedeau) Wendell Richardson, Robert Bailey, Loughty Lasisi Amao. Here's Osibisa with the original.
This song is under copyright, so recordings or performances for profit are subject to copyright restrictions -- please sing freely at home and with family! Anaïs Mitchell and Kate Stables collaborated on a beautiful cover of this. 


Nuts and Bolts It’s harmonized, in 6:8, Ionian mode (major).