Song: The River
Music by: Coco Love Alcorn

Notes: Coco is entering a long and challenging journey with an aggressive cancer diagnosis. She’s hopeful and grounded, but as an independent musician, she doesn’t have access to benefits like employment insurance or sick leave. With her treatment schedule, she’s had to cancel every concert, every tour, and even postpone the recording of her new album. She also had to pause her local choir until further notice. This means she’s facing at least a year ahead with almost no income — while focusing all her strength on healing. Supporting her directly through buying her music, or donating to the GoFundMe will make this time easier. In the meantime, you can sing this song of Coco's, bringing river healing energy into the world!

Songwriter Info:
“Coco is the ultimate musical spark plug... an electrical connector through which the creative energy flows. In my 30 years of touring around the world, I have never seen another performer able to bring people together like Coco does.” ~ James Keelaghan - Artist Director, Summerfolk and renowned Canadian singer/ songwriter
The first thing you notice about Coco Love Alcorn, is the voice. It's a rich, dynamic, supremely soulful instrument – hailed by the press as extraordinary, beautiful, and stunning – that has a way of touching your heart and making you care. 
As a performer, Alcorn is always in the moment, joyful, and genuine. She combines diverse musical influences including jazz, R&B, pop, folk, and Gospel. Her playful and witty character, love of improvising, and willingness to engage fearlessly with the audience has made Alcorn an established presence on the Canadian music scene. 
Born in Antigonish, Nova Scotia and now based in Owen Sound, Ontario, Alcorn’s career has spanned more than 20 years, 12 (9 solo) albums, cross-Canada tours, collaborations, festival appearances, award nominations, and notable success in TV and film licensing. And it took someone with a spirit like Alcorn's to navigate this path. 
"Throughout my career I have explored across many genres, collaborations and projects, taking a winding path to get to here,” she says. “But I’ve loved every step of my journey and trusted my inner curiosity to take me where it wanted to go.” 

Sharing Info: Please support Coco directly if you are sharing this song, either by buying the music on her website here: https://cocolovealcorn.com/store or supporting her GoFundMe here: https://www.gofundme.com/f/SupportCocoThroughCancer 

Song Learning Time Stamps:
Start time of teaching: 00:02:49
Verses taught slowly: 00:11:55
First run through: 00:15:50
Start time of reprise: 00:20:53

Links:
Coco teaching the song: https://www.youtube.com/watch?v=xgmg1K7BFxo&t=133s 
Coco's GoFundMe: https://www.gofundme.com/f/SupportCocoThroughCancer
Lisa Littlebird teaching tracks: https://thebirdsings.com/the-river/
Sheet music for The River: https://cocolovealcorn.com/store 

Nuts & Bolts: 2:2, major, verses & chorus, harmonize

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Song: Towo Kalona
Music by: Alix Thorpe

Notes: I did something a little different in the way I shared this -- I took time with the proto-Celtic, so you could be comfortable singing in a Bronze-Era language... and then there's the usual looped section, with a harmony above and below -- but then at the reprise, I sing just the melody with piano, and then just the piano so you can sing the melody yourself, and allow me to accompany you. I find this song of Alix Thorpe's beautifully addictive, and there's something about singing in a bone language that feels like healing perspective to me. After you are snagged by the melody and parts on the podcast, buy it from her on Bandcamp, where you can hear the full English lyrics! 

Songwriter Info: Alix is a mother, a birth doula and a shiatsu practitioner who lives in Devon in England. She found her voice and began writing songs only a few years ago. Song for Alix is a way of prayer and an expression of soul.  She has written several songs in proto-Celtic; a kind of "spirit language" and ancestral mother tongue made of the earliest traceable fragments of the Celtic languages, dating back around 4000 years. Dreaming with proto-Celtic has been a powerful vehicle for kindling connection with her ancestral roots. Alix's songs are particularly inspired by whales, the spirit of the rose, Buddhism and honouring sacred rites of passage.

Sharing Info: The song is free to share but Alix always welcomes financial and/or networking support if/when folks are so moved.

Song Learning Time Stamps:
Start time of teaching: 00:03:01
First full singing: 00:10:40
Start time of reprise: 00:20:16
Just piano: 00:21:20

Links:
Alix's Bandcamp: https://alixthorpe.bandcamp.com/track/towo-kalona 

Nuts & Bolts: 3:4, melody with 2 harmonies

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Song: Don't Give Up
Music by: Becky Reardon

Notes: Thinking about tough times, Becky Reardon says, "The worst thing we can do is go silent." Here's a song to help with that -- a song about both grit and kindness; how a little flex can be the strongest response. She says, “Of all times when we need to get together and sing… this is the time to keep it going.” We talk about her love of the high desert, trees, community... how church and family singing embedded love of harmonies. How Naomi Shihab Nye reminded her, "When times are hard, do something satisfying." Plus a sticky cocklebur song! It's a good conversation to help return you to yourself, your power to bring more decency and compassion into the world.

Songwriter Info: Becky Reardon's voice is familiar to the millions of people who hear her sing on the Charlie Brown/Peanuts TV specials. She is a composer whose songs and rounds are widely sung by community and university choirs, song circles, and singing classes. Sometimes jazzy and fun-loving, sometimes trance-inducing and deeply spiritual, her music always conveys her passion for the natural world and the cycles of life. 

Sharing Info: The song is free to share in oral tradition groups, but please contact Becky for recording and/or performing permission.

Song Learning Time Stamps:
Start time of teaching: 00:05:42
The Moon instructional song: 00:42:11
The Sticky Cocklebur: 00:43:19
Start time of reprise: 00:56:19

Links:
Becky's website: www.beckyreardonmusic.com 
Alone from “Someday You’ll Find Her, Charlie Brown”: https://youtu.be/5VpmohI_ZZQ?feature=shared 
Farther Along from “Why, Charlie Brown, Why”: https://youtu.be/6SY1MNEXHvY?feature=shared
Video of workshop improv singing: https://youtube.com/shorts/i2Z2Ltqy6dA
Rhiannon: https://rhiannonmusic.com/
The Lama Foundation: https://www.lamafoundation.org/ 
Winter Solstice Song (Deep down in the belly of the night): https://www.youtube.com/watch?v=sbV-DaVxzE8 
Becky Graber: https://beckygraber.com/ – and her conversation episode on ABS: https://www.abreathofsong.com/episodes--show-notes/165-heaven-above-earth-below-with-guest-becky-graber#/ 
Sue Coffee: https://www.resonancechorus.org/artistic-director.html
Elise Witt https://elisewitt.com/web/about-elise-witt/
Retreat with Elise and Becky on Ossabaw Island:: https://elisewitt.com/web/calendar/ossabaw-island-retreat-2026/
The Moon instructional song: https://beckyreardonmusic.com/product/where-is-the-moon/
The Sticky Cocklebur: https://beckyreardonmusic.com/product/the-sticky-cocklebur/
Becky’s Bandcamp page - to come!
Ella Fitzgerald: https://www.ellafitzgerald.com/ 
René Marie: https://renemarie.com/ 

Nuts & Bolts: 4:4, mixolydian, round

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Song: The Turtle Remembers
Music by: Becky Reardon

Notes: Becky Reardon's songwriting drew me toward community singing when I was still in a choral paradigm -- and this round is a stunning example of combining a haunting melody with words that help me remember the ancient self that moves within. Happily, I didn't sing it alone for this episode -- I'm joined by friends and neighbors, Karen Chickering, Molly Moerdyk, and you may recognize Rebecca Csuy from earlier episodes?! We take our time with the round, leaving space for you to sing a line alone for a bit if you'd like -- or sing with any of us! Next week, in our conversation, Becky talks to me about singing with others and the communities that's built -- and we get a little peek into cartoonist Charles Schultz's life, too -- because people are connected in all kinds of wild ways! (A wee blooper at the end -- what happens when you start a round and no one else comes in?)

Songwriter Info: Becky Reardon's voice is familiar to the millions of people who hear her sing on the Charlie Brown/Peanuts TV specials. She is a composer whose songs and rounds are widely sung by community and university choirs, song circles, and singing classes. Sometimes jazzy and fun-loving, sometimes trance-inducing and deeply spiritual, her music always conveys her passion for the natural world and the cycles of life. 

Sharing Info: The song is free to share in oral tradition groups, but please contact Becky for recording and/or performing permission.

Song Learning Time Stamps:
Start time of teaching: 00:03:14
Start time of reprise: 00:15:09

Links:
Becky's website: www.beckyreardonmusic.com 
Abbey Lincoln's song Down Here Below: https://youtu.be/S4jvYELMUZc?feature=shared 

Nuts & Bolts: 3:4, harmonic minor, round

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Song: Where Am I Going To?
Music by: Patricia Norton

Notes: I heard adrienne maree brown describe humans as "bags of water" -- humans on average are around 60% water.... like a delta, or the land around a pond or river with its banks, or a bathtub and its water pipes -- we are a way of shaping water -- we are, literally, a flow. This song was born in motion, the kind of walking where the rhythm of your steps and breath becomes the soundscape, and you can release everything else, dropping into the flow.

Songwriter Info: Patricia loves to walk fast from one spring wildflower to the next -- averages out to a stroll! 

Sharing Info: Please share freely, and let people know about A Breath of Song when you do.

Song Learning Time Stamps:
Start time of teaching: 00:03:19
Start time of reprise: 00:11:40

Links:
Flow Singing: https://www.juneberrymusic.com/flow-singing.html 
All of what I'm up to: https://www.juneberrymusic.com/ 
Kindred Voices Retreat: https://kindredvoicesretreat.com 

Nuts & Bolts: 4:4, major, round or 3 layers

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Song: Where the Moss Grows
Music by: David Ruffin

Notes: We get to sing David Ruffin's beautiful moss song in three different keys, so you can experiment with the range and how it feels in your voice in different ways -- and really feel like you know the song well by the end! So this episode is a little longer than sometimes -- but it's a great way to get a slightly longer song and harmony into your body, and still under 30 minutes. Next episode is a conversation with David, and we'll get to know this song carrier...

Songwriter Info: David is a performing artist, community song leader and teacher with a passion for authentic expression. He loves creating space for voices to emerge fully and freely. He calls Central Vermont home, where he’s grateful to be able to share his holistic approach to voice in community through lessons, workshops, community singing and performance collaborations. David’s work is inspired by a diverse background including studies with Roy Hart Center voice teachers, deep dives in vocal improvisation, explorations in Voice Movement Therapy and over 20 plus years of performing arts, teaching and counseling/ministry experience. David believes singing helps us remember who we really are, what we're here to voice and, how we’re, thankfully, so very bound up together in this. 

Sharing Info: The song is free to share but David welcomes financial and/or networking support if/when folks are so moved. Please contact him for recording and/or performing permission.

Song Learning Time Stamps:
Start time of teaching: 00:02:33
Start time of song in B-flat: 00:13:16
Start time of song in D-flat: 00:17:36
Start time of song in B: 00:23:38

Links:
David's website: www.davidruffinvoice.com
David's Venmo: @David-Ruffin-Voice 

Nuts & Bolts: 4:4, major, harmonized

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Song: Pearl in the Dark
Music by: Sarina Partridge

Notes: Here's something to boost your "joy-ometer", as Sarina refers to it! We dive into infiltrating the health system with singing, stories we tell to make sense of the world, geysers of weird choices, singing to support community goals, cosmic bowling alley bumpers and more... and all that after learning a fresh song of Sarina's that helps us dive into the grit and the mud and the muck (when we choose to!)

Songwriter Info: Sarina Partridge is a musician, song-leader and educator in Minneapolis, Minnesota. She feels most alive when learning, creating and sharing songs, and enjoys singing with a wide variety of music projects - Eastern European and Yiddish song, old-time music, community song-leading... and everything in between. Sarina has traveled around the world to study with master folk singers, and has toured with the traveling ensemble Northern Harmony abroad and in the USA.  She has a passion for connecting people with their own creativity and with community, and uses singing to help folks develop a sense of wonder for this wild world around us. Let’s sing!
Sarina performs and teaches with several music projects/ensembles (Heartwood, Nanilo) and as a solo artist and educator; teaches at music camps (Village Harmony, Songroots, Folklore Village); and leads regular community sings and workshops in and around Minneapolis.

Sharing Info: When sharing in a money-making venture, like a workshop, class, or performance, please contact Sarina for permission and rates.

Song Learning Time Stamps:
Start time of teaching: 00:05:34
Start time of reprise: 01:30:39

Links:
Sarina's website: SarinaPartridge.com
Sarina's Patreon: patreon.com/sarinapartridge
Sarina's Bandcamp: sarinapartridge.bandcamp.com
Heartwood's UK tour in March: https://www.heartwoodtrio.com/upcoming 
SongWeavers retreat: https://www.singwaldorf.org/songweavers 
Village Harmony: https://www.villageharmony.org/ 
ABS episode with Kate Valentine: https://www.abreathofsong.com/episodes--show-notes/130-ride-the-storm-with-guest-kate-valentine 
Mariah Carey: https://mariahcarey.com/
Bad Posture Club: https://badpostureclub.net/ 

Nuts & Bolts: 2:2, major, 3 layer

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Song: The Net
Music by: Patricia Norton

Notes: The Hindu teacher, Sri Nisargadatta, said, "The real world is beyond our thoughts and ideas; we see it through the net of our desires... To see the universe as it is, you must step beyond the net. It is not hard to do so, for the net is full of holes." I began singing this song to myself in the summer of '24, reminding me that what I thought was an immutable barrier might actually be a net of holes, and if I found fluidity, I could slip right by it. As events unfolded, the song grew and took on layers of meaning for me. What if the net were my safety net, and I felt myself slipping through? Can I be at peace with recognizing that there is no safety, no guarantee -- but there is a truth grounded beyond all of my desires, and like water, I can fall down through to that. Patty gave us a beautiful visual of the freedom in that fall... this song has been a great resource to me.

Songwriter Info: Patricia is excited to be developing an in-person community program called Flow Singing in Burlington, Vermont. You can find more details about that at the Juneberry Music site. Patricia believes in singing as a resource for vibrant well-being, experiencing wholeness, courage, connection and joy along with brokenness, fear, loneliness, and despair... the whole messy catastrophe. She lives with her long-time beloved husband, Tom, in a small townhouse close to their daughter's family (the better to play with their granddaughter!) Patricia reads widely, and also spends time exploring the natural world on these Abenaki lands, knitting, and reluctantly strength-training.

Sharing Info: The song is free to share in the oral tradition; please contribute to A Breath of Song as a fair exchange if you are earning money at an event using this song.

Song Learning Time Stamps:
Start time of teaching: 00:03:08
Start time of reprise: 00:20:00

Links:
Patricia's website: https://www.juneberrymusic.com

Nuts & Bolts: 12:8, major, 3-part with harmonies

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Song: May My Tears Water a Sapling
Music by: Mary L. Cohen

​Notes: Mary Cohen's huge heart and willingness to do big work in the world shines through in this song, with lyrics sparked by the 2020 midwestern derecho with devastated so many trees. When we talk in next week's songwriter conversation, the depth of Mary's passion for how singing can support and feed change is evident. I hope you can join us as we explore the US prison-industrial complex and music, the role of mentorship, and how self-care can adapt. In this episode, I invite you to experiment a bit, finding musical touchstones as a way into harmonizing. In the links, you'll find several different arrangement/performances you can listen to for other harmonizing ideas, if that's up your alley.

Songwriter Info: Mary L. Cohen, Associate Professor of Music Education at the University of Iowa, is lead author of Music-Making in U.S. Prisons: Listening to Incarcerated Voices (2022). She co-founded the International Music and Justice Network: IMAJIN Caring Communities, a group of researchers from 18 countries who study music-making in prisons, and you are welcome to join by contacting Mary to get on the group email list ([email protected]). From 2009 to 2020 she led the Oakdale Community Choir with incarcerated and non-incarcerated participants where participants have written over 150 songs, and the Oakdale Choir performed over 75 of these songs, available with the Creative Commons License. To continue working toward the choir’s goals of building communities of caring through singing and songwriting, she founded the Inside Outside Songwriting Collaboration Project where partnerships between incarcerated and non-incarcerated songwriters create original songs, build relationships, and learn about transformative and generative justice. She has been a keynote for conferences in Germany, Canada, and Portugal, interviewed by the BBC3 Music Matters, and has over 40 publications in journal articles, book chapters, and conference proceedings. She leads weekly music groups inside the Juvenile Detention Center of Linn County.
​
Sharing Info: The song is free to share, and Mary welcomes networking support and invites you to further your education and activism regarding environmental justice, restorative/transformative/generative justice, and simply acting with kindness to all you encounter.
​
Song Learning Time Stamps:
Start time of teaching: 00:03:48
Start time of reprise: 00:18:20

Links: 
Oakdale Community Choir website: https://oakdalechoir.lib.uiowa.edu/
"Not Our Trees" by Laura Weber: https://prairiewoods.org/not-our-trees/
Outside singers (non-incarcerated choir members) from the Oakdale Community Choir (now disbanded because the current warden will not allow it to restart) performed "May My Tears Water a Sapling" at the Anne Frank Tree Planting Ceremony from April 29, 2022, on the University of Iowa Pentacrest. You can see this performance that begins with a powerful spoken word piece by Jhe Russell at 1:14 on this YouTube video.

Nuts & Bolts: 3:4, Major, unison with optional harmonies

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Exchange energy with A Breath of Song with dollars at the Gratitude Jar
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Song: The Feast
Music by: Heidi Wilson

​Notes: A lively songwriter conversation about gratitude, helping, useful questions, tending a group, getting traction with things we're passionate about, collaboration, caves & crankies and so much more! Heidi shares The Feast -- a gratitude song that intermingles the elements and us, and we get a special glimpse of 7-year-old Heidi songwriting and going big.

Songwriter Info: Heidi Wilson has a passion for sharing songs in service to community and the wild world; songs that celebrate the seasons, bring groups together, offer thanks, muster courage, and make room for healing. She is drawn to the potent and surprising journey of deep-listening and collaborative emergent music making. Heidi has been leading community singing groups in Vermont for the last 15 years and currently sings with the vocal trio Heartwood.

Sharing Info: Heidi says: "I’m on an ongoing journey figuring out how to share songs (that feel like generous gifts from the world) while also making a living as a songweaver. I am happy for the songs coming through me to be shared! If people are singing them in informal, community, or ritual settings that’s awesome, sing away! If people are sharing them in a setting where they are making a bunch of money or there is a budget for educational/repertoire materials and they are able to pass some of those resources my way I appreciate that. I would feel good about that reciprocity coming in the form of a one time donation, or by joining me on Patreon and supporting my songweaving work at any monthly level. And if you are interested in recording any of these songs let’s talk!

Looking for recordings of more songs? I mostly share music through Patreon, an online platform to support artists. On my Patreon site I’ve posted 80+ songs. Each post has downloadable practice recordings of the harmony parts. And through Patreon I also link to a spreadsheet where the songs are organized into categories, so you can listen through and find just the right song for Spring, or Gratitude, or Trees."
​
Song Learning Time Stamps:
Start time of teaching: 00:04:00
Start time of reprise: 01:01:08

Links: 
Heidi's Website: www.heidiannwilson.com
Heidi's Patreon: www.patreon.com/HeidiWilson
Heartwood Trio's Website: www.Heartwoodtrio.com
Sarina Partridge's Website: www.sarinapartridge.com
Heinavankar: Songs of Olden Times -Estonian Folk Hymns and Runic Songs: https://www.discogs.com/release/17138368-Heinavanker-Songs-Of-Olden-Times-Estonian-Folk-Hymns-And-Runic-Songs

Nuts & Bolts: 2:2, Aeolian, (harmonic minor in the harmonies), unison harmonized optionally

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(https://dashboard.mailerlite.com/forms/335811/81227018071442567/share)  to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Gratitude Jar
(https://www.abreathofsong.com/gratitude-jar.html) (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

Notes: Meg tells us where she goes "to integrate, to reorient around what matters most to me, and connect with the world around me and that sense of source within myself." We talk about "the good, the beautiful, and the true," and she doesn't shy away from the awkward questions I have about those words in today's world. Meg and her two children, Clancy and Celia, teach us "What Would It Take?" with its intertwining harmonies, and then later we talk about the experience of singing in harmonies and how it connects to boundarys and group awareness. Meg says, “My pathway with the voice…is about repeatedly coming back into connection with myself…and the possibility of joy.”

Songwriter Info: Meg loves helping people access their innate capacity for healing, connection, and joy. She is a somatic coach, supporting individuals and couples in growth, transformation, and healing. Because she's always found the voice, and especially singing in harmony with others, to be a particularly powerful pathway for connection with ourselves and the world around us, she delights in serving as a music teacher, song leader, and vocal mentor. She hosts an annual adult and family singing retreat on the coast of Maine called SongWeavers. In addition, Meg is an Adjunct Professor for Antioch University's Graduate Program for Waldorf Teachers and for the Center for Anthroposophy's Waldorf High School Teacher Education Program. Her sources of inspiration include the small, misty mountain that overlooks her home and singing with her children, Clancy and Celia.

Sharing Info: Yes -- The song is free to share but Meg always welcome financial and/or networking support if/when folks are so moved.

Links: People of the Dawnland, Wabanaki confederacy and Penobscot people: https://matlt.org/wabanaki-people-of-the-dawnland/
Spell Songs: The Lost Words: https://www.thelostwords.org/spell-songs/
The Spell Songs: Blessing: https://www.youtube.com/watch?v=AUBBF99UNkQ
Blue Hill Mountain: https://bluehillheritagetrust.org/blue-hill-mountain/
SongWeavers of Maine: https://www.singwaldorf.org
Antioch University, Masters for Waldorf Teachers: https://www.antioch.edu/academics/education/waldorf-education-med/
Heidi Wilson: https://heidiannwilson.com/
Sarina Partridge: https://sarinapartridge.com/
Nicholas Williams: https://www.kehlerwilliams.com/about
Bennett Konesni: https://www.duckbackfarm.com/
Bagaduce Music lending Library: https://www.bagaducemusic.org/
Waldorf Education: https://www.waldorfeducation.org/waldorf-education
Meg’s Somatic Coaching: https://www.singwaldorf.org/work-with-meg
Tinder Hearth pizza restaurant: https://www.tinderhearth.com/
Joni Mitchell - Blue: https://jonimitchell.com/music/album.cfm?id=5
Kongero- Swedish Folk'appella group: https://kongero.se/

Song Learning Time Stamps:
Start time of teaching: 00:03:45
Start time of song after teaching: 00:34:56
Start time of reprise: 01:16:40

Nuts & Bolts: 6:8, minor, 3-part harmony

Join the A Breath of Song Mailing list (https://dashboard.mailerlite.com/forms/335811/81227018071442567/share)
to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Gratitude Jar (https://www.abreathofsong.com/gratitude-jar.html)
(whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

Notes: I love the way this song by Kate Valentine has both motion and deep stillness. It carries acceptance and conviction, and I simply love having it in my head. How did she do this??? Next week, in conversation with Kate, she tells how she wrote this specific song, as well as how she managed to convince herself to write music in the first place, which felt like a near-impossible stretch.

Songwriter Info: Kate Valentine is a registered nurse and founder of Singing Mamas - a national non-profit for maternal well-being, bringing singing groups across the UK and the globe to women and mothers. Kate started with one group in 2011 and while struggling as a single mum to 3 sons and working nights shifts, she set about to get singing mamas free and referred to all new and expectant mums across the UK. There are now more than 200 leaders across 8 countries, with Singing Mamas programmes being delivered in over 50 local authorities, either as community groups or on-prescription through the national health service (NHS).

Kate is most passionate about bringing the 'untrained' musician into the work of song sharing, and is driven by a determination to re-normalise a singing culture, where it has been lost.

Sharing Info: Yes -- The song is free to share but Kate always welcomes financial and/or networking support if/when folks are so moved.

Links:
Singing Mamas Website: www.singingmamas.org
Singing Mamas on Instagram: @singing_mamas_org

Song Learning Time Stamps:
Start time of teaching: 00:03:34
Start time of reprise: 00:14:47

Nuts & Bolts: 2:2, major, harmonized 2 layers

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Notes: Sometimes I get so overwhelmed with the thought of death, I think I'm going to precipitate it by forgetting to breathe! And then somehow, something will help me back into the present, alive moment... and this song appeared just after one of those moments. I was absolutely delighted to record it with my son, Seth, who was visiting from Boston (you'll hear a little fangirl excitement in my voice)... and also surprised by how different it was for me to sing it with someone else rather than just my own voice on the looper! This voice music thing... it's always surprising me, delighting me, stretching me. And this particular song keeps coming back, insisting I sing it again.

Songwriter Info: In addition to hosting this podcast and an online singing program, Pocket Songs, Patricia is excited to be developing an in-person community singing program in Burlington, Vermont. You can find more details about that at the Juneberry Music site. Patricia believes in singing as a part of vibrant well-being, experiencing wholeness, courage, connection and joy along with brokenness, fear, loneliness, and despair... trusting the whole messy catastrophe! She lives with her long-time beloved, Tom, in a single bedroom apartment close to their daughter's family (the better to play with their grand.) Patricia reads widely, and also spends time exploring the natural world on these Abenaki lands, knitting, and reluctantly strength-training.

​Sharing Info: You are welcome to share this song; please contact Patricia directly for sheet music or permission to record or perform. She always appreciates hearing about how the song travels.

Links: 
Patricia's Website: https://www.juneberrymusic.com

​Song Learning Time Stamps:
Start time of teaching: 00:03:25
Start time of reprise: 00:15:15
​​
Nuts & Bolts: 4:4 Minor & Major, unison or 2-part layer

​Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Gratitude Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!​

Notes: I sometimes find my body feels chaotic and overloaded with visual and audio stimulation. "Settle Like A Pebble" is a song that helps me drop in -- it feels almost like a psyche rinse! As I sing it, I feel a loosening and ease – the calm of the word "settle" – I am reminded of the feel of a pebble, round in my fingers, smooth in a riverbed – then the float and lightness of “drift like a feather” – and finally, the low release of “let go” and “close your eyes and be." Laura Walker's detailed stop-action videos & original songs on her Marnie Bee Mindful youtube channel create a unique visual & audio meditation -- here's one to explore -- Space: https://youtu.be/_E_DT6qiipM

​Songwriter Info: Laura Walker started writing short songs about a year ago as a creative outlet and a way to help her remember kind self care messages to access when she needs them. She found focus in making short films to accompany the songs and to help illustrate the words and began posting on YouTube under the name Marnie Bee Mindful as a way to share the things that work for her with others who may enjoy them. “Settle Like A Pebble” is about slowing down and taking a calm moment to let go of the stresses of the day to close your eyes and allow thoughts to drift. Spending time in nature, especially near water helps Laura achieve this mindful state but the song reminds her that calm peacefulness can also be found by closing her eyes and imagining somewhere beautiful too. It’s her wish that by being extra kind and gentle to ourselves and connecting through music we can help find the strength to share and cultivate these things with those around us too. She hopes the song helps you settle into your day and soothes you a little. ​

Sharing Info: Yes the song is free to share for anyone who feels it may be help, please be kind enough to mention Laura as composer when doing so and the Marnie Bee Mindful YouTube Channel. It brings her such joy to know if a song has been of use to someone so if a song helped she'd love to hear from you! 

Links:
Laura's Instagram: https://www.instagram.com/marniebeemindful/
Laura's Facebook: https://www.facebook.com/profile.php?id=100084878260963
Laura's Website: https://marniebeemindful.com/
​Laura's YouTube: https://youtube.com/@MarnieBeeMindful 

Nuts & Bolts: ​4:4, major (Ionian), harmonized and a countermelody

​Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Gratitude Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

Notes: Rain is not always the easiest weather for me to delight in... seems to come with dark days and wet, slippery footing -- I often get a little cranky in response! I love the delight in the rain this song evokes -- reminds me of how crucial water is, what a gift to have it falling fresh from the sky. The original melody reminds me of the whoosh of rain, and as we sing "Rain falling down on the plains," the melody falls, too. Then in the response melody, I put the plink of the rain drops on the rooftops -- so the whole song is an onomatopoetic celebration of rain that enchants me out of crankiness into delight.

​Songwriter Info: I got to record this one live with my daughter and dear friend, Rebecca, which affirmed for me the magic of singing with someone you love. Just as relationships of love grow and shift and change, some songs seem to grow organically, shifting shape and adapting to their circumstances. I always want to respect and hear the intent of the composer, and there are times when a song adapts in relationship to the singer. When sharing songs that have grown or changed, or songs of unknown provenance, I think it’s really important to name what we do know, what we guess, what we've changed (after requesting permission if there's a living composer), and welcome learning more. So: I learned the melody of this song from Micky Hickey, who offers a beautiful set of pocket songs on Instagram. (See the links below.) She learned it from Bennett Konesni, a songsharer in Maine. It has definite echoes, and maybe even quotes from the Joseph Shabalala song, Rain, Rain, Beautiful Rain, that Ladysmith Black Mambazo released in 1987, but it’s not exactly that song. I added the response melody… so what we’re singing today is a song of accretion and adaptation. Maybe you will add to it or adapt it as it enters your life? And if you have more information about the origin of the song, I would love to hear!​

Sharing Info: Free to share, but please credit the full history as we know it.

Links: 
Micky Hickey's Pocket Song project: https://www.instagram.com/pocketsongproject/
Bennett Konesni: http://www.duckbackfarm.com/
Ladysmith Black Mambazo, Rain, Rain, Beautiful Rain: https://www.youtube.com/watch?v=Ke6RF3IH45g

Song Learning Time Stamps:
Start time of teaching: 00:03:24
Start time of reprise: 00:14:12

Nuts & Bolts: ​3:4, Major, melody & countermelody

​Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Gratitude Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

Notes: An elemental song that reminds us of how ephemeral human life is -- yet how we can rely on the solidity of the elements and return to them again and again. This is a song I need when I feel unrooted by grief and anger. I wonder how it will feel to you, what it might touch, how it might help you adapt and flex and grow? Listen for the surprise sound effect... I was recording with the windows open, and my looper caught a passing sound... I decided not to rerecord, both because I didn't really have the time, and because I thought it was actually kind of cool in the context of this song. Just a reminder that this podcast is not a polished recorded performance (as if you hadn't figured that out already! :) ) I use the looper to layer up my voice a bit, but it's how it would sound if we were sitting in the same place and you were singing with me live... two real humans doing real human-y stuff.

Songwriter Info: Starhawk is an author, activist, permaculture designer and teacher, and a prominent voice in modern earth-based spirituality and ecofeminism. Anne Hill has expertise in many areas, from dreams and spirituality to self-publishing and author platforms. She is a sought-after speaker and teacher, helping people improve their lives using both inner and outer resources. With Diane Baker, they co-created a book called Circle Round, which is a resource of nature spirituality practices.  Unusually, I did not manage to get their explicit permission to share this song, though I reached out through their websites... so if this episode disappears, you'll know why! I'm hoping that because this song is already widely shared, it might be okay. Please, if this song speaks to you, here's an extra plea to use the links and visit their websites to support their work!

Links: 
Regenerative Culture, Earth-based Spirituality, and Permaculture « Starhawk's Website http://starhawk.org
About Anne | Serpentine Music & Media

Song Learning Time Stamps:
Start time of teaching: 00:03:28 
Start time of reprise: 00:13:29
​
Nuts & Bolts: 2:2, Ionian, Call & response with harmonies.

Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Gratitude Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

Notes: This particular song of Saro's has gained international attention, becoming an anthem in the movement to end global warming and garnering praise in the Huffington Post. You may already be familiar with it... in which case I'd really encourage you to use this podcast to explore it and use my voice as an opportunity for you to experiment with harmonies, or being a grounded, single note, or be able to pay extra attention to how it feels inside your body as you sing. Or maybe you don't know it yet? That's cause for celebration, because you have a treat waiting for you today! For me, when I sing this, I feel huge things -- grief at what is happening to our planet and a powerful, grounded determination to respond as I can -- and, like I said -- feeling those things strong and large. It taps into something bigger than myself, even when I'm singing alone, as I often am these days. And then Patty sent me her image for this, which she had developed independently, after listening to the song over and over -- and I was so moved by the force of this hippo! I'd be curious to hear how it feels to you to sing it with me?

Saro encourages people to sing this in groups -- "please share this song -- use it at protests, use it in church, use it in meetings, add new verses, spread it around!"
​
Songwriter Info: Saro Lynch-Thomason is an award-winning ballad singer, song leader, folklorist, and documentarian from Asheville, North Carolina. Saro has been studying and teaching traditional song and balladry from the British Isles, Appalachia and the American South for over a decade. Saro believes that old songs help modern learners access history, folklore, and (most importantly) compassion for the experiences of others, and she uses in-person teaching, film documentary, podcasts and more to convey these lessons. She holds an M.A. in Appalachian Studies and a Certificate in Documentary Studies.

Links: 
www.sarosings.com,
www.patreon.com/sarolynch,
Music at sarolyncht.bandcamp.com,
TikTok and Instagram at @songspeaksaro
Saro herself singing More Waters Rising. (SO worth singing with!!!)

Song Learning Time Stamps:
Start time of teaching: 00:02:57
Start time of reprise: 00:13:17​

Nuts & Bolts: 4:4, Aeolian, harmonizable
​
Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Gratitude Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

Notes: Okay, I procrastinated on recording this episode for the longest of any song yet... I respect Moira so much, and I desperately wanted to share her song in a beautiful way that convinced you to love it, too. I felt like I wasn't good enough, and I got a good run of the whole imposter syndrome going, yada, yada, yada. But you know what shifted? I remembered why this podcast exists -- to share songs that help me heal, adapt, and grow, so you can sing them, too. And this song is one that I've sung to myself over and over in the middle of troubling times to help me release and let go. When I sing this into myself, I can see more clearly which actions might be mine to make next. And when the world is in turmoil, this is what helps me navigate a way forward. None of us (myself included) need to have a stunning voice for a song to be a companion... and I'm grateful to Moira for this gift. Please notice, I haven't shared the entire song here, only an excerpt... check out the links below to hear the whole song, and buy the music on her website for yourself or to share with others. Next episode: a conversation with Moira Smiley herself, who turns out to be absolutely lovely and generous -- we talk creativity, how rest is part of the job, how her voice has protected her, and more...​
​
Songwriter Info: As a composer, Moira Smiley is known worldwide for choral arrangements like Bring Me Little Water, Silvy and originals, Stand in That River and How Can I Cry. Her music is sung by millions of singers worldwide. She’s credited with helping to bring body percussion into the choral mainstream and is in demand as a commissioned composer, writing multi-movement pieces including Time In Our Voices and In The Desert With You for the Los Angeles Master Chorale, evening-length secular liturgy, The Song Among Us and Tis A Fearful Thing for Craig Hella Johnson’s Conspirare and CVAE, Vonnegut Requiem: Light Perpetual for Voces Novae, Loud My Soul for Ad Astra Festival and I Have A Voice for ACDA Women's Choral Consortium. The European premiere of Time In Our Voices was performed by the voices and mobile phones of Ars Nova Copenhagen under the direction of Paul Hillier.
  In 2018-2019 Moira released the album and choral songbook, Unzip The Horizon as companion to her ‘The Voice Is A Traveler’ solo show. In 2021 she released the all-vocal social-justice centered album, In Our Voices with four powerful singers of diverse ethnic and cultural backgrounds. She continues composing and improvising in collaboration with artists in film, video game production, theater and dance, and her work can be heard on feature film soundtracks, BBC & PBS television programs, NPR, and on more than 70 commercial albums.
  “Moira Smiley is a marvel—an omnivorous singing and composing chameleon with a voice that can wail or caress at will!” -- Grant Gershon - artistic director, Los Angeles Master Chorale
  “Moira Smiley is a brilliant musician – an innovative composer and arranger, and a heartbreakingly beautiful singer. Her music transcends (and expands) boundaries.” -- Billy Childs - multi-grammy-winning composer/pianist
  “I’m so thankful I’ve had the privilege of performing and recording with Moira. She embodies the endless creative potential of the voice, and… (has made) a deeply moving body of work.” -- Merrill Garbus - Tune-Yards

Links:
www.moirasmiley.com for all info including sheet music, practice tracks!
https://moirasmileysubscription.com/ to support Moira monthly for as little as $4/mo.
https://www.instagram.com/moirasmiley/ for up-to-date personal and music pics
https://www.youtube.com/c/MoiraSmileyMusic for official music videos, song and body percussion tutorials and live performances
A beautiful recording of a quartet singing the full Stand In That River, part of "The Mt. Tom Sessions".
Moira's own recording of Stand In That River with VOCO.

Nuts & Bolts: ​3:4, Ionian, harmonized melody

Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Gratitude Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

Notes: I find I keep returning to Emily Roblyn's song after learning it many months ago... I find myself singing it when times are really sweet -- and when they're really hard. It helps me remember I don't need to try to clench the almost painfully beautiful, wonderful times, because they won't last forever no matter how hard I hold -- and it helps me trust that the difficult, heart-aching times will pass. And as I sing, I can feel my voice vibrate in my body, and it brings me into awareness of my own body. Now, I'm no sage or wise woman -- but I know that this kind of embodiment is good for my whole being, and I'm grateful for any song that gets me there! Lots of juicy harmony options, or a lovely melody that rises and falls like the waves.... you sing what feels good in you today.

Songwriter Info: Emily Roblyn is a Canadian born singer, choir leader and composer, who has made her home in Devon, UK where she has been leading choirs, workshops and singing retreats for over 18 years. She is a member of the Natural Voice Network and believes deeply in singing being a powerful tool for healing, change and connection. Her warmth and enthusiasm for sharing the blessings of singing together shines through in all her teaching, and her beautiful original songs are favorites in choirs across the UK.

Links: 
Visit Emily’s website and join her mailing list to be kept up to date with her new musical offerings. www.emilysinging.com
Or contact her directly to buy the license to teach any of her songs by emailing [email protected]
Hear Emily herself sing this song, plus another verse here: www.youtube.com/watch?v=TVmM52zcCPk

​Song Learning Time Stamps:
Start time of teaching: 00:02:16
Start time of reprise: 00:15: 38

Nuts & Bolts: 4:4, Minor, 2-layers -- one harmonized 3-ways.
​
Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Gratitude Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

Notes:  I met Paul Barton in 2019 at a Circlesinging workshop with Bobby McFerrin -- a quiet, gentle redhead with a warm smile, he was easy to like… and then gradually since then, I’ve been discovering his music, which unfolds itself the more you sing it. I live not far from a pond, lake, and river, all which I have seen at moments of glass calmness (although, truth be told, not at sunrise!) I love the way I feel calm and clear after I sing this song, which he says Stephanie Drouin helped write as they were visiting a friend's cottage, and had gone for an early morning paddle. 

Songwriter Info: Paul is a skilled jazz guitarist in Toronto, Canada, who creates music for community singing, in his words, "because I want to use my creativity to help people experience the joys (and sometimes sorrows) of singing together. There is a growing number of people around the world who are remembering that singing together can be inclusive to everyone regardless of singing ability or musical knowledge. And, the focus can be on the healing and connecting power of music, rather than on 'getting it right'." You can find Paul leading songs at Fiercely OK and Sing for Joy song circles.

Links:
Paul's website, http://www.paulbartonmusic.com/
Paul's teaching tracks and sheet music for When the Water Is Glass Calm.
Fiercely OK song circles
​Sing For Joy Community Choir

Nuts & Bolts: 4:4, Ionian (major), 3 layer song​
​
Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Gratitude Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

Notes: I met creator Elise Witt online during the pandemic, when we were both in a course led by the extraordinary improviser Rhiannon… I was honored, because I already knew of Elise as a composer of unusual choral work that I had explored doing with my community chorus. In fact this piece was conceived as a choral piece, and Elise very generously let me excerpt a bit of it to be a pocket song. I love the way the rhythm wakes me up from an uninspired, tired place -- whenever I sing this, I almost always end up moving somehow. And now that I know Elise a little, I can see why -- her brain is the definition of fertile, and she exudes energy and joyfulness you can almost touch through her little Zoom rectangle. Elise says, "I believe that if we listen deeply, we can hear music in the wind, the water, the earth, and deep in our bones. And no matter how disconnected we get, that music is always there, when we are ready to return and listen."

Songwriter Info: Elise’s concerts of Global, Local & Homemade Songs™ and her Impromptu Glorious Chorus™ workshops create and connect singing communities around the world. Born in Switzerland, raised in NC, and living in Atlanta since 1977, Elise speaks 5 languages fluently and sings in at least a dozen more. The Elise Witt Choral Series features choral arrangements of her original compositions and she recently published All Singing, a songbook with 58 original songs including music notation, lyrics and chords, stories and photos. In addition to her global touring, Elise serves as Artist-in-Residence & Director of Music Programs at the Global Village Project, a non-profit, special purpose middle school for teenage refugee girls in Decatur Georgia.

Links:
www.EliseWitt.com -- Learn more about Elise on her website
"Song Deep in Your Bones" as recorded by Malcolm Dalglish’s Ooolation Singers in rehearsal at Yosemite National Park
Recorded on "We're All BORN SINGING" EMWorld Records 1012
Available for SATB, SSAA, TTBB in the Elise Witt Choral Series
​Included in ALL SINGING: THE ELISE WITT SONGBOOK

Song Learning Time Stamps:
Start time of teaching: 00:02:38
Start time of reprise: 00:12:47​

Nuts & Bolts: Mixed Meter (5:8, 3:8, 3:4 or 6:8), Mixolydian mode, and in this teaching, unison.

Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Gratitude Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

​Notes: Kathleen says she caught this comforting song while lying on a huge rock next to the Schuylkill River in Philadelphia, crying her heart out over a relationship that was transforming.  A beautiful oak tree was growing out of the rock, and as the song was born her sorrowful feelings washed through with the sound of the river, and she was left feeling whole, and at peace with the way things were. She also shared this story with me, "One time I sang the song in a show with a group of women drummers. Their teacher, a lovely African man, also played with us in the concert and rehearsal. After I taught them in the rehearsal and we had played it for a while, the African drummer told me that the song felt like an African song to him. That was one of my happiest moments, since I have for so long felt inspired by African diaspora music. And I did not really feel like I wrote that song... it just came through as a whole as I cried by the river." 

Songwriter info: Kathleen has been writing, collecting and sharing songs for over 50 years. Her songs were awarded a North Carolina Arts Council Songwriter Fellowship. She currently leads the Bodies, Voices & Spirit Choruses in North Carolina and Maine, and is also a Dances of Universal Peace leader. She's a student of the Heart, and she facilitates The Work of Byron Katie.

Links:
Kathleen's blogpost & recording of Ancient Green with guitar, bass, piano, and drum. (So much fun to sing with!) 
​https://www.kathleenhannan.com/song-blog/songs-for-our-journey-26
Kathleen's online presence: www.kathleenhannan.com
Kathleen's chorus: https://bodiesvoicesandspirit.weebly.com/
Kathleen's song blog, which is searchable by title, subject or excerpts from lyrics: https://www.kathleenhannan.com/song-blog

Kathleen's most recent CD is Seen & Unseen: Songs from the Light of Midlife
Purchase CD here: https://www.kathleenhannan.com/seen--unseen-cd1.html
Lyrics are here: https://www.kathleenhannan.com/lyrics--credits.html
Photos from the recording process: https://www.kathleenhannan.com/photos.html

Nuts & Bolts: 4:4, Ionian (major), round with possible harmonies, or optionally could be taught as a layer song

​Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Gratitude Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

Take 2 has arrived!  After listening, Tembre realized I was sharing an early, unfinished version of this song, which later evolved into a version she loves and shares. Tembre said, "As I remember when Rolling River was complete for me when the extra parts/delayed harmony was created , it was a special moment, as I felt this song was complete in that moment and it is loved.  I love the simpleness of the melody, as the other parts are added, it slowly becomes something that is resonant, full and fluid. " So here we have the version of Rolling River Tembre loves and would like shared...  I'm wondering if, for those who heard the first, mistake episode, if that's like owning one of those special stamps that was printed backward?​

Notes Rounding, smoothing, softening... I love the way this song invites us to relish the tumbling flow of life and let it comfort and carry us, let it reassure us that we are enough, we are home. There's a rocking, rolling melody, which can be harmonized, and then a lovely descant, or upper line, that responds to the melody. I love the way this song lets me, (not an eager swimmer!), sense the release and acceptance of allowing the water to carry me. Next episode, a conversation with Tembre that includes cold water swimming, how she supports singers who might not be matching yet, finding time to songwrite, what makes Ireland a special place for a songleader, and more!

Songwriter info Tembre de Carteret lives in County Clare, Ireland, and has led a beautiful online singing circle called "We May Sing" during the pandemic. You can learn more about her and the way in which she facilitates, mentors, and builds song communities at her website, www.tembresong.com

Nuts & Bolts The song is in 4:4, in 2 layers, one of which is harmonized. It is Aeolian (natural minor).

Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Gratitude Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

Notes I love the way songsharers around the country during the pandemic dug into music as a way of healing, comforting, hoping. So much new music came out of this time that helps us uncover the wellness that's already there, inside us. Now you might think those songs would all at tempo=comfort, or heartbeat pulse, or something else that soon feels trite. But this song, for instance, has a driving urgency as well as the sense of smiling just a bit, which feels fresh to me... and as it is unexpected, I can hear the message in a new way.

Songwriter info
Elisa S. Keeler is a composer, song leader and retreat facilitator who has taught voice workshops since 2003. She holds degrees in Music Education and Vocal Performance from Ithaca College and a Masters in Transpersonal Psychology from Sofia University with a focus on the therapeutic benefits of singing in groups. Elisa is the founder of Freeing Your Voice program for adults and the Music for Unity and Social Change program for public schools. As a songleader she has worked with Threshold Choirs, the American Association of Choral Directors, religious organizations, community choruses, colleges, universities, and staff community-building retreats. Since 2011, Elisa has facilitated personal and spiritual growth retreats for adults as a co-teacher of the Hidden Treasure Program at Light on the Hill Retreat Center. She lives with her family in Ithaca, NY. 

Songwriter contact
www.elisamusic.com for music, scores and information about workshops and retreats
www.patreon.com/elisaskeeler for Patreon account

Nuts & Bolts 4:4, harmonized song with a bass line, Aeolian (natural minor)
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Notes: Written at a time when my soul felt dry and fragile in response to wildfires, drought, racial injustice, pandemic, climate and political crises... I needed a song that recognized how I felt, but could also call on hope, water, justice, breath, vision -- and a song I could bring to groups which could be quickly taught and singers could name what they wanted to call for themselves. I love the determination and sharpness I feel at the beginning, followed by a peaceful settling when the rain "falls down" on us all.

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If you'd like to bring this song to your own groups, simply let me know at [email protected].

Nuts and Bolts: 4:4, Aeolian (natural minor) zipper song with body percussion.

Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Gratitude Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!