Notes: You get to hear Kate and I in deep conversation -- complete with creaky chair, and me messing up as Kate teaches me her beautiful song, Go Dark. Do you ever have the experience of being solid on a part, as long as the leader is singing it, but then when they leave to teach another part, you lose it? You'll hear me doing just that! :) We talk about building a bank of nourishing words for hard times -- and Kate shares a story about something that shook her certainty and ease with life, and how that made her vow not to judge people. She observes how giving time and a safe place to make mistakes makes it possible for most people to learn to sing, like almost all people learn to drive eventually. And then there's the handpan, and learning Arabic, and... I guess you'll just need to listen in!

Songwriter Info: Kate Thomas is a singer, song leader, songwriter and instrumentalist (guitar, piano and handpan) and has been leading singing groups in Sheffield for over 20 years. She has produced two songbooks, 'Honey and Salt' (from which 'Be Yourself' and 'Scattered Seeds'. If you are interested in contacting her about these resources, her email is honeyandsalt65@gmail.com. 

Links: 
Wendell Berry – Farming (counterpointpress.com) (Kate mentioned "Soul Food", but I think this ends up being the book with the poem in it.)
Barbara Brown Taylor – Learning to Walk in the Dark
Wanting Memories - Sweet Honey in the Rock
Handpan playing -- Kate suggests thishandpan duo, Mea
Raffi
The Singing Kettle
Tapestry – Carole King -- I'm pretty sure you can find the album, so here's an article that quotes many artists talking about the influence of the album on them... Talking about 'Tapestry': Musicians discuss the influence of Carole King's masterpiece - NJArts.net
Karine Polwart – Scottish Songbook, The Lost Words: Spell Songs -- and here's a bonus interview with Karine about the Spellsongs project
Youtube recordings of Kate’s songs -- here's her channel, where you can find all 10: Kate Thomas - YouTube
   And here are just a few links for specific songs:
  We Were Seeds: Kate's bold setting of the Dinos Christianopoulos quote, "They thought they could bury us; they did not know we were seeds.
  A Thousand Ways (with handpan! -- a beautiful meditation)
Kate's profile and choirs: Member profile - Natural Voice Network
Information about Honey and Salt (and Scattered Seeds is searchable there, too): Honey and Salt - Natural Voice Network

Nuts & Bolts: 6:8, major, 2-parts here, (SATB in the Honey & Salt book) or works beautifully unison, too
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Notes: Okay, I procrastinated on recording this episode for the longest of any song yet... I respect Moira so much, and I desperately wanted to share her song in a beautiful way that convinced you to love it, too. I felt like I wasn't good enough, and I got a good run of the whole imposter syndrome going, yada, yada, yada. But you know what shifted? I remembered why this podcast exists -- to share songs that help me heal, adapt, and grow, so you can sing them, too. And this song is one that I've sung to myself over and over in the middle of troubling times to help me release and let go. When I sing this into myself, I can see more clearly which actions might be mine to make next. And when the world is in turmoil, this is what helps me navigate a way forward. None of us (myself included) need to have a stunning voice for a song to be a companion... and I'm grateful to Moira for this gift. Please notice, I haven't shared the entire song here, only an excerpt... check out the links below to hear the whole song, and buy the music on her website for yourself or to share with others. Next episode: a conversation with Moira Smiley herself, who turns out to be absolutely lovely and generous -- we talk creativity, how rest is part of the job, how her voice has protected her, and more...​
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Songwriter Info: As a composer, Moira Smiley is known worldwide for choral arrangements like Bring Me Little Water, Silvy and originals, Stand in That River and How Can I Cry. Her music is sung by millions of singers worldwide. She’s credited with helping to bring body percussion into the choral mainstream and is in demand as a commissioned composer, writing multi-movement pieces including Time In Our Voices and In The Desert With You for the Los Angeles Master Chorale, evening-length secular liturgy, The Song Among Us and Tis A Fearful Thing for Craig Hella Johnson’s Conspirare and CVAE, Vonnegut Requiem: Light Perpetual for Voces Novae, Loud My Soul for Ad Astra Festival and I Have A Voice for ACDA Women's Choral Consortium. The European premiere of Time In Our Voices was performed by the voices and mobile phones of Ars Nova Copenhagen under the direction of Paul Hillier.
  In 2018-2019 Moira released the album and choral songbook, Unzip The Horizon as companion to her ‘The Voice Is A Traveler’ solo show. In 2021 she released the all-vocal social-justice centered album, In Our Voices with four powerful singers of diverse ethnic and cultural backgrounds. She continues composing and improvising in collaboration with artists in film, video game production, theater and dance, and her work can be heard on feature film soundtracks, BBC & PBS television programs, NPR, and on more than 70 commercial albums.
  “Moira Smiley is a marvel—an omnivorous singing and composing chameleon with a voice that can wail or caress at will!” -- Grant Gershon - artistic director, Los Angeles Master Chorale
  “Moira Smiley is a brilliant musician – an innovative composer and arranger, and a heartbreakingly beautiful singer. Her music transcends (and expands) boundaries.” -- Billy Childs - multi-grammy-winning composer/pianist
  “I’m so thankful I’ve had the privilege of performing and recording with Moira. She embodies the endless creative potential of the voice, and… (has made) a deeply moving body of work.” -- Merrill Garbus - Tune-Yards

Links:
www.moirasmiley.com for all info including sheet music, practice tracks!
https://moirasmileysubscription.com/ to support Moira monthly for as little as $4/mo.
https://www.instagram.com/moirasmiley/ for up-to-date personal and music pics
https://www.youtube.com/c/MoiraSmileyMusic for official music videos, song and body percussion tutorials and live performances
A beautiful recording of a quartet singing the full Stand In That River, part of "The Mt. Tom Sessions".
Moira's own recording of Stand In That River with VOCO.

Nuts & Bolts: ​3:4, Ionian, harmonized melody

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Notes: Whether or not you have snowdrops blooming right now, who doesn't recognize the promise we sometimes can sense in a bloom? The cycle of blooming, falling, disintegrating, resting, reforming, growing, blooming... this song has a beautiful criss-cross of lines, so the first line burrows into the second line, while the second line starts low and grounded, then rises hopefully above the first. The third line lets you sing out a sort of commentary and affirmation of the first two. I take time teaching the first part, especially, so you can feel really confident as the song develops...

Songwriter Info: Jenny is a community singing leader and songwriter with a passion for using song to bring joy and build communities and friendships. She runs a-cappella harmony singing groups in Knaresborough and has two young children aged 7 and 4. She also writes beautiful, soulful and easy to teach songs often inspired by and celebrating her love of nature.

Links: A license to teach the song along with the score and learning/ part tracks are available for £5 by sending an email to Jenny at Jenny.j.cook21@gmail.com
You can also find more of Jenny's songs at her facebook page: https://www.facebook.com/jennycookmusic/ (you don't need to belong to facebook to look & listen)
Jenny singing Brighter Days herself in a beautiful video with Patty's art, among other lovely snowdrops: https://www.youtube.com/watch?v=e1HBLiURzqI

Nuts & Bolts: 6:8, Ionian, 2 layer, one harmonized
​
Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

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Notes Lissa Schneckenburger's song has a personal back story that we get into during the conversation part of the episode -- along with discussion of change-making as integral to music-making, the similarities and differences of violin and voice as instruments, why Lissa chose songs with words for her recent solo album... Lissa spills over with ideas, generosity, connections, and a deeply caring heart -- our time together was a treat for me. This song feels particularly appropriate at this turn of the year, when we are tired of COVID and injustice and it is easy to be fearful... "we are rising, we are shining, we have the power"... "we will not let this be the end". Something a little different on this episode -- after she invited us to join, I included myself singing with Lissa and experimenting (sometimes more successfully than others) with harmonies... my hope is that that encourages you, too, to explore. Brendan Taaffe says you're only ever one note away from a great harmony! If you want to hear the song already beautifully harmonized and sing along with a polished version after you've learned it on the podcast, check out the links below for Low Lily's video.

Songwriter Info: Lissa Schneckenburger is a fiddle player and singer whose roots are in folk music in Maine. She lives in Brattleboro, Vermont, now, and says, “To me, music creates community. Music is what people sing along to, dance to, fall in love to… music brings people together." Giving concerts on her own or as part of the trio, Low Lily, as well as supporting other musicians with practice challenges (and jokes) through her website, Lissa consistently does her part to build community. Her solo album, Thunder In My Arms, is a tender, powerful collection of songs about attachment, parenting, and trauma. We talk about its origin and development in today's conversation.

Links:
Lissa's website: lissafiddle.com
Low Lily's music video of Labor On: https://www.youtube.com/watch?v=R2XtOspP1Jc
Peter Mulvey (bike tours and music!) https://www.petermulvey.com/
The Road North by Alasdair Fraser and Paul MacHlis -- one of Lissa's influential albums
Moosewood borscht recipe by Mollie Katzen -- the link goes to a blogpost with the recipe, or buy the whole cookbook at your local bookstore -- a 40th anniversary edition was released and is still in print.
Kafari on kafarimusic.bandcamp.com/ -- a Black, Portland, Maine-based artist Lissa wishes more people knew about... piano and percussion music.
Duet with Lissa on TikTok here: https://www.tiktok.com/@lissafiddle?

Nuts & Bolts: 6:8, Aeolian, verses & chorus
​
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Notes: This song began to appear Sunday morning, December 4th, as I was making breakfast, thinking about snowy drives through our town, looking at Christmas lights. It was one of those warmish, wet days with snow on the ground, so there was a mist lifting up from the snow, and the sky was the same color as the fields. December is a complicated month for me, with rich memories of so much happiness as a child, and difficult loss as an adult...  the longing to connect with and create happiness for all whom I love -- the rueful recognition that I can't "make" anyone happy. Thinking of all the stories in December about light in dark, fraught journeys, seeds, births, miracles -- all the hope and determination we try to share with each other in lights and decorations and candles. For me, the song is a good companion to the bittersweet, reflective mood I often find myself in in December.

Songwriter Info: Patricia is the fourth of five siblings, with eight years from oldest to youngest. Growing up in Boulder, Colorado, and western New York State, a snowy Christmas was virtually guaranteed, and the house was filled with beautiful traditions, from a fat Christmas tree we would go cut at a local farm decorated with white paper doves, tinsel, red balls, and lights, to much gift planning, making & secret, careful wrapping. Christmas cookies left out for Santa, waking up to go to midnight mass, the Westminster Choir College singing Britten's Ceremony of Carols on the turntable, holiday songs on the radio and the whole family watched whatever holiday specials were on tv. A special meal with tablecloth and candles on the table, sledding and snow forts and tunnels, plastic bread bags in the boots and over the mittens to try to keep us warm and dry... my childhood memories are of magical, generous, happy Christmases with music everywhere.
​  Of course, the world appeared more complex and nuanced as I grew, and the loss of loved ones I wanted to celebrate with, ugly commercialism, knowledge of economic disparity and the dark history and abuses of religious belief also became part of December.... and, as a church musician, holiday performance pressure -- the collision of expectations and what actually happens. This song is one of the ways I can be present with the whole catastrophe, as Jon Kabat-Zinn might say.

Links
My web center...juneberrymusic.com 

Nuts & Bolts: 6:8, Aeolian, unison with harmonized accompanying line

Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

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Notes: It's a generous mast year here around the Connecticut River -- another gift of the trees, our breathing partners. Joy brought this song to my Pocket Songs group in the fall of 2020, and it is much loved by the Pocket Song Singers. A thing to know about Joy is that she has an extraordinary ability to be present with the feelings of those around her -- and an incredible capacity for delight and kindness… as well as an openness to learning that is hard to have unless you feel confident about your own innate worth. There's something about this song that transmits that sense of one's own standing: present, and also willing to change. It is a TOUGH one for me to sing in tune!!! (Thanks, Joy!) There are back-up parts that remind me of my once-upon-a-time deep desire to be one of the Shirelles, and a sweeping melodic line for the first part, followed by a breathing, in-and-out line for the second part. I hope you find it as satisfying and affirming as I do.

Songwriter Info: Joy Tru combines heartfelt harmonies with vocal percussion, electronic layers, guitar and flute to create unique, honest folk and pop songs evoking love and hope. She also leads circlesinging and creates live improvised prayer songs and soundscapes using a loop station.

Links: 
Joy's website: joytru.com
Joy singing Falling Acorns herself: https://www.youtube.com/watch?v=DFLvejDaz7E

Nuts & Bolts: 6:8, Ionian (major), 2-layers with 4-layer background
​
Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Tip Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

Notes You'll hear me playing with different patterns and rhythms under this song... some of which work well right off, and some of which are more... umm... experimental! But we're all about exploring and growing and changing here -- and one of the downfalls of the highly polished recordings we are immersed in is that we forget that in real life, as we sing by ourselves or with each other, some of our experiments sound great, and some turn out to not be ones we want to continue -- heaven knows where we are going! But we'll get there...

Songwriter info: Sol Amarifio was the Ghanian drummer of the band Osibisa. The band members were African and Caribbean musicians living in London: Teddy Osei, Sol Amarfio, Mac Tontoh, Spartacus R (Roy Bedeau) Wendell Richardson, Robert Bailey, Loughty Lasisi Amao. 
This song is under copyright, so recordings or performances for profit are subject to copyright restrictions -- please sing freely at home and with family!

Links: 
Here's Osibisa with the original.
Anaïs Mitchell and Kate Stables collaborated on a beautiful cover of this. 

Nuts and Bolts It’s harmonized, in 6:8, Ionian mode (major).

Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Tip Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!