Notes: Hands down favorite moment of this conversation? When I asked Pam a question that made her tense, and she started to sing to help herself through the challenging moment. Pam says she often has to say difficult things to people in power, and this was an example of how she uses improvised song to root and empower herself. We caught Pam at a transitional point, and I deeply appreciate her reflections about how song has stayed consistent across her life and how it has changed, the evolving role of relationships, what singing in community actually does or can do, what self care might look like. Oh, but then there was another favorite moment, when she tells a story about her relationship with her father.... hmmm. Lots to love here, not least of which is the song, Reciprocity -- after singing this song, you'll be ever more keenly aware of trees and our breath exchange with them.

Songwriter Info: Pam Blevins Hinkle–song leader, composer, arts administrator, tree-lover, and kazoo fanatic–has devoted her life to projects that blend creativity, community-building, and spirituality. With over 30 years experience leading community, college, and congregational choirs, she currently facilitates spontaneous group singing for conferences and events, co-leads SongSquad Indianapolis with her brother Adam, co-produces the annual Indy Winter Solstice Celebration, and more. Pam has received numerous awards including the Inspirational Woman Award from IUPUI and the Creative Renewal Arts Fellowship from the Indy Arts Council. Since 2006, she has served as director of Spirit & Place, which sparks civic change through a one-of-kind, 11-day festival and through year-round initiatives that leverage the power of the arts, humanities, and religion to catalyze creativity and conversation.

​Sharing Info: Yes -- The song is free to share in oral tradition groups, but please contact Pam for recording and/or performing permission

Links: 
Indianapolis, Indiana Indigenous Peoples: Miami, Kickapu, Shawnee, Delaware: https://www.ala.org/aboutala/diversity/land-acknowledgement/indgenous-tribes-indiana
Trees as communal creatures: https://www.npr.org/sections/health-shots/2021/05/04/993430007/trees-talk-to-each-other-mother-tree-ecologist-hears-lessons-for-people-too
Laurence Cole, singing as “the oldest technology of belonging” https://www.laurencecole.com/
Indianapolis Women’s Chorus: https://www.indianapoliswomenschorus.org/
Winter Solstice Singing Ritual by Julie Forest Middleton, Stasa Morgan-Appel- published by Emerald Earth: https://www.allbookstores.com/Winter-Solstice-Singing-Ritual-Julie/9780966371550
Indiana Forest Alliance: https://indianaforestalliance.org/
Forests for Indy: Reciprocity (YouTube): https://www.youtube.com/watch?v=8rdj65H67Ww
Lyndsey Scott: https://linktr.ee/lila.gaia
Rhiannon: https://www.rhiannonmusic.com/
Emergent Strategy- Adrienne Maree Brown: https://adriennemareebrown.net/book/emergent-strategy/
Peter, Paul, and Mary “In The Wind” https://www.allmusic.com/album/in-the-wind-mw0000315197
Hush-a-bye: ​​https://www.youtube.com/watch?v=dM2VN2Hn-Z0
Puff the Magic Dragon: https://www.youtube.com/watch?v=0Y0ABZ0AJXY
Very Last Day: https://www.youtube.com/watch?v=Dmk6cf32HH4
Episode 69: Sing Upon Joy (Livian's Song) Lyndsey Scott & Livian & helpers
https://www.abreathofsong.com/episodes--show-notes/69-sing-upon-joy-livians-song
Episode 70: “As I Relax” Lyndsey Scott
https://www.abreathofsong.com/episodes--show-notes/70-as-i-relax-with-guest-lyndsey-scott
Song Squad Indianapolis Website: songsquadindy.com
Indy Winter Solstice Celebration Website: indysolstice.com
Pam's Website: pamblevinshinkle.com

Song Learning Time Stamps:
Start time of teaching: 00:03:51
Start time of reprise: 00:55:44
​​
Nuts & Bolts: 3:4, Dorian, 3-layers with a harmonized ending

​Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Gratitude Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!​

Notes: After singing this song, I keep questioning myself, "What if this is true???" If all motion is love, Patricia, what does that look like, right now? If I follow love, what does that even mean? Do I know what love looks like? I'm so often in unthinking motion — what happens when that motion becomes love? Pam Blevins Hinkle is not messing around here! In the next episode, we get to talk, and hear about how she got backed into community singing through a health crisis. The changes it has precipitated. What swung into motion, and how that's leading her now. Following love. Is this any part of your life? Mm-hmmm.

Songwriter Info: Pam Blevins Hinkle–song leader, composer, arts administrator, tree-lover, and kazoo fanatic–has devoted her life to projects that blend creativity, community-building, and spirituality. With over 30 years experience leading community, college, and congregational choirs, she currently facilitates spontaneous group singing for conferences and events, co-leads SongSquad Indianapolis with her brother Adam, co-produces the annual Indy Winter Solstice Celebration, and more. Pam has received numerous awards including the Inspirational Woman Award from IUPUI and the Creative Renewal Arts Fellowship from the Indy Arts Council. Since 2006, she has served as director of Spirit & Place, which sparks civic change through a one-of-kind, 11-day festival and through year-round initiatives that leverage the power of the arts, humanities, and religion to catalyze creativity and conversation.

​Sharing Info: Yes -- The song is free to share in oral tradition groups, but please contact Pam for recording and/or performing permission

Links: 
Song Squad Indianapolis Website: songsquadindy.com
Indy Winter Solstice Celebration Website: indysolstice.com
Pam's Website: pamblevinshinkle.com

​Song Learning Time Stamps:
Start time of teaching: 00:04:09
Start time of reprise: 00:12:45
​​
Nuts & Bolts: 3:4 Mixolydian; unison chant with optional harmonies

​Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Gratitude Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!​

Notes: Kate wrote "Can I Stand Here For You" after watching an Oprah show about two injured women Iraq veterans. Juanita Wilson (who had lost her hand) saw Tammy Duckworth come in (she had lost one hand and both feet). Juanita had committed herself to “standing for” any injured female veteran. She asked Tammy "Can I stand here for you?" Then she washed Tammy's hair which still contained dust from Iraq. She used her one hand and asked an orderly to help her with his two hands. Tammy was comatose, in terrible pain and Juanita stood beside her bed for 5 days. Now Tammy is a tri-athlete and was Undersecretary of Veterans Affairs for President Barack Obama, the U.S. Representative for Illinois's 8th congressional district. And was then elected to the Senate from the State of Illinois.

Knowing the backstory behind some songs makes the songs even richer. As I'm thinking about how we can work toward easing loneliness, this example of two women connecting, then Kate allowing herself to be touched by the story, gives an example... and gives me a way to remember how to make the offering of standing by someone. Don't miss the chance to sing with Melanie DeMore once you've learned the song -- she sings lower, which may give you a chance to experiment with the high harmony if you found it too high in this podcast -- or maybe the melody will feel super comfortable in Melanie's range? Keep finding what feels good in your voice!

Songwriter Info: From Inverness CA, Kate Munger has devoted herself for over 40 years to creating non-hierarchical, collaborative models for spirited group singing, joyful community building, and deep fellowship through rounds and parts singing. Kate has written hundreds of singable, swinging, deep songs that remind us of our best inclinations and intentions, and are sung accompaniment to and medicine for our lives.

She has loved returning home to Inverness after 9 singing trips to Bali, 6 to Thailand (and the Elephant Sanctuary where singing to and with Elephants was the highlight), and one each to Russia and Spain in the past three decades. Just as the Pandemic arrived, Kate returned from a month in New Zealand with 13 singers where they offered their sung prayers to the community of Christchurch as they remembered the devastating earthquake of 2011 and healed from the horrific shooting at the Muslim Mosque in March 2019. She deeply believes that singers are the best ambassadors of peace on our planet; we show our neighbors our best selves when we travel in their land and appreciate their people, their culture, and their tragedies and show that appreciation through our singing.

In 2000 she founded the first of now 220 Threshold Choirs worldwide for choral singers who are called to sing at the bedsides of people who are dying, in a coma, newborns, children in hospital, and with folks who are grieving and who are incarcerated. In honoring its innovative mission, the Threshold Choir has re-imagined what true service can look like; healing the giver as it offers comfort, presence, and ease for the receiver. Now retired from running the business of the Threshold Choir, Kate lives, swims, works, and sings along the shores of Tomales Bay, for 16 years at the Lama Foundation in New Mexico and wherever she can.
​
Sharing Info: Please sing this with loved ones freely -- when sharing in a money-making venture, like a workshop, class, or performance, please contact Kate for permission and rates.

Links: A beautiful recording by Melanie DeMore, highly recommended by Kate: https://youtu.be/iDMFt9d5NaM
Threshold Choir: https://thresholdchoir.org/

Song Learning Time Stamps:
Start time of teaching: 00:03:28
Start time of reprise: 00:15:52
​
Nuts & Bolts: 4:4 major 3-part harmony

​Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Gratitude Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!​

Notes: Ali Burns gives us a beautiful two-part song that can also be a round... it feels like very exposed singing to me, and there's a way in which committing to what feels vulnerable in my voice, both high and low, also feels powerful and affirming. The ancient words resonate with longing for connection beyond death with those whom we love... and to me, are a reminder that can't force anyone into accepting love -- we can only offer.

Songwriter Info: Ali has built her reputation over the past 30 years as one of the UK’s prominent workshop leaders for community choirs. Many of her songs have found their way into the repertoire and hearts of singers across the UK, and increasingly, Canada, the USA and Australia. Her work is published by Faber, Sing Up! and Oxford University Press.
​
Sharing Info: You can hear and buy a copy of the song for £5 from www.aliburns.co.uk 
Please visit her online shop for information about permissions: https://aliburns.co.uk/shop/licensing/song-licence/

Links: 
Ali's Website: www.aliburns.co.uk

Song Learning Time Stamps:
Start time of teaching: 00:03:08
Start time of reprise: 00:14:38
​
Nuts & Bolts: 4:4 major, 2-part layer, round optional

​Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Gratitude Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

Notes: What does it mean to hold out a hand to someone, to offer to accompany them? How does it feel to find a way home, through the lost and brokenness? How do five people living in different places manage to write a song together in a pandemic? All important questions for this episode! This is maybe one of the most intricate songs, where you'll be challenged to tease out a part... and it's also a very sweet song, with a superbly satisfying bass line, a lovely, harmonized invitation, a haunting, harmonized question, and a beautiful reassuring affirmation. Next episode is a first for A Breath of Song -- a six-way conversation about collaboration and bringing one's individual voice to a group -- hope you can join us all!

​Songwriter Info: VoiceExchange initially formed as a practice group following a 2012 Bobby McFerrin Circlesongs workshop. As singers from disparate musical influences, they came together, connecting through a shared passion for vocal improvisation, and formed a unique a cappella group that blends diverse vocal styles into spontaneous harmonious arrangements. During the challenges of the pandemic VoiceExchange began a series of sequentially recorded collaborations for leading online circles. This resulted in a library of recordings, among them, Touch the Sky and Take My Hand. VoiceExchange members are Amado Ohland, Beth Lyons, Dina Torok, Joy Truskowski and Paris Kern. They can be found leading Circlesinging events in Maryland, Virginia, Massachusetts & Vermont as well as offering online and in-person workshops and providing spontaneous music to churches, temples and other community gatherings. 

Amado Ohland began his semi-professional career as a jazz and blues vocalist shortly after graduating University of Maryland at College Park with a bachelor's in music composition and theory. He attended his first Circlesongs workshop in 2011, and has been leading circlesinging events since 2013 in Washington DC, Pittsburgh, and western Virginia. He has recently received a master's degree in music from Radford University. For his doctoral dissertation he is working on a participatory ethnography of circlesinging worldwide and a song cycle of pieces based on circlesinging techniques.

Born into a musical family, Beth Lyons actually can’t remember a ‘before’ time when singing-in-community wasn’t a part of her life. She currently performs improvised musicals with iMusical, the house musical improv team for Washington Improv Theater, performs and leads Circles with VoiceExchange, and leads online immersive Song Dive workshops and a Monday morning online choir named Coffee Choir. You can learn more about her offerings and sign up for her “Heads Up” notification/invite list at www.RiverChoir.org.  

Dina Torok has sung in and been musical director for various a cappella groups from college through adulthood. She was a professional film and television session singer, performed in various pop/rock bands in Los Angeles, and recorded an original solo album and a piano/vocal album of show tunes. Dina found VoiceExchange and circle singing in 2015 and has been a grateful member ever since.

Joy Truskowski is a singer-songwriter and community songleader. She has performed as a solo artist in the Roanoke, VA area for 13 years. You can find her original songs on Bandcamp under the name “Joy Tru”. She started Star City Circlesinging in 2019 and has been leading circles with other co-leaders in Roanoke ever since. During the beginning of the pandemic she started contributing to VoiceExchange’s online circles. She fell in love with all of them, and they all asked her to marry them. She said, “I can’t marry you, but I’ll join your group!” And that was a fair compromise. So she officially joined in the summer of 2021.

Paris Kern started performing traditional folk music at coffeehouses and concerts when she was 16 years old. She studied classical vocal performance in college, but her heart was always in the world of pure traditional folk traditions. In 2011, for reasons unknown to her, she was internally compelled to attend Bobby McFerrin’s CIrclesongs workshop. Feeling like a fish out of water, surrounded by mostly Jazz musicians, she nonetheless was hooked by the magic of Circlesongs and the sensation that her heart was being sung back to her. She has been leading circles in Washington DC, and Baltimore and is now starting circles in Southern Vermont.

Sharing Info: VoiceExchange would love to know if you plan to teach or perform Touch the Sky or another of their songs; drop them a line at info@VoiceExchange.org. And if teaching/performing their song is a profitable business for you, please share a bit of the profit with them via their donation link at https://voiceexchange.org.

Links: 
VoiceExchange's Email: info@voiceexchange.org
VoiceExchange's Website: https://voiceexchange.org
VoiceExchange on Meetup: https://www.meetup.com/circlesinging-dc/

Song Learning Time Stamps:
Start time of teaching: 00:03:08
Start time of reprise: 00:15:50
​
Nuts & Bolts: 4:4, Major, 4-layers with 2 layers harmonized

​Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Gratitude Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

Notes: I could think of no better way to honor the 100th episode of this podcast than to talk with Lisa G. Littlebird, my first mentor in the community songleading movement. We explore how she uses the power of songs for different purposes, including the one she shares during our conversation which helps bridge hearts during difficult situations. We talk about songs as sorcery to shift energy, and how exquisite it is to create a spell-song. How to find right-size in relationship with each other; how we woo each other into community and song, and "accompany each other in our walk toward liberation." The "inescapable confronting tenderness of inner listener" in relation to our own voices, "the power of the voice to unblock channels of energy." How responding to racial injustice grows out of relationship, not as a short-term response... "I'm not looking for your attention for a week, I'm looking for your love for a lifetime." What it means to have an open heart in both yes and no, when to harmonize with normative culture, and when to align with one's own truth even if it steps outside of the "normal." Grab something to drink or nosh on, take us on a walk or a drive, and let's talk about song and community! You'll hear me making up harmonies on the spot as Lisa and I are singing (she couldn't hear me, so it was all good! ?)

​Songwriter Info: Lisa G. Littlebird facilitates group singing as a transformational personal practice, healing art, and to foster healthy communities. She is the creator of Littlebird Flight School, a community song leader training program with more than 400 graduates worldwide. She also founded the 160-member Wholehearted Chorus in Big Sur & Monterey, CA and has been on the faculty at Esalen Institute for 15 years. 

Sharing Info: Yes -- The song is free to share in oral tradition groups, but please contact Lisa for recording and/or performing permission

Links: 
Chumash people: https://www.sbnature.org/collections-research/anthropology/chumash-life/
Ram Dass quote: “if you feel like you’re enlightened, go spend a week with your family”
https://www.gaia.com/article/who-is-ram-dass-the-wonderful-magical-be-here-now-guru
Songleader Flight School: https://thebirdsings.com/songleader-training/
Lisa's Website: https://thebirdsings.com/
Song-a-day project: https://thebirdsings.com/OLD/song-a-day.html
​Oprah Magazine, Jan 2019 “Sing, Sing a Song” Article:
https://www.magzter.com/stories/Lifestyle/The-Oprah-Magazine/Sing-Sing-a-Song
Denver Women’s Chorus: https://denverchoruses.org/dwc/
Esalen Institute: https://www.esalen.org/
Dr. Ysaye M. Barnwell: https://www.ymbarnwell.com/bio
Sweet Honey in the Rock: https://sweethoneyintherock.org/
Laurence Cole: http://www.laurencecole.com/
Peter Gabriel: “Passion”  https://petergabriel.com/release/passion/
Nightsong album: https://thebirdsings.com/nightsong/
Lisa's song library: https://thebirdsings.com/song-library/
Lisa's Patreon: patreon.com/thebirdsings

Nuts & Bolts: ​​4:4, Aeolian, unison with a little call and response

​Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Gratitude Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

Notes: Angela Gabriel has given us a brilliant setting based on words by Nisargadatta Maharaj, “Wisdom is knowing I am nothing, Love is knowing I am everything, and between the two my life moves.” The first line twists around on itself disappears into nothingness. The second line starts an octave away and drops into the security of "everything." Then, on a note in the middle of the two starting pitches, and in 6:8 instead of 3:4, the song begins to dance and flow, and ends on a slightly surprised major third. You don't have to know any of that for it to work its magic, though -- simply let it wind into your body as a beautiful melodic invitation to release. I'll be singing this one to myself long after this podcast is wrapped up, reminding me of both-and, flow, fluidity.

​Songwriter Info: Angela is a professional percussionist & pianist and community music/community singing facilitator. She lived in Santa Fe NM for the last 20 years, where she played with the opera, symphony, chamber music festival, as well as in African, Haitian, and samba gatherings, funk and ragtime bands.  She just moved to Bloomington, Indiana in the end of 2022.
Angela's mission in life is to facilitate expressive creative, musical, and vocal experiences and to encourage folks to replace judgement with curiosity and open themselves to their unique, creative flow. Part of how Angela does this is by singing and drumming online weekly with people living with Parkinson’s and other movement disorders.

Sharing Info: This song is free to share but Angela always welcomes financial and/or networking support if/when folks are so moved.

Links: 
Angela's website: www.AngelaGabriel.me
Support Angela's work: find songs, rhythmic activities, and more at patreon.com/AngelaGabriel
Check out Hidden Whale, Angela's old band (she's the drummer): https://youtube.com/channel/UCpxdVqwSxzEBhgUilN3qQLg
Nisargadatta Maharaj: https://en.wikipedia.org/wiki/Nisargadatta_Maharaj

Nuts & Bolts: ​​3:4, Aeolian with major final third, round

​Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Gratitude Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

Notes: I often gather richness from the way different art forms play off each other – and I love the combination of the Rilke poem I read at the beginning of this episode, and Marv’s song. Honestly, I end up spending a lot of time looking for that tower of strength inside myself – the ancient heart core that is rooted in the earth and stretches to the sky, that connects to my ancestors, both past and future. When I catch glimpses of it, I sense a way-finding clarity; when I circle around it I feel the enticement of belonging; when I inhabit it, I am at home, whether as falcon, storm, or song. I love the way Marv’s song quests, circles, and settles back at home.

​Songwriter Info: Marv loves community singing, songleading, and bringing people together. At a time when so many of us feel a need to return more resonance and community to our lives, Marv is passionate about the unique power of singing together to connect us more deeply within, to each other, and to something larger than ourselves. He is a graduate of Littlebird Songleader Flight School, a member of The Living Room Choir, a proud alum of the West Marin Choir/Common Voice, and the chief cook and bottle-washer of SingOnline.org and the online SingOnline.org Song Circle, where, unlike on Zoom, through the miracle of free software everyone can see and hear every word from everyone. Later this year he’ll complete the Community Choir Leadership Training, following past graduates (and heroes!) like Maggie Wheeler, Laurence Cole, and MaMuse. In his previous careers he was Founder & CEO of a hunger relief organization; a psychotherapist & executive coach; and a technology executive at such companies as Apple. He has also restarted his psychotherapy and executive coaching practices; you can find details at TherapyWithMarv.com and CoachingWithMarv.com.​

Sharing Info: Yes -- The song is free to share in oral tradition groups, but please contact Marv for recording and/or performing permission

Links:
Marv's Website: http://singwithmarv.com
Marv's Instagram: http://instagram.com/singwithmarv
Marv's Facebook: http://facebook.com/singwithmarv
Rilke poem with translations: https://docs.google.com/document/d/1NYYMoFQ_78C5u4Ql6OyjpZEXD3TGJuuxAX1b8T1C07U/edit?usp=sharing
Hear Marv singing the song himself with Heather Stevenson on piano & harmony: I'm Coming Home on Soundcloud

​Nuts & Bolts: 4:4, Major, Call & response or unison or harmonized

Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Gratitude Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

Notes: It was amazingly fortuitous -- Louise Blackburn and I had agreed on releasing her song as episode #91, and then it turned out that recording episode #91 live would be just the right time to celebrate 25,000 downloads -- and we had the perfect song in place. In June of 2021, I had searched long and hard for a podcast I could listen to from which I could learn songs for well being and more about the people who shared these songs. I couldn't find it, so I started A Breath of Song together with Patty Piotrowski, constantly reminding myself that who I am, what I bring to the table, is enough. I love the way Louise's song embeds that idea in my brain with gentleness and persistence. The spacious, simple harmonies create an elegant call, while the response feel like it's tugged out of my heart. Recording live in front of a full gallery Zoom audience was a novel way to create an episode, and I believe you can feel the connection I felt with the group and we all felt with you who listens now across the space/time continuum.

​Songwriter Info: Louise feels incredibly lucky to run choirs, workshops, festivals, singing for wellbeing groups and yoga and voice sessions across Birmingham, Walsall, Sutton Coldfield and Sandwell in the United Kingdom. Her songs are an absolute joy of creation for her and have been sung all over the world including New Zealand and America. It makes her very emotional to think of them being sung and enjoyed by other people.
​
Sharing Info: The song is free to share but Louise always welcomes financial and/or networking support if/when folks are so moved.

Links:
Louise's website: www.voicesentwined.co.uk
Louise's Spotify: https://open.spotify.com/artist/4oTIDDsibmihC771Wvy1Mh

​Nuts & Bolts: 4:4, Aeolian, 3-part harmonized call with response

Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Gratitude Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

Notes: I loved the chance to hear Ahlay share both this song and its origin as a song that "slipped through," almost without effort, in response to hearing someone's deep shame over a Zoom call. Ahlay shares her excitement over her project, WAILS, in which community singing and grief ritual are merged. She talks about "Healing that ripples non-linearly, in a spiral," and says, "I'm channeling the exact medicine that I need for myself." We talk about elders, mentors, wisdom and the tools for remembering that which was meant to be forgotten -- the deep connections that are possible. How "I can't sing" comes from a commodification of voices, while "the inherent birthright of singing is about how it feels in our bodies." Whales, and their wisdom of rising and diving as the nature of things, and the transience of emotions. Brené Brown wrote, "True belonging doesn't require us to change who we are; it requires us to be who we are." Ahlay has a beautiful way of being who she is, and it was an honor to hold this conversation.

​Songwriter Info: Alexandra "Ahlay" Blakely (she/her) is a song carrier remembering that which was meant to be forgotten in her lineages: song technology as connective tissues of the communal body. She blends song, body percussion, dance, stillness, breath & silence with the deepest intention to support others in remembering their inherent birthright to singing and rhythm. Her ancient ancestors of Old Europe (Ashkenazi, Scandinavian, Finnish, English, Scottish, Irish) sang while building, creating, birthing, working & being in reciprocity and bring with the Land. She understands song to be fundamental in the expansion of ones internal capacity to participate in the collective shift towards life-affirming conditions. An underlying prayer in her song offerings is that they may contribute to the shared effort to transform white culture into being more connected with our bodies, emotions, Land & the animate world around us. ​ These songs are swirls of spells for cracking open, falling humbly to our knees and cultivating more access to the conversations our souls are aching to have with us about their most intimate longings. They are dedicated to the more than human world, the Waters and our Kin in both the seen and unseen realms. We sing to shame, courage, for breaking cycles of intergenerational trauma and for the preparation of being ready for these times we are living in, all while sending these song-beings in ripples through to the ancient and future ones. The songs sung have come directly through Ahlay.​ ​ Some of her mentors: Whale, Mycelium, Rue, Lightning, Rain, Oak, Redwood & Rosemary
​
Sharing Info: Yes -- The song is free to share but Ahlay always welcomes financial and/or networking support if/when folks are so moved.

Links: 
Wails: Songs for Grief Fundraiser:  https://www.gofundme.com/f/community-singing-album
Bandcamp digital album "SPELLS FROM THE UNKNOWN" https://ahlayblakely.bandcamp.com/album/spells-from-the-unknown
Ahlay's Website/Newsletter https://www.healingattheroots.com
Ahlay's Patreon - new music monthly, 1-3 songs per month: https://www.patreon.com/alexandrablakely
Instagram @alexandra_blakely
Ahlay's YouTube Channel: https://www.youtube.com/channel/UCJiuxVf4FhGSkYT4K0zpGyA/videos?view=0&sort=p
Joanna Macy &The Work that Reconnects: https://workthatreconnects.org/spiral/about-joanna/
Dory Midnight : https://dorimidnight.com
Kohenet Priestess Institute : https://kohenet.org
Rabbi Jill Hammer: https://rabbijillhammer.com
Taya Ma: http://taya.ma
Rebekah Erev: https://rebekaherevstudio.com
Nahko Bear: https://www.nahkobear.com
Sobonfu Some: http://www.sobonfu.com
Francis Weller 5 Gates of Grief: https://www.francisweller.net/entering-the-healing-ground.html
Laurence Cole: http://www.laurencecole.com
Leticia Nieto: http://www.cuetzpalin.com/Cuetzpalin/welcome.html
Do whales hold their breath?  https://www.whalefacts.org/how-do-whales-breathe/
Earth Practice: https://earthpracticemusic.bandcamp.com/community

​Song Learning Time Stamps:
Start time of teaching: 00:05:16
Start time of reprise: 01:25:44
​
Nuts & Bolts: 12:8, Major (Ionian), unison

Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Gratitude Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

Notes: Patty Piotrowski, who creates the art for each episode after learning the song, wrote about painting for this song of Ahlay Blakely: "The word that jumped out for me was “breaking”. I have a plate, a whole pottery plate on my kitchen table, that holds broken porcelain shards of dishware from the late 1800’s when there was a fire that burned the hotel on Star Island and so much was lost at sea. This past summer when I had the opportunity to go to Star Island for two weeks of art making, I walked the shoreline, and found these remnants of past plates and bowls and cups. These pieces of porcelain from England were worn smooth on the edges from being tossed and turned in the ocean for over 100 years. Each one was a precious discovery for me, telling a bit of the story. The beauty of the brokenness. Back home now and months later I have them arranged on a plate with a candle, reminding me to understand and honor the past, and to heal what I can inside myself in the present."

As we navigate the rage and wounding and grief in ourselves and others, it can be so helpful to have a framework for understanding… the kind of understanding that leads to healing and compassion. When we break these cycles, it affects the future ones – and it also reaches back and in some way fills the aching dream of those in the past. I love this song for the conviction that my own ache for belonging ripples through time, breaks harmful cycles, and creates a fundamental healing. Don't miss Ahlay's upcoming project, Wails, and the chance to be part of the ripples of change it could create by supporting it.

Songwriter Info: Alexandra "Ahlay" Blakely (she/her) is a song carrier remembering that which was meant to be forgotten in her lineages: song technology as connective tissues of the communal body. She blends song, body percussion, dance, stillness, breath & silence with the deepest intention to support others in remembering their inherent birthright to singing and rhythm. Her ancient ancestors of Old Europe (Ashkenazi, Scandinavian, Finnish, English, Scottish, Irish) sang while building, creating, birthing, working & being in reciprocity and bring with the Land. She understands song to be fundamental in the expansion of ones internal capacity to participate in the collective shift towards life-affirming conditions. An underlying prayer in her song offerings is that they may contribute to the shared effort to transform white culture into being more connected with our bodies, emotions, Land & the animate world around us. ​ These songs are swirls of spells for cracking open, falling humbly to our knees and cultivating more access to the conversations our souls are aching to have with us about their most intimate longings. They are dedicated to the more than human world, the Waters and our Kin in both the seen and unseen realms. We sing to shame, courage, for breaking cycles of intergenerational trauma and for the preparation of being ready for these times we are living in, all while sending these song-beings in ripples through to the ancient and future ones. The songs sung have come directly through Ahlay.​ ​ Some of her mentors: Whale, Mycelium, Rue, Lightning, Rain, Oak, Redwood & Rosemary
​
Sharing Info: Yes -- The song is free to share but Ahlay always welcomes financial and/or networking support if/when folks are so moved.

Links: 
Wails: Songs for Grief Fundraiser:  https://www.gofundme.com/f/community-singing-album
Bandcamp digital album "SPELLS FROM THE UNKNOWN" https://ahlayblakely.bandcamp.com/album/spells-from-the-unknown
Ahlay's Website/Newsletter https://www.healingattheroots.com
Ahlay's Patreon - new music monthly, 1-3 songs per month https://www.patreon.com/alexandrablakely
Instagram @alexandra_blakely
Resmaa Menakem: My Grandmother's Hands - https://centralrecoverypress.com/product/my-grandmothers-hands-racialized-trauma-and-the-pathway-to-mending-our-hearts-and-bodies-paperback

Nuts & Bolts: 12:8, flat-7, both major & minor; 3-layer song

Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Gratitude Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

Notes: This song floats and pulses, carrying me as singer into a spaciousness and warmth that feels like it could be a somatic knowledge of love. That's quite a statement to make for a song, no? And yet, it makes sense -- when we sing, we engage so much of our brains -- breathing, thinking, sensing vibration and sound -- that if we allow images and responses to come into our awareness, too, those images are rich and connected with all we have ever known.. Unusually for songs I share on this podcast, this one doesn't have a strict meter -- it is more fluid and shifting -- yet it has a stable, vibrant heart center. I'll be curious to know what this experience is like for you!

Songwriter Info:  Gabrielle is passionate about music and its transformative and healing powers. She grew up singing and surrounded by music, and has sung and performed in many contexts; indie rock, choirs, musical theater, Cabaret, yoga studios, and singing circles. Gabrielle has hosted singing circles, sound ceremonies, and new moon circles. She currently lives in Seattle, and likes to catch songs while walking through the beautiful Pacific NorthWest forests.

Sharing Info: The song is free to share, please contact Gabrielle if you're planning to use it simply because it would be such a delight to know about it.

Links: 
Follow @sound__witch on Instagram to see what Gabrielle's up to,
and/or check out her other songs at soundcloud.com/a_sound_witch.

Nuts & Bolts: unmetered, major, echo

Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Gratitude Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

Notes: I learned this song from Adam at the end of the summer at a group singing weekend workshop, and immediately decided to use it for my Pocket Songs welcome song during the fall, not only because of the generous, wide-open welcome of the words, but because of the way the music backs up the message. The lift and lightness of the rhythm, and the enjoyment of slightly surprising notes (I particularly love the first "are" of the tenor line, for example), the way we move from unison into connected harmonic diversity -- these musical things help me FEEL welcoming. Sometimes I shift the words to sing it to myself, as a reminder that whoever I am, whomever I love, wherever I am on this journey, I am welcome... and when I feel genuinely accepted as I am, it is so much easier to extend that welcome and acceptance to others.

Join the A Breath of Song mailing list by clicking here. You'll receive a heads-up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Songwriter Info: Adam Podd (he/him/his) is a Vermont-bred, Brooklyn-based music director, pianist, organist, bassist, composer, and arranger. As a pianist, Adam specializes in blues, jazz, and gospel. He plays regularly around NYC with his twin brother Matt, and their jazz and blues band Mimi and the Podd Brothers. He also plays keys, bass and music directs for singer/songwriter Dan Mills. I met Adam as he co-led a workshop on Star Island, off the coast of New Hampshire. I was struck by his unassuming, gentle manner and musical generosity. He welcomes sharing of this song.
​
Links: 
learn about Adam himself: ABOUT — Adam Podd
check out the choral music Adam and his brother arrange: The Podd Brothers
to read more of the writings of Ana Levy-Lyons: Home - Ana Levy-Lyons (analevylyons.com)

Nuts & Bolts: 3:4, Major, harmonized

Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Gratitude Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

Notes: "Be Yourself" was written for 'Body of Sound', a women's group that Kate Thomas leads, for a residential at Laurieston Hall in Scotland which has a lovely open fire. Can you imagine joining with friends around a fire and singing this to each other? And sometimes, I swear, I find myself singing it to just myself (or my many selves???), welcoming all of them around the fire -- the part of me that's anxious, the part that's grouchy, the part that is confident, the part that's flamboyant -- shall I go on? I definitely have enough for a campfire gathering of my own -- but I'll grant you that it's even better if you're gathering with others!

Songwriter Info: Kate Thomas is a singer, song leader, songwriter and instrumentalist (guitar, piano and handpan) and has been leading singing groups in Sheffield for over 20 years. She has produced two songbooks, 'Honey and Salt' (from which 'Be Yourself' is taken) and 'Scattered Seeds'. If you are interested in contacting her about these resources, her email is honeyandsalt65@gmail.com. 

Links: 
email: honeyandsalt65@gmail.com
Kate's profile and choirs: Member profile - Natural Voice Network
Information about Honey and Salt: Honey and Salt - Natural Voice Network

Nuts & Bolts: 4:4, major, 4-parts
​
Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Gratitude Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!