Notes: I loved the chance to hear Ahlay share both this song and its origin as a song that "slipped through," almost without effort, in response to hearing someone's deep shame over a Zoom call. Ahlay shares her excitement over her project, WAILS, in which community singing and grief ritual are merged. She talks about "Healing that ripples non-linearly, in a spiral," and says, "I'm channeling the exact medicine that I need for myself." We talk about elders, mentors, wisdom and the tools for remembering that which was meant to be forgotten -- the deep connections that are possible. How "I can't sing" comes from a commodification of voices, while "the inherent birthright of singing is about how it feels in our bodies." Whales, and their wisdom of rising and diving as the nature of things, and the transience of emotions. Brené Brown wrote, "True belonging doesn't require us to change who we are; it requires us to be who we are." Ahlay has a beautiful way of being who she is, and it was an honor to hold this conversation.

​Songwriter Info: Alexandra "Ahlay" Blakely (she/her) is a song carrier remembering that which was meant to be forgotten in her lineages: song technology as connective tissues of the communal body. She blends song, body percussion, dance, stillness, breath & silence with the deepest intention to support others in remembering their inherent birthright to singing and rhythm. Her ancient ancestors of Old Europe (Ashkenazi, Scandinavian, Finnish, English, Scottish, Irish) sang while building, creating, birthing, working & being in reciprocity and bring with the Land. She understands song to be fundamental in the expansion of ones internal capacity to participate in the collective shift towards life-affirming conditions. An underlying prayer in her song offerings is that they may contribute to the shared effort to transform white culture into being more connected with our bodies, emotions, Land & the animate world around us. ​ These songs are swirls of spells for cracking open, falling humbly to our knees and cultivating more access to the conversations our souls are aching to have with us about their most intimate longings. They are dedicated to the more than human world, the Waters and our Kin in both the seen and unseen realms. We sing to shame, courage, for breaking cycles of intergenerational trauma and for the preparation of being ready for these times we are living in, all while sending these song-beings in ripples through to the ancient and future ones. The songs sung have come directly through Ahlay.​ ​ Some of her mentors: Whale, Mycelium, Rue, Lightning, Rain, Oak, Redwood & Rosemary
​
Sharing Info: Yes -- The song is free to share but Ahlay always welcomes financial and/or networking support if/when folks are so moved.

Links: 
Wails: Songs for Grief Fundraiser:  https://www.gofundme.com/f/community-singing-album
Bandcamp digital album "SPELLS FROM THE UNKNOWN" https://ahlayblakely.bandcamp.com/album/spells-from-the-unknown
Ahlay's Website/Newsletter https://www.healingattheroots.com
Ahlay's Patreon - new music monthly, 1-3 songs per month: https://www.patreon.com/alexandrablakely
Instagram @alexandra_blakely
Ahlay's YouTube Channel: https://www.youtube.com/channel/UCJiuxVf4FhGSkYT4K0zpGyA/videos?view=0&sort=p
Joanna Macy &The Work that Reconnects: https://workthatreconnects.org/spiral/about-joanna/
Dory Midnight : https://dorimidnight.com
Kohenet Priestess Institute : https://kohenet.org
Rabbi Jill Hammer: https://rabbijillhammer.com
Taya Ma: http://taya.ma
Rebekah Erev: https://rebekaherevstudio.com
Nahko Bear: https://www.nahkobear.com
Sobonfu Some: http://www.sobonfu.com
Francis Weller 5 Gates of Grief: https://www.francisweller.net/entering-the-healing-ground.html
Laurence Cole: http://www.laurencecole.com
Leticia Nieto: http://www.cuetzpalin.com/Cuetzpalin/welcome.html
Do whales hold their breath?  https://www.whalefacts.org/how-do-whales-breathe/
Earth Practice: https://earthpracticemusic.bandcamp.com/community
​
Nuts & Bolts: 12:8, Major (Ionian), unison

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Notes: I love the way this song takes me into completely different scope of time -- geologic, massive, unimaginable -- and therefore inescapably present. "Ïn the Land of Oden" has a murky history, both for lyrics and melody… it was recorded in the 1960s by many different folk artists, including Peter and Gordon, Barry McGuire and the New Christy Minstrels, and the Townsmen… but is credited to different composers on each recording. And they are all slightly different than the version I learned from Adam Podd (check out episode #82!). This particular melody has stayed with me, though, and it resonated in me with a Buddhist story Jack Kornfield tells about something lasting for 1000 kalpas – and each kalpa is as long as it takes for a bird dragging a silk scarf across a mountain to wear it away. In a Grimm’s Fairy Tale, recorded in 1812, the Shepherd’s Boy responds to the king’s third question about eternity with a description very similar to this, although the mountain is made of diamond and is in the land of Pomerania! So for this moment, welcome to fairy-tale time.
​
Sharing Info: As far as I know, this song is free to share.

Links: 
Grimm's Fairy Tale: http://www.pinkmonkey.com/dl/library1/story139.pdf

Nuts & Bolts: 4:4, Mixolydian, round

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Notes: Angela Gabriel's gospel-infused setting of Clarissa Pink Estés' fierce words is enough to lift me out of bed into the January cold! You'll hear me play with adding my voice in the looper with different tonal qualities so it sounds like we're singing with a crowd... and then at the end, I'll invite you to sing it simply with me, as a heartfelt duet. Patty said her art for this episode is inspired by the images of boats and wood from the Clarissa Estés letter... "and the idea of standing together, so here are the trees, rooted and strong in all weather."

Songwriter Info:  Angela is a professional percussionist & pianist and community music/community singing facilitator. She lived in Santa Fe NM for the last 20 years, where she played with the opera, symphony, chamber music festival, as well as in African, Haitian, and samba gatherings, funk and ragtime bands.  
     She just moved to Bloomington, Indiana in the end of 2022.
Angela's mission in life is to facilitate expressive creative, musical, and vocal experiences and to encourage folks to replace judgement with curiosity and open themselves to their unique, creative flow.
    Part of how Angela does this is by singing and drumming online weekly with people living with Parkinson’s and other movement disorders.

This song is free to share but Angela always welcomes financial and/or networking support if/when folks are so moved.

Links: 
Letter to a Young Activist by Clarissa Pinkola Estés: https://www.mavenproductions.com/letter-to-a-young-activist
Angela's website: www.AngelaGabriel.me
Support Angela's work: find songs, rhythmic activities, and more at patreon.com/AngelaGabriel
Check out Hidden Whale, Angela's old band (she's the drummer): https://youtube.com/channel/UCpxdVqwSxzEBhgUilN3qQLg

Nuts & Bolts: 12:8, major, harmonized call & response

Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Tip Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

Notes: Singing this meditative mantra with Heather Pierson's butter-warm voice draws me right into the here and now, even when I'm dealing with tech glitches... it's powerful stuff, and I've been putting it to the test! Heather says, "Music is an invitation..." and in our conversation, she talks about the different ways that plays out during grieving, learning to sing solo, collaborating, choosing songs, giving permission. Have you ever thought about how the meditation concept of titration might apply to leading a circle? Well, we've got you covered!

Songwriter Info: Heather Pierson is a pianist, singer/songwriter, songleader, and performer based in the White Mountains of New Hampshire. She has released 14 albums, two songbooks, and several singles of her original music ranging in style from folk to jazz to vocal chants. Since 2018, she is the co-creator with fellow songleader Bernice Martin of Heart Songs & Circle Songs, a community singing project dedicated to the cultivation of harmony, wellness, connection, joy, and peace through music and song. When she isn’t making music, Heather enjoys her meditation practice, hiking, cooking, writing, reading, and watching the birds.

Links: 
Heather's album 'Wishes of Lovingkindness', available for free or by donation at her Bandcamp: https://heatherpierson.bandcamp.com/album/wishes-of-lovingkindness
For more information about Heather's community singing project with Bernice Martin, please visit https://www.heartsongsandcirclesongs.com.
For more information about all of Heather's musical offerings, please visit: https://www.heatherpierson.com.
Heather's growing community on Patreon enjoys early and exclusive access to new songs, videos, and poetry every week. Learn more at https://www.patreon.com/HeatherPierson
​Kansas: “The Spider”
Melanie DeMore... "These songs are like medicine." Here's Melanie leading two of her medicine songs: https://www.youtube.com/watch?v=v3D1U_Cmlxc
Leah Boyd/Leah Wolfsong ‎Leah Wolfsong on Apple Music
The early albums:
‎We All Have a Song by Heather Pierson on Apple Music
‎Honor The Light by Heather Pierson on Apple Music
Laurence Cole: “Attention is the healer of separation”
Gray catbird
Baked Beans recording (Alan Bean) Recording Studio | Baked Beans Recording Studio | United States
Peaceful Means (Leah Boyd & Heather Pierson) (3) Peaceful Means | Facebook
ALLMAN BROTHERS BAND - Live At Fillmore East (Deluxe Edition) - Amazon.com Music
The Wood Brothers The Wood Brothers (thewoodbros.com)

Nuts & Bolts: 4:4, major, with a lovely minor final note; unison zipper song

Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

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Notes: I love the way Emma's song ushers in the darkness and turning of the seasons with a lilt that includes a trust that the light will return. There's a softness and acceptance to the song that makes it easier to be present with the turning. Emma says the song "was born on a winter walk during Covid restrictions in the UK. I was finding some comfort in the unruffled flow of the seasons - 'time's soft unfolding'. 21st December is my late father's birthday as well as winter solstice, so this song is dedicated to him - I think he would have liked the words and the structure." 

Songwriter Info: Emma has been singing all her life and enjoys all styles of song and ensemble! When her daughter was born in 2018, she began an acapella singing group for local mums, and after joining the Singing Mamas network in 2020, was inspired to start writing her own songs, for herself, for her groups and songsharing colleagues. 

Links: 
Find Emma's album 'Light Returning' on Bandcamp https://emmamutter.bandcamp.com/album/light-returning
You can also find newer songs on her Facebook page www.facebook.com/emmamuttermusic
Contact Emma by email elrfmutter@gmail.com to buy the score (suggested contribution up to £5) and/or purchase the song on Bandcamp if you'd like to share this song as a songleader. Please contact Emma directly for recording or performing permissions.

Nuts & Bolts: 2:2, Aeolian (minor), harmonized melody with option of a round.

Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

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Notes: I'd like to highlight the custom art created for each episode by Patty Piotrowski. If you're following this on a podcast app that shows only the A Breath of Song logo, and not the artwork, then please go here to feast your eyes! Patty sang in a chorus with me for several years before the pandemic and included me in the friends with whom she shared an Advent calendar of one painting a day via email -- and I loved the experience of opening my email to see something beautiful. During the pandemic, she sang Pocket Songs with me, and we both leaned into song as resource. When I decided to start sharing songs that were making it easier for me to navigate life through this podcast, I wondered if Patty would be willing to share this creative process with me. For each song, she listens ahead of time, sings with it, lets it soak in... and then waits for an image to appear. She emails me a photo of the custom art, which delights me, and makes the process of preparing the podcast for release exponentially more pleasurable.
About this piece, she said:
   "Here is a tree for all of the seasons of this song
   I’ve been passing this tree along I91 and talking with it for two years
   It looks different depending on your orientation:
   when I approach it from the north on the highway, I see it whole and round with branches,
   but as I pass it, I see then actually there are no branches on the south side."

Dirk says about the song: "Winter Song was written for amateur groups to sing at the winter solstice. I chose the traditional English round form so the repetition can have a meditative effect and people can sing it for as long or short a time as they wish... It was my late wife Adrienne who suggested to me ten years ago that there was a need for new songs to celebrate the eight-fold year celebrations of solstices, equinoxes and cross-quarters that Druids traditionally observe. I did write some others but they were not as good as Winter Song and have passed deservedly into obscurity! 2012 was the last year of Adrienne’s life. She heard the song performed for her birthday in July that year. She was pleased with it. My awareness of her impending death is probably what gives the song its emotional charge."

Songwriter Info: Dirk Campbell has put this song into the public domain, so we are welcome to share it. Dirk was born in 1950 in the British military hospital in Ismailia, Egypt, and lived in Kenya till 1962, so was exposed to indigenous Arab and African music before its acculturation by western influence. He went on to a successful career as a composer for films, radio, stage, etc, His website is a fascinating dive (and I mean HOURS worth!!!) into many instruments from a wide variety of cultures around the world on which he has gained skill. He teaches musicians about ways of incorporating ancient and non-western music into contemporary composition.

Links: 
Dirk Campbell

Nuts & Bolts: 4:4, Dorian, 2-part layer song with optional drone.
​
Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Tip Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

Notes: This song, about settling into the unknown and experiencing that as home, is one that has been singing in my head throughout this last year of transition for me. The delight of letting my voice slide helps me physically experience the release, and the complex harmonies keep my sense of focus and unsettledness... as though I'm practicing finding that home in the middle of the unknown. I think this is a great song for becoming very aware of how your voice feels in your body as you sing, because you'll get used to the words fairly quickly -- and then you can shift the focus to the sensations as you sing. (A sneaky form of somatic meditation, but you don't need to notice that, unless you want to!)

Songwriter Info: (Snitched directly from Anni's website) Anni Zylstra (she/they) is a folk singer, basketmaker, farmer, and weaver of community based in the traditional homelands of the Oceti Sakowin and Ho-chunk in SW so-called Wisconsin. She has been teaching, writing, and collecting new and old polyphonic songs in the aural tradition for a decade. In the spirit of folk, they believe that everyone can sing, and that using our voices to make beauty together is one of most pleasurable, accessible, and world building activities people can do together. Anni's facilitation is rooted in anticapitalist values, play, a queer nature-based lens, and more than a decade of classical musical training, ethnomusicology, and community leadership. They currently farm on the West Fork of the Kickapoo River, where they grow basket willow, perennial food crops, raise ducks, host events and classes folk education style, and lead Ember, a community choir that sings Balkan, Georgian, and polyphonic English music in La Farge, WI.

Links: 
Heartland Harmony | Singing for Joy and Connection
Here is a 45-minute interview with Annie, hosted by Kate Valentine of Singing Mama's choirs, all about song writing and sharing. Meet Annie Zylstra - Choir composer extraordinaire! - YouTube
@zestinferna -- Anni on Instagram

Nuts & Bolts: 2:2, Dorian, harmonized paired melodies
​
Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Tip Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

Notes: I've shared this song with my pocket song singers online group, meaning I was live-looping it... and the layers are intricate! The different lines interweave closely, creating a dense, beautiful texture. Lyndsey and I enjoy our conversation -- hear her talk about dropping root to choose what to do in the morning and set an intention, about how grief can be a healer, and wealth of teachers and mentors she draws on. Learn which voices still niggle at her, even with all the wisdom she has steeped herself in, and how she includes and cares for those parts, too. When we recorded this, I was in a particularly fragile place, feeling a little unmoored -- I felt better after this time spent talking and singing... more connected, more hopeful. As usual, I left with more questions than I started with... but it feels like a big door has opened and is welcoming me through. Following the links will keep me learning for a good long time!

Songwriter Info: Lyndsey Scott is an artist-goofball-yintennae devoted to priestesSing the Heartland, (literal and figurative).  She weaves community singing to empower earth-based spiritual consciousness, and gathers soul circles that, through Song and sacred listening, decompose oppressive scripts that get in the way of freely living the Love we are. With jams that get you skipping easily between the sacred, sexy, and sssssilly : your inner child, exiled banshee, and wise elder are all very invited to the circle. ​

Links: Are you ready??? Lyndsey had so many resources to share, so this is the longest set of links yet!

Let's start with links for Lyndsey and As I Relax:
The song is free to share but Lyndsey always welcomes financial and/or networking support if/when folks are so moved.
Everything Lyndsey! https://linktr.ee/lila.gaia
We Belong Community of Song: https://www.facebook.com/webelongcommunityofsong
Patreon: https://www.patreon.com/lyndseyscott
Lyndsey's album on Bandcamp: https://lyndseyscott.bandcamp.com/album/well-held

And now links to things that came up during the conversation -- starting with some of the quotations.

“He who sings, prays twice.” ― St. Augustine
“I arise in the morning torn between a desire to improve (or save) the world and a desire to enjoy (or savor) the world. This makes it hard to plan the day.” ― E. B. White
“Don’t ask what the world needs. Ask what makes you come alive, and go do it. Because what the world needs is people who have come alive.” ― Howard Thurman

Orland Bishop: Orland Bishop (presswarehouse.com)
adrienne maree brown: adrienne maree brown – 'The only way to deal with an unfree world is to become so absolutely free that your very existence is an act of rebellion.' – camus…documenting my liberation
San Francisco mural by Susan O’Malley: SusanOMalley_Mural_2009-2048x1536.jpg (2048×1536) (rootdivision.org)
​Starhawk, “The Fifth Sacred Thing” The Fifth Sacred Thing by Starhawk « Starhawk's Website
Marianne Williamson: Marianne Williamson – #1 New York Times Best-Selling Author
A Course in Miracles: Combined Volume: Foundation For Inner Peace: 8601421955508: Amazon.com: Books
Shireen Amini: Shireen Amini Music Medicine and Shireen Amini
Shelley Tochluk: Living in the Tension & Workshop Series (shellytochluk.com)
Emerald Podcast: https://podcasts.apple.com/jm/podcast/how-trance-states-shape-the-world/id1465445746?i=1000512752303
Chubby Cree: https://www.instagram.com/p/CbTonaZJL2d/
Laurence Cole: Can’t Do It Wrong / My Life Is So Cuckoo — Laurence Cole
Love Poems from God, translated by Daniel Ladinsky: Love Poems from God: Twelve Sacred Voices from the East and West (Compass) - Stillness Speaks
Grace Lee Boggs: Grace Lee Boggs - Wikipedia
Malidoma Somé and grief ritual: Dr. Malidoma Somé, Phd. | The Legacy of Elder Malidoma Somé
Sibomfu Somé and grief ritual: http://www.sobonfu.com/  Embracing Grief | Sobonfu Somé
Enneagrams – here’s one summary set: Integrative Enneagram Solutions (integrative9.com)
Aretha movie: https://www.youtube.com/watch?v=gkKOIQwTiKE
Characteristics of White Supremacy by Tema Okun: Microsoft Word - Okun - white sup culture.doc (whitesupremacyculture.info)
Francis Weller/ five gates: https://www.youtube.com/watch?v=MBfagOEkMi4   Home (francisweller.net)
Liz Rog/Center for Belonging:  https://www.centerforbelonging.earth/
Earthkeeper Wisdom School: https://www.earthkeeperwisdomschool.com/
Grief to Action: https://www.holisticresistance.com/grief
Influential album: MC HAMMER - Please Hammer Don't Hurt Em - Amazon.com Music
Lynn O'Brien: https://www.lynnobrien.love/
Artist Lyndsey wishes more people listened to: Briony Greenhill. Album: https://www.brionygreenhill.com/crossing-the-ocean

Nuts & Bolts: 2:2, Minor; 4 layers, one echoed/harmonized
​
Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Tip Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

Notes: For most of these episodes, I pick the song many months in advance, because what with artwork & permissions, not to mention my own anxiety levels(!), it helps to have things lined up before.... which sometimes means I haven't listened to the song much until I'm ready to record. Then I wonder -- will I still love it? Will I still want to learn and spend time with it, or was it a temporary infatuation? I can tell you unequivocally, I loved coming back to this song! Katie Sontag's "Share the Journey" felt like reconnecting with a wise, deeply beloved friend who loves me back.., you know that feeling of mutual warmth and trust that you can relax into, and at the same time feel empowered and energized by? Ahhhh.

Songwriter Info: Katie Sontag writes songs that are honest and vulnerable for her own healing and transformation and seeks to inspire the same in others. Based in Eugene, OR, but working on touring the world, Katie's songs will touch your heart and leave you feeling better then when you came. Listening to her music has been described as receiving "a big hug". She is also the lead vocalist and songwriter for her band, "Katie Sontag and the Love Notes" and half of the duo, "smalltime". She is a group song leader and aspiring choral director. Her songs have been adapted for choirs in Portland, Boulder, Austin, and Big Sur.

Links: 
Website: katiesontag.com
email for contact: katharine.sontag@gmail.com
Patreon: patreon.com/katiesontag
Facebook: facebook.com/katiesontagmusickatiesontag.com
Soundcloud: soundcloud.com/katiesontag
Bandcamp: https://katiesontag.bandcamp.com/
Youtube: https://www.youtube.com/c/KatieSontag
Spotify: https://open.spotify.com/artist/17B4xx4loeNl48GXD6oyBB?si=9p7YgO6FQQ6s-WjBS1VhOg&nd=1

Nuts & Bolts: 4:4, Major, 3-part harmony
​
Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Tip Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

Notes: Haven't we all been going through waves of change? Whether it looks like loss or shift or fear or opportunity -- whether intended or thrust upon us -- whether sudden or slowly gathered -- it's not always easy or clear to navigate. I believe in song as a tool, an intentional change-maker, a physic for the body and soul -- as a way of choosing the thoughts we want to carry in our brain. And sometimes for me, it's several voices in my head at once! What I love about this song is the way it has two parts of me talking to each other -- my wise mind, reminding and encouraging me to "keep your heart wide open, no matter what sweetheart, have faith, you'll be able to..." -- and my tiny gerbil self, scurrying around, singing fast & trying to be reassuring, "Okay, okay, I'm gonna keep, I'm gonna keep -- I'm gonna get this done, I can do it, I can do it!" 

Songwriter Info: Lea describes her sound blend of gospel, jazz, country & R&B as SoulFolk. She performs solo & with her band. Lea is one of the Black composers commissioned by the Natural Voices Network for their Black Lives Matter commissioning project, and she also writes music used by Unitarian-Universalist congregations. On our songwriter conversation (episode #60), she talks about the compositional process and shares a little of what's currently in process. Check out her website under "More" for full biographical info, and don't miss Lea's own recording of Heart Wide Open on her youtube channel!

Links: 
Lea's website: www.thisislea.com
​and
On youtube: www.YouTube.com/thisislea

Nuts & Bolts: 4:4, Ionian, call and harmonized response

Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

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Notes: An elemental song that reminds us of how ephemeral human life is -- yet how we can rely on the solidity of the elements and return to them again and again. This is a song I need when I feel unrooted by grief and anger. I wonder how it will feel to you, what it might touch, how it might help you adapt and flex and grow? Listen for the surprise sound effect... I was recording with the windows open, and my looper caught a passing sound... I decided not to rerecord, both because I didn't really have the time, and because I thought it was actually kind of cool in the context of this song. Just a reminder that this podcast is not a polished recorded performance (as if you hadn't figured that out already! :) ) I use the looper to layer up my voice a bit, but it's how it would sound if we were sitting in the same place and you were singing with me live... two real humans doing real human-y stuff.

Songwriter Info: Starhawk is an author, activist, permaculture designer and teacher, and a prominent voice in modern earth-based spirituality and ecofeminism. Anne Hill has expertise in many areas, from dreams and spirituality to self-publishing and author platforms. She is a sought-after speaker and teacher, helping people improve their lives using both inner and outer resources. With Diane Baker, they co-created a book called Circle Round, which is a resource of nature spirituality practices.  Unusually, I did not manage to get their explicit permission to share this song, though I reached out through their websites... so if this episode disappears, you'll know why! I'm hoping that because this song is already widely shared, it might be okay. Please, if this song speaks to you, here's an extra plea to use the links and visit their websites to support their work!

Links: 
Regenerative Culture, Earth-based Spirituality, and Permaculture « Starhawk's Website http://starhawk.org
About Anne | Serpentine Music & Media

Nuts & Bolts: 2:2, Ionian, Call & response with harmonies.

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Notes: I keep singing this to myself... so grateful that Kaitie caught this song-morsel that provides so much release. This idea that life keeps rearranging, sometimes feeling awkward -- but that's not the end -- I get to keep moving through that... for some reason I can hear this so much more easily when it's coming in a song. Kaitie isn't done with this song -- she is still listening for the harmonies -- which means you're getting it at this sweet moment of openness and exploration -- how will you harmonize it, or will you stay with the melody, singing the reassurance into your bones? The songwriter conversation that follows ranges across the Ubuntu philosophy origin and how/why it applies to choirs, caring for a group, straight talk about singing in groups when not everyone's on pitch, what we can learn from small children, musings on flexibility versus predictability ... and more!

Songwriter Info: Kaitie Ty Warren (she) is a Bay Area-based songleader, teacher, writer, cartoonist and performer. Passionate about creating joyful experiences through music, Kaitie uses simple yet luscious harmonies to build bridges within communities and bring people together in song. In early 2020, Kaitie's Living Room Choir moved online, and that fall her first child was born. Living Room Choir continued online, and in 2021 Kaitie added Simple Harmonies: Songs for Babies & Their Grown-Ups. Nowadays, Kaitie is still leading online but also exploring pandemic-conscious opportunities to sing together in person. Her dream, pandemic-willing, is to host a vibrant, in-person, intergenerational choir for babies, children and adults of all ages to sing together. ​

Links: 
To contact Kaitie directly: kaitietywarren@gmail.com
To learn more of Kaitie's songs: https://thelivingroomchoir.com/original-music/
To sing with Kaitie: thelivingroomchoir.com
Kaitie's cartoons: https://www.instagram.com/kaitietywarren/
For cartoons & things for sale: https://society6.com/kaitietywarren

Jagged Little Pill by Alanis Morrisette MORISSETTE,ALANIS - Jagged Little Pill Acoustic - Amazon.com Music
Simon Webbe: https://music.apple.com/us/artist/simon-webbe/78729485
more about the Bird/Cat/Dog idea for community reengagement
Ubuntu and Bishop Desmond Tutu... here's an article about ubuntu by Desmond Tutu’s granddaughter

Nuts & Bolts: 4:4, Major (Ionian), melody with optional harmonies
​
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Notes: I came across We Are the Way in 2020 when I was joyfully listening through Annie Zylstra’s online collection in Heartland Harmony – if you love songs and haven’t found her library yet, you are in for a huge treat! Annie had this song, which lifted my heart and became a touchstone song for me in very short order. She explains that Christine Kick was living in her basement during a major home renovation that was taking longer than expected, and she found herself feeling a little shamefaced when friends would ask, “How’s it going?”, as it very much WASN’T… and then she reminded herself to celebrate the difference & distance she had come. We’ve just moved out of our home for 22 years to a new community, we’re unpacking boxes, searching for things in new places, slowly starting to meet new people… I am using this reminder on the regular!

Songwriter Info: Christine has been writing songs ever since she was a kid, growing up singing in choirs, and playing flute, guitar, piano, hand drums, etc. She wrote We Are the Way in 2016. She teaches yoga as a way to harness more energy for life by overcoming our limitations and fears - energy that can then be applied to any passion or pursuit that fills us up! Christine believes that music is medicine, especially singing since it opens the throat chakra which allows energy to flow. Her mission is to inspire others to live their best life possible and show up for their heart's true calling.... and music is part of and parcel of who she is and what she does. When we connected for permission for me to use this song, she was in Costa Rica travelling, and sharing songs. Christine enjoys leading and hosting song circles, kirtans, and music jams.

Links: 
Find Christine's website here: Christine Kick
on facebook as ChristineKick
or Instagram as @acrounicorn

Nuts & Bolts: 4:4, Mixolydian, round and layer
​
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Notes: Okay, I procrastinated on recording this episode for the longest of any song yet... I respect Moira so much, and I desperately wanted to share her song in a beautiful way that convinced you to love it, too. I felt like I wasn't good enough, and I got a good run of the whole imposter syndrome going, yada, yada, yada. But you know what shifted? I remembered why this podcast exists -- to share songs that help me heal, adapt, and grow, so you can sing them, too. And this song is one that I've sung to myself over and over in the middle of troubling times to help me release and let go. When I sing this into myself, I can see more clearly which actions might be mine to make next. And when the world is in turmoil, this is what helps me navigate a way forward. None of us (myself included) need to have a stunning voice for a song to be a companion... and I'm grateful to Moira for this gift. Please notice, I haven't shared the entire song here, only an excerpt... check out the links below to hear the whole song, and buy the music on her website for yourself or to share with others. Next episode: a conversation with Moira Smiley herself, who turns out to be absolutely lovely and generous -- we talk creativity, how rest is part of the job, how her voice has protected her, and more...​
​
Songwriter Info: As a composer, Moira Smiley is known worldwide for choral arrangements like Bring Me Little Water, Silvy and originals, Stand in That River and How Can I Cry. Her music is sung by millions of singers worldwide. She’s credited with helping to bring body percussion into the choral mainstream and is in demand as a commissioned composer, writing multi-movement pieces including Time In Our Voices and In The Desert With You for the Los Angeles Master Chorale, evening-length secular liturgy, The Song Among Us and Tis A Fearful Thing for Craig Hella Johnson’s Conspirare and CVAE, Vonnegut Requiem: Light Perpetual for Voces Novae, Loud My Soul for Ad Astra Festival and I Have A Voice for ACDA Women's Choral Consortium. The European premiere of Time In Our Voices was performed by the voices and mobile phones of Ars Nova Copenhagen under the direction of Paul Hillier.
  In 2018-2019 Moira released the album and choral songbook, Unzip The Horizon as companion to her ‘The Voice Is A Traveler’ solo show. In 2021 she released the all-vocal social-justice centered album, In Our Voices with four powerful singers of diverse ethnic and cultural backgrounds. She continues composing and improvising in collaboration with artists in film, video game production, theater and dance, and her work can be heard on feature film soundtracks, BBC & PBS television programs, NPR, and on more than 70 commercial albums.
  “Moira Smiley is a marvel—an omnivorous singing and composing chameleon with a voice that can wail or caress at will!” -- Grant Gershon - artistic director, Los Angeles Master Chorale
  “Moira Smiley is a brilliant musician – an innovative composer and arranger, and a heartbreakingly beautiful singer. Her music transcends (and expands) boundaries.” -- Billy Childs - multi-grammy-winning composer/pianist
  “I’m so thankful I’ve had the privilege of performing and recording with Moira. She embodies the endless creative potential of the voice, and… (has made) a deeply moving body of work.” -- Merrill Garbus - Tune-Yards

Links:
www.moirasmiley.com for all info including sheet music, practice tracks!
https://moirasmileysubscription.com/ to support Moira monthly for as little as $4/mo.
https://www.instagram.com/moirasmiley/ for up-to-date personal and music pics
https://www.youtube.com/c/MoiraSmileyMusic for official music videos, song and body percussion tutorials and live performances
A beautiful recording of a quartet singing the full Stand In That River, part of "The Mt. Tom Sessions".
Moira's own recording of Stand In That River with VOCO.

Nuts & Bolts: ​3:4, Ionian, harmonized melody

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Notes: Lisa wrote this song in a beautifully flexible way, so we can each adapt it to what we need to be singing in the moment... in the podcast, I only sing "All our voices are rising up...", but you can insert your own word for the kind of voices rising up inside you. In the community singing world, songs like this are called "zipper songs", and they can be a beautiful practice of awareness -- as you sing, over and over, other words might appear in your head -- and some of them may surprise you, or make you laugh, or touch you tenderly. Welcome to your voice -- welcome to mine -- I can imagine them thrumming through the earth as we sing this song together....

Songwriter Info: Oxford, U.K.-based singer-songwriter Lisa Doscher believes in the power of the voice to reconnect us, to ourselves and to each other. Her songs open up a portal for listeners to go within, while at the same time resensitizing to the world through beautiful harmonies and life-affirming lyrics. Her new album, ‘Tuning In: Songs to Reconnect and Recharge’ is a retreat from the stresses of daily life, designed to activate our creative energy and help us realign with our unique purpose. There are songs to soothe, uplift and restore balance. For those interested in going deeper, Lisa is offering a ‘Tuning In’ Women’s Group starting February 1st, 2022, with monthly live sessions, weekly meditations and support for going within to activate your voice and creative process. Lisa also offers individual voice and healing sessions.

Links:
All the info, places to buy/listen:
https://lisadoscher.com

Or go directly to buy/stream on Bandcamp: https://lisadoscher.bandcamp.com/
It includes a beautifully designed booklet with the intentions behind the songs and ways to use them in your daily life.

Find Lisa on Facebook or Instagram as @lisadoschermusic

You can also hear Lisa singing Voices Rising on youtube at https://www.youtube.com/watch?v=jjDQDDf_MU4

Nuts & Bolts: 4:4, Ionian (Major), melody with harmonized interlocking part; zipper potential
​
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Notes Lissa Schneckenburger's song has a personal back story that we get into during the conversation part of the episode -- along with discussion of change-making as integral to music-making, the similarities and differences of violin and voice as instruments, why Lissa chose songs with words for her recent solo album... Lissa spills over with ideas, generosity, connections, and a deeply caring heart -- our time together was a treat for me. This song feels particularly appropriate at this turn of the year, when we are tired of COVID and injustice and it is easy to be fearful... "we are rising, we are shining, we have the power"... "we will not let this be the end". Something a little different on this episode -- after she invited us to join, I included myself singing with Lissa and experimenting (sometimes more successfully than others) with harmonies... my hope is that that encourages you, too, to explore. Brendan Taaffe says you're only ever one note away from a great harmony! If you want to hear the song already beautifully harmonized and sing along with a polished version after you've learned it on the podcast, check out the links below for Low Lily's video.

Songwriter Info: Lissa Schneckenburger is a fiddle player and singer whose roots are in folk music in Maine. She lives in Brattleboro, Vermont, now, and says, “To me, music creates community. Music is what people sing along to, dance to, fall in love to… music brings people together." Giving concerts on her own or as part of the trio, Low Lily, as well as supporting other musicians with practice challenges (and jokes) through her website, Lissa consistently does her part to build community. Her solo album, Thunder In My Arms, is a tender, powerful collection of songs about attachment, parenting, and trauma. We talk about its origin and development in today's conversation.

Links:
Lissa's website: lissafiddle.com
Low Lily's music video of Labor On: https://www.youtube.com/watch?v=R2XtOspP1Jc
Peter Mulvey (bike tours and music!) https://www.petermulvey.com/
The Road North by Alasdair Fraser and Paul MacHlis -- one of Lissa's influential albums
Moosewood borscht recipe by Mollie Katzen -- the link goes to a blogpost with the recipe, or buy the whole cookbook at your local bookstore -- a 40th anniversary edition was released and is still in print.
Kafari on kafarimusic.bandcamp.com/ -- a Black, Portland, Maine-based artist Lissa wishes more people knew about... piano and percussion music.
Duet with Lissa on TikTok here: https://www.tiktok.com/@lissafiddle?

Nuts & Bolts: 6:8, Aeolian, verses & chorus
​
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Notes: I asked the people who have signed up for the A Breath of Song mailing list to share words they'd like to hear in this song... and I got SO many responses!!! Narrowed down to 21 words... so we sing this song in three different ways, each time with seven different words. As you sing to uncover your own wellness, you may find a song feels better slower or faster on different days, or sung with high energy or very calmly. I explore three different options with this song -- you may find more. You'll hear my voice crack and squeak -- and you'll hear many of me at one point, because this is a great song for a crowd (and hey, sometimes it IS crowded in my mind with my own voices!) It is not simple to create a song that is easy to learn, and also is a strong container for many different emotions and recognitions. I love the way this song invites us to notice what we see in ourselves and each other, and then stretches us both up and down -- an alignment in song.

Songwriter Info: Mazal Etedgi (they/them/theirs) is a trans and Mizrahi ritualist, Drama Therapist, and herbal medicine maker living on Ohlone Land (so-called Berkeley, California).

Links:
Website: bsamimapothecary.com
Instagram: @bsamim.apothecary
Tiktok: @bsamimapothecary

Nuts & Bolts: 4:4, Minor (Aeolian with harmonies in 2nd go-round), zipper song

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Notes: I met creator Elise Witt online during the pandemic, when we were both in a course led by the extraordinary improviser Rhiannon… I was honored, because I already knew of Elise as a composer of unusual choral work that I had explored doing with my community chorus. In fact this piece was conceived as a choral piece, and Elise very generously let me excerpt a bit of it to be a pocket song. I love the way the rhythm wakes me up from an uninspired, tired place -- whenever I sing this, I almost always end up moving somehow. And now that I know Elise a little, I can see why -- her brain is the definition of fertile, and she exudes energy and joyfulness you can almost touch through her little Zoom rectangle. Elise says, "I believe that if we listen deeply, we can hear music in the wind, the water, the earth, and deep in our bones. And no matter how disconnected we get, that music is always there, when we are ready to return and listen."

Songwriter Info: Elise’s concerts of Global, Local & Homemade Songs™ and her Impromptu Glorious Chorus™ workshops create and connect singing communities around the world. Born in Switzerland, raised in NC, and living in Atlanta since 1977, Elise speaks 5 languages fluently and sings in at least a dozen more. The Elise Witt Choral Series features choral arrangements of her original compositions and she recently published All Singing, a songbook with 58 original songs including music notation, lyrics and chords, stories and photos. In addition to her global touring, Elise serves as Artist-in-Residence & Director of Music Programs at the Global Village Project, a non-profit, special purpose middle school for teenage refugee girls in Decatur Georgia.

Links:
www.EliseWitt.com -- Learn more about Elise on her website
"Song Deep in Your Bones" as recorded by Malcolm Dalglish’s Ooolation Singers in rehearsal at Yosemite National Park
Recorded on "We're All BORN SINGING" EMWorld Records 1012
Available for SATB, SSAA, TTBB in the Elise Witt Choral Series
​Included in ALL SINGING: THE ELISE WITT SONGBOOK

Nuts & Bolts: Mixed Meter (5:8, 3:8, 3:4 or 6:8), Mixolydian mode, and in this teaching, unison.

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Notes Tembre shares her song that was created in a bathtub during lockdown, "Brave This World".  I learn it as she teaches it. We talk about free-ranging children in the natural world, cold water, slowing down, expanding, spicy sweet potato soup, how Tembre can SEE someone find their voice, Ireland, and more. Tembre has been leading group singing since May of 2001, and developed a beautiful online presence hosting "May We Sing" during the lockdown. She says, "Having an English accent and a French name growing up in a rural community here in Ireland was challenging at times," yet the strong connection she has to both the natural world and music means that Ireland has been a beautiful, nurturing home.

Resources mentioned
Tembre's website www.tembresong.com
Tembre's daughter, Amelia on instagram, going by the name of DECARTERET
Also find Amelia on Spotify 
Joni Mitchell's Blue album

Nuts & Bolts: 2:2, Aeolian (natural minor), 3 part layer song

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Notes: Written at a time when my soul felt dry and fragile in response to wildfires, drought, racial injustice, pandemic, climate and political crises... I needed a song that recognized how I felt, but could also call on hope, water, justice, breath, vision -- and a song I could bring to groups which could be quickly taught and singers could name what they wanted to call for themselves. I love the determination and sharpness I feel at the beginning, followed by a peaceful settling when the rain "falls down" on us all.

Check out the home page or the shownotes to Episode #10 to join the "in-group" that gets a colorful, thoughtful weekly email.

If you'd like to bring this song to your own groups, simply let me know at abreathofsong@gmail.com.

Nuts and Bolts: 4:4, Aeolian (natural minor) zipper song with body percussion.

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Notes  Samara Jade and I talk embodied intuition, the musical Rent, vocal health, names, mycelium, Moonshadow and trust... and Samara shares "I Trust My Roots". I sing along, periodically smudging the words, as I often do when I first learn a song (maybe you do, too?). A squidge of laughter, a dollop of wonder... it was a fabulous hour!

Music referenced in the show:
Cat Stevens, Moonshadow
the musical Rent by Jonathan Larson
Pink Floyd The Dark Side of the Moon
singer/songwriter Johanna Warren

Songwriter Info A modern folk troubadour, Samara is dedicated to the art of listening deeply and crafting soul-centered songs that are medicine for the moment. Inspired greatly by the wild wisdom of nature and the landscape of the human psyche, her songs ride the crest of the unknown and balance between shadows and light.
Coming from a musical background as diverse as classical, jazz, folk, Broadway musical and progressive rock, Samara stitches together a unique tapestry of sounds with a quality of musicianship distinctly her own. As heart-opening as they are intellect-stimulating, A fan once coined the term "Philosopholk" to describe Samara's tunes, and no one has ever described it better in a one-word nutshell.
Samara lives in her van, Vincent VanGo, and is committed to sharing her song-beings around like thousands of spiraling maple helicopter seeds - which is, not coincidentally, what a samara is.

You can find her in all these places:

On Patreon: www.patreon.com/samarajade
On Bandcamp: https://samarajade.bandcamp.com/
On her website: www.samarajademusic.com
On Facebook: https://www.facebook.com/samarajademusic
On Youtube: https://www.youtube.com/user/WildPamplemousse/videos

Nuts and Bolts Zipper song in 4:4, Aeolian (natural minor).

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Notes I wrote this song a few months into the pandemic, at a point when I was disappointed with how I seem to know all this wisdom in my head, but have so much trouble translating it into body knowledge... I was tearful & fearful – and so frustrated with myself. Then I realized – oh, right -- this what it feels like to grow! Moving from comfortable to uncomfortable in a spiral of growth. Which started me thinking about prairie grass – the beauty of acres of grasses swaying and moving in the wind. Roots in the dirt and touching the sky... both growing up and coming down. Natural patterns that occur and recur -- including the spiral.

​Be one of the first to know as new episodes are released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me. Click here.

You can learn more about me and what influences my choices and work here​.

Nuts and Bolts 4:4, Layer song, Aeolian (minor)

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Notes To be open to the possibility of something wonderful happening seems both counter-intuitive in the middle of the pandemic and multiple crises, and also surprisingly comforting and hopeful. And indeed, wonderful things are happening in addition to what's hard and perplexing and dismaying. I love how I feel lighter after singing this -- I wonder how you feel?
Debbie said she wrote this song to help a couple people in her life that were going through difficult times. She says it is a great song to help manifest a dream into being -- you can think of something you want to come into your life and sing that into being, to embody it as you sing and to really see it happening, to call it in for yourself.

Songwriter info Debbie Nargi-Brown started singing and dancing on the day she was born! A gifted community song leader, an award-winning dance teacher, and a talented songwriter, she offers her songs with love, compassion, and the hope of bringing joy and healing to others. Debbie’s lyrics and melodies are sung all over the world. She writes songs for the heart, healing, transformation, love, grief, and all that connects us as human beings. Bringing people together in dance and song is one of her greatest joys in life!

​Be one of the first to know as new episodes are released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me. Click here.

You can connect with Debbie and her work at debbienargi-brown.com

Nuts and Bolts 2 harmonized sections which can be sung as a round or layered, in 2:2, Ionian (major) mode.

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Notes Let's highlight a song by next episode's guest artist Maggie Wheeler, Maggie said she wrote this on her birthday on a gray day by the beach in 2019. She told her husband and daughters to just hang on, because a song was coming through… I thought, ah, she treats her creative urges with honor. Both my cat and dog contribute to this particular recording, but although the purring and dream yips seemed really loud as I was recording, they're quite faint in the final product.... I decided to just let them blow through.

Maggie Wheeler is best known in the U.S and internationally for her work as an actress in film, television and voice-over and most notably as the character of Janice on NBC’s hit series Friends. Maggie is a passionate singer, songwriter, choir director and workshop facilitator. She has been teaching her vocal workshop "Singing In The Stream" for over 30 years at retreat centers, universities, communities and schools to provide the experience of creating interpersonal harmony and internal harmony through the powerful act of creating vocal harmony. Maggie directs the 100-voice Golden Bridge Community Choir in Hollywood, an inter-generational, non-auditioned choir now going in its 16th year.
She is a prolific songwriter with a catalog of powerful and timely songs that have been sung by choirs worldwide. Maggie’s original music for choirs and communities is available on iTunes and other music platforms. To accompany her most recent CD entitled 'Walk With Me’, Maggie has created a songbook available by request through her website www.goldenbridgechoir.com Throughout this year of change Maggie hosted a weekly online community gathering called Together In Song, bringing together people from around the world to join in the healing power of singing.

​Links: To learn more about Maggie’s work please visit: www.goldenbridgechoir.com and maggiewheeler.net

Nuts & Bolts This layer song is a slow 4:4, Aeolian mode (natural minor)

Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Tip Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!