Notes: I'd like to highlight the custom art created for each episode by Patty Piotrowski. If you're following this on a podcast app that shows only the A Breath of Song logo, and not the artwork, then please go here to feast your eyes! Patty sang in a chorus with me for several years before the pandemic and included me in the friends with whom she shared an Advent calendar of one painting a day via email -- and I loved the experience of opening my email to see something beautiful. During the pandemic, she sang Pocket Songs with me, and we both leaned into song as resource. When I decided to start sharing songs that were making it easier for me to navigate life through this podcast, I wondered if Patty would be willing to share this creative process with me. For each song, she listens ahead of time, sings with it, lets it soak in... and then waits for an image to appear. She emails me a photo of the custom art, which delights me, and makes the process of preparing the podcast for release exponentially more pleasurable.
About this piece, she said:
   "Here is a tree for all of the seasons of this song
   I’ve been passing this tree along I91 and talking with it for two years
   It looks different depending on your orientation:
   when I approach it from the north on the highway, I see it whole and round with branches,
   but as I pass it, I see then actually there are no branches on the south side."

Dirk says about the song: "Winter Song was written for amateur groups to sing at the winter solstice. I chose the traditional English round form so the repetition can have a meditative effect and people can sing it for as long or short a time as they wish... It was my late wife Adrienne who suggested to me ten years ago that there was a need for new songs to celebrate the eight-fold year celebrations of solstices, equinoxes and cross-quarters that Druids traditionally observe. I did write some others but they were not as good as Winter Song and have passed deservedly into obscurity! 2012 was the last year of Adrienne’s life. She heard the song performed for her birthday in July that year. She was pleased with it. My awareness of her impending death is probably what gives the song its emotional charge."

Join the A Breath of Song mailing list by clicking here. You'll receive a heads-up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Songwriter Info: Dirk Campbell has put this song into the public domain, so we are welcome to share it. Dirk was born in 1950 in the British military hospital in Ismailia, Egypt, and lived in Kenya till 1962, so was exposed to indigenous Arab and African music before its acculturation by western influence. He went on to a successful career as a composer for films, radio, stage, etc, His website is a fascinating dive (and I mean HOURS worth!!!) into many instruments from a wide variety of cultures around the world on which he has gained skill. He teaches musicians about ways of incorporating ancient and non-western music into contemporary composition.

Links: 
Dirk Campbell

Nuts & Bolts: 4:4, Dorian, 2-part layer song with optional drone.

Notes: This song, about settling into the unknown and experiencing that as home, is one that has been singing in my head throughout this last year of transition for me. The delight of letting my voice slide helps me physically experience the release, and the complex harmonies keep my sense of focus and unsettledness... as though I'm practicing finding that home in the middle of the unknown. I think this is a great song for becoming very aware of how your voice feels in your body as you sing, because you'll get used to the words fairly quickly -- and then you can shift the focus to the sensations as you sing. (A sneaky form of somatic meditation, but you don't need to notice that, unless you want to!)

Join the A Breath of Song mailing list by clicking here. You'll receive a heads-up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! Last week, I shared sheet music to both parts of Lullaby My Sweetness, and a picture of the Rebecca, Claire & me together, for example. No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Songwriter Info: (Snitched directly from Anni's website) Anni Zylstra (she/they) is a folk singer, basketmaker, farmer, and weaver of community based in the traditional homelands of the Oceti Sakowin and Ho-chunk in SW so-called Wisconsin. She has been teaching, writing, and collecting new and old polyphonic songs in the aural tradition for a decade. In the spirit of folk, they believe that everyone can sing, and that using our voices to make beauty together is one of most pleasurable, accessible, and world building activities people can do together. Anni's facilitation is rooted in anticapitalist values, play, a queer nature-based lens, and more than a decade of classical musical training, ethnomusicology, and community leadership. They currently farm on the West Fork of the Kickapoo River, where they grow basket willow, perennial food crops, raise ducks, host events and classes folk education style, and lead Ember, a community choir that sings Balkan, Georgian, and polyphonic English music in La Farge, WI.

Links: 
Heartland Harmony | Singing for Joy and Connection
Here is a 45-minute interview with Annie, hosted by Kate Valentine of Singing Mama's choirs, all about song writing and sharing. Meet Annie Zylstra - Choir composer extraordinaire! - YouTube
@zestinferna -- Anni on Instagram

Nuts & Bolts: 2:2, Dorian, harmonized paired melodies

Notes: I've shared this song with my pocket song singers online group, meaning I was live-looping it... and the layers are intricate! The different lines interweave closely, creating a dense, beautiful texture. Lyndsey and I enjoy our conversation -- hear her talk about dropping root to choose what to do in the morning and set an intention, about how grief can be a healer, and wealth of teachers and mentors she draws on. Learn which voices still niggle at her, even with all the wisdom she has steeped herself in, and how she includes and cares for those parts, too. When we recorded this, I was in a particularly fragile place, feeling a little unmoored -- I felt better after this time spent talking and singing... more connected, more hopeful. As usual, I left with more questions than I started with... but it feels like a big door has opened and is welcoming me through. Following the links will keep me learning for a good long time!
​
Be one of the first to know as new episodes are released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me. Click here to sign up.

Songwriter Info: Lyndsey Scott is an artist-goofball-yintennae devoted to priestesSing the Heartland, (literal and figurative).  She weaves community singing to empower earth-based spiritual consciousness, and gathers soul circles that, through Song and sacred listening, decompose oppressive scripts that get in the way of freely living the Love we are. With jams that get you skipping easily between the sacred, sexy, and sssssilly : your inner child, exiled banshee, and wise elder are all very invited to the circle. ​

Links: Are you ready??? Lyndsey had so many resources to share, so this is the longest set of links yet!

Let's start with links for Lyndsey and As I Relax:
The song is free to share but Lyndsey always welcomes financial and/or networking support if/when folks are so moved.
Everything Lyndsey! https://linktr.ee/lila.gaia
We Belong Community of Song: https://www.facebook.com/webelongcommunityofsong
Patreon: https://www.patreon.com/lyndseyscott
Lyndsey's album on Bandcamp: https://lyndseyscott.bandcamp.com/album/well-held

And now links to things that came up during the conversation -- starting with some of the quotations.

“He who sings, prays twice.” ― St. Augustine
“I arise in the morning torn between a desire to improve (or save) the world and a desire to enjoy (or savor) the world. This makes it hard to plan the day.” ― E. B. White
“Don’t ask what the world needs. Ask what makes you come alive, and go do it. Because what the world needs is people who have come alive.” ― Howard Thurman

Orland Bishop: Orland Bishop (presswarehouse.com)
adrienne maree brown: adrienne maree brown – 'The only way to deal with an unfree world is to become so absolutely free that your very existence is an act of rebellion.' – camus…documenting my liberation
San Francisco mural by Susan O’Malley: SusanOMalley_Mural_2009-2048x1536.jpg (2048×1536) (rootdivision.org)
​Starhawk, “The Fifth Sacred Thing” The Fifth Sacred Thing by Starhawk « Starhawk's Website
Marianne Williamson: Marianne Williamson – #1 New York Times Best-Selling Author
A Course in Miracles: Combined Volume: Foundation For Inner Peace: 8601421955508: Amazon.com: Books
Shireen Amini: Shireen Amini Music Medicine and Shireen Amini
Shelley Tochluk: Living in the Tension & Workshop Series (shellytochluk.com)
Emerald Podcast: https://podcasts.apple.com/jm/podcast/how-trance-states-shape-the-world/id1465445746?i=1000512752303
Chubby Cree: https://www.instagram.com/p/CbTonaZJL2d/
Laurence Cole: Can’t Do It Wrong / My Life Is So Cuckoo — Laurence Cole
Love Poems from God, translated by Daniel Ladinsky: Love Poems from God: Twelve Sacred Voices from the East and West (Compass) - Stillness Speaks
Grace Lee Boggs: Grace Lee Boggs - Wikipedia
Malidoma Somé and grief ritual: Dr. Malidoma Somé, Phd. | The Legacy of Elder Malidoma Somé
Sibomfu Somé and grief ritual: http://www.sobonfu.com/  Embracing Grief | Sobonfu Somé
Enneagrams – here’s one summary set: Integrative Enneagram Solutions (integrative9.com)
Aretha movie: https://www.youtube.com/watch?v=gkKOIQwTiKE
Characteristics of White Supremacy by Tema Okun: Microsoft Word - Okun - white sup culture.doc (whitesupremacyculture.info)
Francis Weller/ five gates: https://www.youtube.com/watch?v=MBfagOEkMi4   Home (francisweller.net)
Liz Rog/Center for Belonging:  https://www.centerforbelonging.earth/
Earthkeeper Wisdom School: https://www.earthkeeperwisdomschool.com/
Grief to Action: https://www.holisticresistance.com/grief
Influential album: MC HAMMER - Please Hammer Don't Hurt Em - Amazon.com Music
Lynn O'Brien: https://www.lynnobrien.love/
Artist Lyndsey wishes more people listened to: Briony Greenhill. Album: https://www.brionygreenhill.com/crossing-the-ocean

Nuts & Bolts: 2:2, Minor; 4 layers, one echoed/harmonized

Notes: I love this song for the both-and-ness... both joy and grief; both broken and mending; both hurt and healing, lost-found, hidden-revealed. The song appeared in an including way, too... Lyndsey was tasked with finding or creating moments of beauty and surprise at 2017 Village Fire, and as she sat at a table with the youth, creating art and words to decorate the port-a-potties, she saw what 10-year-old Livian had written -- "Sing upon joy". Lyndsey heard it as a song, and sang the first phrase... then the folk at the table created the interlocking part together. Both music and art, both words and song, both older and younger, both-and, both-and. Next week's episode is a songwriter conversation with Lyndsey -- not only does she share one of the amazing songs from her new album, but we get to talk and explore. My heart feels wider, my brain click-ier, my spirit lighter after every interaction with Lyndsey -- I hope you can join us!
​
Be one of the first to know as new episodes are released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me. Click here.

Songwriter Info: Lyndsey Scott is an artist-goofball-yintennae devoted to priestesSing the Heartland, (literal and figurative).  She weaves community singing to empower earth-based spiritual consciousness, and gathers soul circles that, through Song and sacred listening, decompose oppressive scripts that get in the way of freely living the Love we are. With jams that get you skipping easily between the sacred, sexy, and sssssilly : your inner child, exiled banshee, and wise elder are all very invited to the circle. ​

Links: 
The song is free to share but Lyndsey always welcomes financial and/or networking support if/when folks are so moved.
Everything Lyndsey! https://linktr.ee/lila.gaia
We Belong Community of Song: https://www.facebook.com/webelongcommunityofsong
Patreon: https://www.patreon.com/lyndseyscott
Lyndsey's album on Bandcamp: https://lyndseyscott.bandcamp.com/album/well-held

Nuts & Bolts: 4:4, Major, 2 harmonized layers

Notes: For most of these episodes, I pick the song many months in advance, because what with artwork & permissions, not to mention my own anxiety levels(!), it helps to have things lined up before.... which sometimes means I haven't listened to the song much until I'm ready to record. Then I wonder -- will I still love it? Will I still want to learn and spend time with it, or was it a temporary infatuation? I can tell you unequivocally, I loved coming back to this song! Katie Sontag's "Share the Journey" felt like reconnecting with a wise, deeply beloved friend who loves me back.., you know that feeling of mutual warmth and trust that you can relax into, and at the same time feel empowered and energized by? Ahhhh.
​
Be one of the first to know as new episodes are released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me. Click here.

Songwriter Info: Katie Sontag writes songs that are honest and vulnerable for her own healing and transformation and seeks to inspire the same in others. Based in Eugene, OR, but working on touring the world, Katie's songs will touch your heart and leave you feeling better then when you came. Listening to her music has been described as receiving "a big hug". She is also the lead vocalist and songwriter for her band, "Katie Sontag and the Love Notes" and half of the duo, "smalltime". She is a group song leader and aspiring choral director. Her songs have been adapted for choirs in Portland, Boulder, Austin, and Big Sur.

Links: 
Website: katiesontag.com
email for contact: katharine.sontag@gmail.com
Patreon: patreon.com/katiesontag
Facebook: facebook.com/katiesontagmusickatiesontag.com
Soundcloud: soundcloud.com/katiesontag
Bandcamp: https://katiesontag.bandcamp.com/
Youtube: https://www.youtube.com/c/KatieSontag
Spotify: https://open.spotify.com/artist/17B4xx4loeNl48GXD6oyBB?si=9p7YgO6FQQ6s-WjBS1VhOg&nd=1

Nuts & Bolts: 4:4, Major, 3-part harmony

Notes: Haven't we all been going through waves of change? Whether it looks like loss or shift or fear or opportunity -- whether intended or thrust upon us -- whether sudden or slowly gathered -- it's not always easy or clear to navigate. I believe in song as a tool, an intentional change-maker, a physic for the body and soul -- as a way of choosing the thoughts we want to carry in our brain. And sometimes for me, it's several voices in my head at once! What I love about this song is the way it has two parts of me talking to each other -- my wise mind, reminding and encouraging me to "keep your heart wide open, no matter what sweetheart, have faith, you'll be able to..." -- and my tiny gerbil self, scurrying around, singing fast & trying to be reassuring, "Okay, okay, I'm gonna keep, I'm gonna keep -- I'm gonna get this done, I can do it, I can do it!" 

Sign up for the A Breath of Song mailing list (the little form on the home page; you might have to scroll down a bit) to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Songwriter Info: Lea describes her sound blend of gospel, jazz, country & R&B as SoulFolk. She performs solo & with her band. Lea is one of the Black composers commissioned by the Natural Voices Network for their Black Lives Matter commissioning project, and she also writes music used by Unitarian-Universalist congregations. On our songwriter conversation (episode #60), she talks about the compositional process and shares a little of what's currently in process. Check out her website under "More" for full biographical info, and don't miss Lea's own recording of Heart Wide Open on her youtube channel!

Links: 
Lea's website: www.thisislea.com
​and
On youtube: www.YouTube.com/thisislea

Nuts & Bolts: 4:4, Ionian, call and harmonized response

Notes: An elemental song that reminds us of how ephemeral human life is -- yet how we can rely on the solidity of the elements and return to them again and again. This is a song I need when I feel unrooted by grief and anger. I wonder how it will feel to you, what it might touch, how it might help you adapt and flex and grow? Listen for the surprise sound effect... I was recording with the windows open, and my looper caught a passing sound... I decided not to rerecord, both because I didn't really have the time, and because I thought it was actually kind of cool in the context of this song. Just a reminder that this podcast is not a polished recorded performance (as if you hadn't figured that out already! :) ) I use the looper to layer up my voice a bit, but it's how it would sound if we were sitting in the same place and you were singing with me live... two real humans doing real human-y stuff.

Sign up for the A Breath of Song mailing list (the little form on the home page; you might have to scroll down a bit) to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Songwriter Info: Starhawk is an author, activist, permaculture designer and teacher, and a prominent voice in modern earth-based spirituality and ecofeminism. Anne Hill has expertise in many areas, from dreams and spirituality to self-publishing and author platforms. She is a sought-after speaker and teacher, helping people improve their lives using both inner and outer resources. With Diane Baker, they co-created a book called Circle Round, which is a resource of nature spirituality practices.  Unusually, I did not manage to get their explicit permission to share this song, though I reached out through their websites... so if this episode disappears, you'll know why! I'm hoping that because this song is already widely shared, it might be okay. Please, if this song speaks to you, here's an extra plea to use the links and visit their websites to support their work!

Links: 
Regenerative Culture, Earth-based Spirituality, and Permaculture « Starhawk's Website http://starhawk.org
About Anne | Serpentine Music & Media

Nuts & Bolts: 2:2, Ionian, Call & response with harmonies.

Notes: This particular song of Saro's has gained international attention, becoming an anthem in the movement to end global warming and garnering praise in the Huffington Post. You may already be familiar with it... in which case I'd really encourage you to use this podcast to explore it and use my voice as an opportunity for you to experiment with harmonies, or being a grounded, single note, or be able to pay extra attention to how it feels inside your body as you sing. Or maybe you don't know it yet? That's cause for celebration, because you have a treat waiting for you today! For me, when I sing this, I feel huge things -- grief at what is happening to our planet and a powerful, grounded determination to respond as I can -- and, like I said -- feeling those things strong and large. It taps into something bigger than myself, even when I'm singing alone, as I often am these days. And then Patty sent me her image for this, which she had developed independently, after listening to the song over and over -- and I was so moved by the force of this hippo! I'd be curious to hear how it feels to you to sing it with me?

Saro encourages people to sing this in groups -- "please share this song -- use it at protests, use it in church, use it in meetings, add new verses, spread it around!"
​
Sign up for the A Breath of Song mailing list (the little form on the home page; you might have to scroll down a bit) to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Songwriter Info: Saro Lynch-Thomason is an award-winning ballad singer, song leader, folklorist, and documentarian from Asheville, North Carolina. Saro has been studying and teaching traditional song and balladry from the British Isles, Appalachia and the American South for over a decade. Saro believes that old songs help modern learners access history, folklore, and (most importantly) compassion for the experiences of others, and she uses in-person teaching, film documentary, podcasts and more to convey these lessons. She holds an M.A. in Appalachian Studies and a Certificate in Documentary Studies.

Links: 
www.sarosings.com,
www.patreon.com/sarolynch,
Music at sarolyncht.bandcamp.com,
TikTok and Instagram at @songspeaksaro
Saro herself singing More Waters Rising. (SO worth singing with!!!)

Nuts & Bolts: 4:4, Aeolian, harmonizable

Notes: Penny includes us all into her circle of friends by sharing "First Light" -- a song she wrote for 5 close friends, including her partner. Then we have a rollicking conversation, covering big voices, purposeful singing, what a requiem might do, and a few little questions like, "What has singing taught you about life?" Also, how and why you might say "FTS"...

Sign up for the A Breath of Song mailing list (the little form on the home page; you might have to scroll down a bit) to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Songwriter Info: Penny Stone is a musician and activist based in Edinburgh, Scotland. She believes that everyone can sing and that every voice is valuable and beautiful. Penny facilitates singing groups and writes accessible music for community groups. She is currently working on a feminist requiem. 

Links: 
Penny's website (with a donation box)...: www.singlouderthanguns.com
Learn and Sing along song videos: www.singlouderthanguns.com/singalong-songs/
Sing this song with with Penny: First Light (learn and sing along) - YouTube
Twitter: @singovertheguns

The lullaby Penny describes that she wrote for the "wee girl": https://youtu.be/aG3OgCWd8c4
How to Write One Song by Jeff Tweedy:  An Excerpt from How to Write One Song by Jeff Tweedy | Penguin Random House
Two choices for Jaqueline du Pre Elgar cello concerto:
 Jacqueline du Pre & Daniel Barenboim - Elgar Cello Concerto - YouTube
or with Sir John Barbirolli: Elgar Cello Concerto / Jacqueline Du Pré / Sir John Barbirolli, LSO (ASD 655) 1965 - YouTube

Nuts & Bolts: 3:4, Major, Harmonized, tune in the middle

Notes: Personally, I dread being trite or dull. And this hard-earned wisdom from the recovery community is so prevalent, it's tempting for me to dismiss it as "too common". Whenever I get obstreperous like that, it doesn't help me at all... just saying. I love the way this song voices my own experience with this wisdom in a way.... does that sound weird? Let me explain. The song seems almost annoyingly simple -- a call and response section with repetition and not many notes, and then two layers that use the same words and repeat the same phrase the same way three times in a row -- and part of me wonders is this going to hold my interest as a song, or am I going to get bored? Yet when you put it all together, it is seductively rich and complex and beautiful -- and I just want to sing it more. For me, it's kind of a hit-me-on-the-head-with-a-hammer similarity to when I hear the guidance itself. "Really, one day at a time??? Really, just keep it simple??? Sounds like a poster." But then if I actually do it, it works. Every time. Hmmm.....  For me, right now is a time of big shifting -- I recorded this two days after my father died, and five days before we leave our home of 22 years to move closer to our granddaughter and family. The excuse to sing this song and even explore a little at the end, off book, eased my day. Thanks for singing with me!

Sign up for the A Breath of Song mailing list (the little form on the home page; you might have to scroll down a bit) to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Songwriter Info: Penny Stone is a musician and activist based in Edinburgh, Scotland. She believes that everyone can sing and that every voice is valuable and beautiful. Penny facilitates singing groups and writes accessible music for community groups. She is currently working on a feminist requiem. Listen to episode #45 for more about this!

Links: 
Penny's website (with a donation box)...: www.singlouderthanguns.com
Learn and Sing along song videos: www.singlouderthanguns.com/singalong-songs/
Sing this song with with Penny: One Day At A Time (learn and sing along) - YouTube
Twitter: @singovertheguns
​The Serenity Singers of Edinborough

Nuts & Bolts: 4:4, Minor, Call & response with 2 more layers

Notes: This song has an Appalachian feel, and a wonderful way of rising and falling, gradually filling you up with the music that it's singing about as you sing it. Matthew says, “Great songs have great ideas in them, too. They are simple but they are not simplistic.” On the podcast, you'll hear me poking around with different rhythms and experimenting with harmonies and interspersing... and I encourage you to explore, too, as soon as you feel comfortable with the song. Let the music do its thing by filling us up, and let's enjoy the feeling of our voices today.

Songwriter Info: Matthew Myer Boulton is an author, teacher, filmmaker, and proud papa of Jonah and Margaret. A graduate of Northwestern University, Harvard Divinity School, and the University of Chicago Divinity School, he has served on the faculty of Harvard Divinity School and seminaries in New England and the Midwest. He's also the Creative Director and Producer of the Salt project -- which is where I uncovered his bio!

Links: 
The original Butterflyfish recording can be found here: Christian Music for Children by Butterflyfish (saltproject.org) 
  You can buy sheet music here, too, or use the contact button to ask permission to use the song further.
A shout out to Matt Myer (no relation), whose youtube video introduced me to the song: Music (We are going ) - YouTube

Nuts & Bolts: 2:2, Major,  harmonized

Sign up for the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Notes: Conversations with songwriters can be illuminating. Moira and I talk about wanting our voices to make a difference, and how to evaluate that, how Moira's voice has protected and shaped her, rest as part of the job of being a creator, and so much more. She shares a song that is in the process of becoming, and we get a very special glimpse of this creative process, which includes a calling sound that fascinates Moira right now. As you sing along, you'll be able to really tune in to what feels good to you this day -- is it the commitment and determination of "each day we make a little light"? The seeking melodic curve of "mmm...render...mmm...a remedy?" The wild, aching cry of the calling sounds? Or something else that you feel called to bring to the song? As you're singing in your own space, I wonder if there will be movement -- stepping or dancing or swaying? 

Sign up for the A Breath of Song mailing list (the little form on the home page; you might have to scroll down a bit) to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Songwriter Info: As a composer, Moira Smiley is known worldwide for choral arrangements like Bring Me Little Water, Silvy and originals, Stand in That River and How Can I Cry. Her music is sung by millions of singers worldwide. She’s credited with helping to bring body percussion into the choral mainstream and is in demand as a commissioned composer, writing multi-movement pieces including Time In Our Voices and In The Desert With You for the Los Angeles Master Chorale, evening-length secular liturgy, The Song Among Us and Tis A Fearful Thing for Craig Hella Johnson’s Conspirare and CVAE, Vonnegut Requiem: Light Perpetual for Voces Novae, Loud My Soul for Ad Astra Festival and I Have A Voice for ACDA Women's Choral Consortium. The European premiere of Time In Our Voices was performed by the voices and mobile phones of Ars Nova Copenhagen under the direction of Paul Hillier.
  In 2018-2019 Moira released the album and choral songbook, Unzip The Horizon as companion to her ‘The Voice Is A Traveler’ solo show. In 2021 she released the all-vocal social-justice centered album, In Our Voices with four powerful singers of diverse ethnic and cultural backgrounds. She continues composing and improvising in collaboration with artists in film, video game production, theater and dance, and her work can be heard on feature film soundtracks, BBC & PBS television programs, NPR, and on more than 70 commercial albums.
  “Moira Smiley is marvel—an omnivorous singing and composing chameleon with a voice that can wail or caress at will!” -- Grant Gershon - artistic director, Los Angeles Master Chorale
  “Moira Smiley is a brilliant musician – an innovative composer and arranger, and a heartbreakingly beautiful singer. Her music transcends (and expands) boundaries.” -- Billy Childs - multi-grammy-winning composer/pianist
  “I’m so thankful I’ve had the privilege of performing and recording with Moira. She embodies the endless creative potential of the voice, and… (has made) a deeply moving body of work.” -- Merrill Garbus - Tune-Yards

Links:
www.moirasmiley.com for all info including sheet music, practice tracks!
https://moirasmileysubscription.com/ to support Moira monthly for as little as $4/mo.
https://www.instagram.com/moirasmiley/ for up-to-date personal and music pics
https://www.youtube.com/c/MoiraSmileyMusic for official music videos, song and body percussion tutorials and live performances

Lissa Schneckenburger -- the link goes to her interview on A Breath of Song, which includes her own site links and more
Night Song - Nusrat Fateh Ali Khan & Michael Brook. The link goes to the title song of the album. Here is the album on Apple Music.
Shara Nova - "My Brightest Diamond" -- This link goes to a live performance and interview (go to about 2'40" to get close to the start).

Nuts & Bolts: 4:4, Minor, Dorian & Aeolian, harmonized layers

Notes: Okay, I procrastinated on recording this episode for the longest of any song yet... I respect Moira so much, and I desperately wanted to share her song in a beautiful way that convinced you to love it, too. I felt like I wasn't good enough, and I got a good run of the whole imposter syndrome going, yada, yada, yada. But you know what shifted? I remembered why this podcast exists -- to share songs that help me heal, adapt, and grow, so you can sing them, too. And this song is one that I've sung to myself over and over in the middle of troubling times to help me release and let go. When I sing this into myself, I can see more clearly which actions might be mine to make next. And when the world is in turmoil, this is what helps me navigate a way forward. None of us (myself included) need to have a stunning voice for a song to be a companion... and I'm grateful to Moira for this gift. Please notice, I haven't shared the entire song here, only an excerpt... check out the links below to hear the whole song, and buy the music on her website for yourself or to share with others. Next episode: a conversation with Moira Smiley herself, who turns out to be absolutely lovely and generous -- we talk creativity, how rest is part of the job, how her voice has protected her, and more...​

Sign up for the A Breath of Song mailing list (the little form on the home page; you might have to scroll down a bit) to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! This week, for example, I shared a video collected by the Polyphony Project of Ukrainian women singing a traditional song about a son who has gone to be a soldier, and I included a list of possible organizations to support the people harmed by war. No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Songwriter Info: As a composer, Moira Smiley is known worldwide for choral arrangements like Bring Me Little Water, Silvy and originals, Stand in That River and How Can I Cry. Her music is sung by millions of singers worldwide. She’s credited with helping to bring body percussion into the choral mainstream and is in demand as a commissioned composer, writing multi-movement pieces including Time In Our Voices and In The Desert With You for the Los Angeles Master Chorale, evening-length secular liturgy, The Song Among Us and Tis A Fearful Thing for Craig Hella Johnson’s Conspirare and CVAE, Vonnegut Requiem: Light Perpetual for Voces Novae, Loud My Soul for Ad Astra Festival and I Have A Voice for ACDA Women's Choral Consortium. The European premiere of Time In Our Voices was performed by the voices and mobile phones of Ars Nova Copenhagen under the direction of Paul Hillier.
  In 2018-2019 Moira released the album and choral songbook, Unzip The Horizon as companion to her ‘The Voice Is A Traveler’ solo show. In 2021 she released the all-vocal social-justice centered album, In Our Voices with four powerful singers of diverse ethnic and cultural backgrounds. She continues composing and improvising in collaboration with artists in film, video game production, theater and dance, and her work can be heard on feature film soundtracks, BBC & PBS television programs, NPR, and on more than 70 commercial albums.
  “Moira Smiley is a marvel—an omnivorous singing and composing chameleon with a voice that can wail or caress at will!” -- Grant Gershon - artistic director, Los Angeles Master Chorale
  “Moira Smiley is a brilliant musician – an innovative composer and arranger, and a heartbreakingly beautiful singer. Her music transcends (and expands) boundaries.” -- Billy Childs - multi-grammy-winning composer/pianist
  “I’m so thankful I’ve had the privilege of performing and recording with Moira. She embodies the endless creative potential of the voice, and… (has made) a deeply moving body of work.” -- Merrill Garbus - Tune-Yards

Links:
www.moirasmiley.com for all info including sheet music, practice tracks!
https://moirasmileysubscription.com/ to support Moira monthly for as little as $4/mo.
https://www.instagram.com/moirasmiley/ for up-to-date personal and music pics
https://www.youtube.com/c/MoiraSmileyMusic for official music videos, song and body percussion tutorials and live performances
A beautiful recording of a quartet singing the full Stand In That River, part of "The Mt. Tom Sessions".
Moira's own recording of Stand In That River with VOCO.

Nuts & Bolts: ​3:4, Ionian, harmonized melody

Notes: Whether or not you have snowdrops blooming right now, who doesn't recognize the promise we sometimes can sense in a bloom? The cycle of blooming, falling, disintegrating, resting, reforming, growing, blooming... this song has a beautiful criss-cross of lines, so the first line burrows into the second line, while the second line starts low and grounded, then rises hopefully above the first. The third line lets you sing out a sort of commentary and affirmation of the first two. I take time teaching the first part, especially, so you can feel really confident as the song develops...

Sign up for the A Breath of Song mailing list (the little form on the home page; you might have to scroll down a bit) to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Songwriter Info: Jenny is a community singing leader and songwriter with a passion for using song to bring joy and build communities and friendships. She runs a-cappella harmony singing groups in Knaresborough and has two young children aged 7 and 4. She also writes beautiful, soulful and easy to teach songs often inspired by and celebrating her love of nature.

Links: A license to teach the song along with the score and learning/ part tracks are available for £5 by sending an email to Jenny at Jenny.j.cook21@gmail.com
You can also find more of Jenny's songs at her facebook page: https://www.facebook.com/jennycookmusic/ (you don't need to belong to facebook to look & listen)
Jenny singing Brighter Days herself in a beautiful video with Patty's art, among other lovely snowdrops: https://www.youtube.com/watch?v=e1HBLiURzqI

Nuts & Bolts: 6:8, Ionian, 2 layer, one harmonized

Notes: I love a layer song which gives me options -- what do I feel like singing? Is singing low and warm feeling yummy? Or floating high? Or getting snuggled in the middle of a set of harmonies? Lisa Forkish's "Possibility" song offers all those choices, starting with a low, potentially gritty, determined line that says "An end is not THE end -- it can be the beginning." Then a fluid river line that requires some release to sing, as it flows among notes. Finally, when singing about being open, there is an amazing note on the word "open" that moves the whole song into a slightly unexpected place, giving a visceral experience of opening up to a different possibility. Love it. A song that helps me embody the knowledge of possibility that change brings.

Sign up for the A Breath of Song mailing list (the little form on the home page; you might have to scroll down a bit) to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Songwriter Info: Lisa Forkish (she/they) is a queer singer-songwriter, community-builder, artivist, song-healer, and self-described "Love Warrior," infusing all she creates with fierce authenticity and heart. For the past 20 years, Lisa has been using song as both an expressive art and a tool for building connection. For Lisa, facilitating music spaces is much more than a job; it is a sacred calling. Lisa breathes humanity into their music and teaching with infectious joy and compassion, aiming to heal the wounds of music elitism and not-enoughness through an embodied, trauma-informed and heart-centered approach. For Lisa, Love is paramount and closeness is the antidote to cisheteropatriarchy, white supremacist delusion and cultural disconnection. Lisaʻs mission is to utilize music for personal and collective healing and liberation. 

Links:
lisaforkish.com
wesingthebody.com
www.patreon.com/lisaforkish
Insta and Youtube / lisaforkish

Nuts & Bolts: 4:4, Dorian, 3 layer song with 2 layers harmonized, so 5 parts

Notes: A song with two voices, in a way -- the cry of the heart which feels swallowed by darkness and lost, and the response or presence of a wisdom -- an angel, or ancestor, or Yoda?! -- who sees the seed inside the darkness that holds the dream of green during the waiting time.  I love the way this song lets me give voice to different experiences. Barbara has given us an extremely satisfying lift on the "call to the sky" line... and a lovely low rumble for "cannot remember", and "to the night." In western classical baroque times, that was called word painting... a wonderful way of yoking different parts of our brains into a whole, connected intent.

Sign up for the A Breath of Song mailing list (the little form on the home page; you might have to scroll down a bit) to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Songwriter Info: Barbara McAfee is a master voice coach, singer/songwriter, song leader, and river walker who lives an hour outside of Minneapolis/St. Paul in St Croix Falls, Wisconsin.

Links:
Barbara's website is at www.barbaramcafee.com
Barbara's Tedx talk on the Full Voice: https://www.youtube.com/watch?v=Ze763kgrWGg

Nuts & Bolts: 4:4, minor, 3 layers, 2 with the same words.

Notes: Lisa wrote this song in a beautifully flexible way, so we can each adapt it to what we need to be singing in the moment... in the podcast, I only sing "All our voices are rising up...", but you can insert your own word for the kind of voices rising up inside you. In the community singing world, songs like this are called "zipper songs", and they can be a beautiful practice of awareness -- as you sing, over and over, other words might appear in your head -- and some of them may surprise you, or make you laugh, or touch you tenderly. Welcome to your voice -- welcome to mine -- I can imagine them thrumming through the earth as we sing this song together....

Sign up for the A Breath of Song mailing list (the little form on the home page; you might have to scroll down a bit) to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Songwriter Info: Oxford, U.K.-based singer-songwriter Lisa Doscher believes in the power of the voice to reconnect us, to ourselves and to each other. Her songs open up a portal for listeners to go within, while at the same time resensitizing to the world through beautiful harmonies and life-affirming lyrics. Her new album, ‘Tuning In: Songs to Reconnect and Recharge’ is a retreat from the stresses of daily life, designed to activate our creative energy and help us realign with our unique purpose. There are songs to soothe, uplift and restore balance. For those interested in going deeper, Lisa is offering a ‘Tuning In’ Women’s Group starting February 1st, 2022, with monthly live sessions, weekly meditations and support for going within to activate your voice and creative process. Lisa also offers individual voice and healing sessions.

Links:
All the info, places to buy/listen:
https://lisadoscher.com

Or go directly to buy/stream on Bandcamp: https://lisadoscher.bandcamp.com/
It includes a beautifully designed booklet with the intentions behind the songs and ways to use them in your daily life.

Find Lisa on Facebook or Instagram as @lisadoschermusic

You can also hear Lisa singing Voices Rising on youtube at https://www.youtube.com/watch?v=jjDQDDf_MU4

Nuts & Bolts: 4:4, Ionian (Major), melody with harmonized interlocking part; zipper potential

Notes Lissa Schneckenburger's song has a personal back story that we get into during the conversation part of the episode -- along with discussion of change-making as integral to music-making, the similarities and differences of violin and voice as instruments, why Lissa chose songs with words for her recent solo album... Lissa spills over with ideas, generosity, connections, and a deeply caring heart -- our time together was a treat for me. This song feels particularly appropriate at this turn of the year, when we are tired of COVID and injustice and it is easy to be fearful... "we are rising, we are shining, we have the power"... "we will not let this be the end". Something a little different on this episode -- after she invited us to join, I included myself singing with Lissa and experimenting (sometimes more successfully than others) with harmonies... my hope is that that encourages you, too, to explore. Brendan Taaffe says you're only ever one note away from a great harmony! If you want to hear the song already beautifully harmonized and sing along with a polished version after you've learned it on the podcast, check out the links below for Low Lily's video.

Sign up for the A Breath of Song mailing list (the little form on the home page; you might have to scroll down a bit) to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Songwriter Info: Lissa Schneckenburger is a fiddle player and singer whose roots are in folk music in Maine. She lives in Brattleboro, Vermont, now, and says, “To me, music creates community. Music is what people sing along to, dance to, fall in love to… music brings people together." Giving concerts on her own or as part of the trio, Low Lily, as well as supporting other musicians with practice challenges (and jokes) through her website, Lissa consistently does her part to build community. Her solo album, Thunder In My Arms, is a tender, powerful collection of songs about attachment, parenting, and trauma. We talk about its origin and development in today's conversation.

Links:
Lissa's website: lissafiddle.com
Low Lily's music video of Labor On: https://www.youtube.com/watch?v=R2XtOspP1Jc
Peter Mulvey (bike tours and music!) https://www.petermulvey.com/
The Road North by Alasdair Fraser and Paul MacHlis -- one of Lissa's influential albums
Moosewood borscht recipe by Mollie Katzen -- the link goes to a blogpost with the recipe, or buy the whole cookbook at your local bookstore -- a 40th anniversary edition was released and is still in print.
Kafari on kafarimusic.bandcamp.com/ -- a Black, Portland, Maine-based artist Lissa wishes more people knew about... piano and percussion music.
Duet with Lissa on TikTok here: https://www.tiktok.com/@lissafiddle?

Nuts & Bolts: 6:8, Aeolian, verses & chorus

Notes: "Hope lingers on"... I love singing this to myself as a reminder that a pandemic is not the only thing lingering around. There are so many beautiful recordings of this piece online, I encourage you, like always, to use this podcast as a way to learn the song, and then if it speaks to you, follow the links and sing along with gorgeous professional recordings! Sometimes, honestly, it makes me uncomfortable to put my voice with loops out there when there are such polished renditions available (that honestly might sound better!) -- but then I remind myself that I'm not here performing for you... I'm here sharing a song that makes a difference to me when I sing it to myself -- and maybe it will do that for you, too? Planting songs for wellness...   
  Next week I'm hugely excited to share a songwriter conversation with the composer of this song, Lissa Schneckenburger. We talk about some of the differences between voice and violin as instruments, music as a way of distilling learning and helping heal from trauma, how not to lose heart as a change-maker, touring on a bicycle and more.

Sign up for the A Breath of Song mailing list (the little form on the home page; you might have to scroll down a bit) to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Songwriter Info: Lissa Schneckenburger is a fiddle player and singer whose roots are in folk music in Maine. She lives in Brattleboro, Vermont, now, and says, “To me, music creates community. Music is what people sing along to, dance to, fall in love to… music brings people together." Giving concerts on her own or as part of the trio, Low Lily, as well as supporting other musicians with practice challenges (and jokes) through her website, Lissa consistently does her part to build community. Her solo album, Thunder In My Arms, is a tender, powerful collection of songs about attachment, parenting, and trauma. We talk about its origin and development in the next episode's conversation.

Links:
Lissa's website: lissafiddle.com
Low Lily's recording of Hope Lingers On: https://www.youtube.com/watch?v=lv9R60CSQ54
The totebag with the chorus lyrics: https://lissafiddle.com/store/hope-lingers-on-tote-bag/
Learn more about Thunder in My Arms :  https://lissafiddle.com/store/thunder-in-my-arms/
Vancouver Youth Choir singing Hope Lingers On:  https://www.youtube.com/watch?v=b0bmhcvPwTI
A combination of a college and middle school choir made one of the infamous virtual choir videos of Hope Lingers On:
   https://www.youtube.com/watch?v=506zikTDSMs

Nuts & Bolts: 4:4, Ionian, 3 verses & harmonized chorus