Notes: This is the first song Liesel wrote, on an island, starting the process of freeing her voice. What amazes me about this song, and keeps me coming back to it, is how good it feels to sing. From the opening jump of realization up to the word "free" to the rhythmic interplay that sets me swaying on the "love, I am love, I am love" line, the music and words strengthen each other. I added harmonies of my own, but you might choose different harmonies and end up with a very different kind of sound. I love how this song doesn't need complexity to be satisfying, and my focus is very quickly freed up to notice how my voice feels, how my body responds. Spacious and gracious -- and from my brief time with Liesel at a songleader workshop in 2019, I would say those are qualities of Liesel's as well.

Sign up for the A Breath of Song mailing list (the little form on the home page; you might have to scroll down a bit) to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! Last week, I shared sheet music for the piano part of Shadow Listening, for example. No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Songwriter Info: Liesel describes herself as an intuitive relationship coach -- she is also an author, mother, spouse, and successful entrepreneur.... and a heart-centered, laughter-filled wise presence, with an amazing Parking Fairy song to find those elusive spaces! Liesel shares freely guided meditations on her soundcloud channel... check them out!

Links: 
About - LieselRigsby.com
Stream Liesel Rigsby meditations

Nuts & Bolts: 4:4, Aeolian, harmonized

Notes: I didn't actually write this as a community singing song; I wasn't expecting anyone else to want to sing it. I wrote it because I was finding a way to comfort and strengthen myself through the process of sorting old journals... being placed back in some difficult times, times when I wasn't really able to treat myself compassionately. Going over to the piano and creating this song helped me listen to and love my younger, struggling self -- I really felt like I was catching myself. I shared it with a dear friend, who responded so strongly and positively, I began to share it with others, including eventually my Pocket Song singers... and now here.... because it seems I'm not the only one who gets to go back and tender gentle care to a previous self...
  So, you know how I say, "coming to you straight from my home in Vermont," with my voice just the way it is today? Well, I've got to admit with this episode, I fudged that... I couldn't loop the piano part (long story), so rather than record it live with my looper in one take, I had to layer the recordings to get you the whole song... which meant I could re-record when I didn't hit a note squarely in the middle, or squeaked or cracked. And it's still not perfect! Sigh.... I'm learning a lot from doing this podcast! Thanks for hanging out with me -- I hope this song can be a good companion to you, too.

Sign up for the A Breath of Song mailing list (the little form on the home page; you might have to scroll down a bit) to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! This week, I shared sheet music for the piano part of Shadow Listening, for example. No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Songwriter Info: Um... I think you can find this on either website. (Different accounts, but basically the same person!) :)

Links: 
abreathofsong.com
juneberrymusic.com

Nuts & Bolts: 4:4, Aeolian, 3 layers, one harmonized

Notes: Penny includes us all into her circle of friends by sharing "First Light" -- a song she wrote for 5 close friends, including her partner. Then we have a rollicking conversation, covering big voices, purposeful singing, what a requiem might do, and a few little questions like, "What has singing taught you about life?" Also, how and why you might say "FTS"...

Sign up for the A Breath of Song mailing list (the little form on the home page; you might have to scroll down a bit) to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Songwriter Info: Penny Stone is a musician and activist based in Edinburgh, Scotland. She believes that everyone can sing and that every voice is valuable and beautiful. Penny facilitates singing groups and writes accessible music for community groups. She is currently working on a feminist requiem. 

Links: 
Penny's website (with a donation box)...: www.singlouderthanguns.com
Learn and Sing along song videos: www.singlouderthanguns.com/singalong-songs/
Sing this song with with Penny: First Light (learn and sing along) - YouTube
Twitter: @singovertheguns

The lullaby Penny describes that she wrote for the "wee girl": https://youtu.be/aG3OgCWd8c4
How to Write One Song by Jeff Tweedy:  An Excerpt from How to Write One Song by Jeff Tweedy | Penguin Random House
Two choices for Jaqueline du Pre Elgar cello concerto:
 Jacqueline du Pre & Daniel Barenboim - Elgar Cello Concerto - YouTube
or with Sir John Barbirolli: Elgar Cello Concerto / Jacqueline Du Pré / Sir John Barbirolli, LSO (ASD 655) 1965 - YouTube

Nuts & Bolts: 3:4, Major, Harmonized, tune in the middle

Notes: This song has an Appalachian feel, and a wonderful way of rising and falling, gradually filling you up with the music that it's singing about as you sing it. Matthew says, “Great songs have great ideas in them, too. They are simple but they are not simplistic.” On the podcast, you'll hear me poking around with different rhythms and experimenting with harmonies and interspersing... and I encourage you to explore, too, as soon as you feel comfortable with the song. Let the music do its thing by filling us up, and let's enjoy the feeling of our voices today.

Songwriter Info: Matthew Myer Boulton is an author, teacher, filmmaker, and proud papa of Jonah and Margaret. A graduate of Northwestern University, Harvard Divinity School, and the University of Chicago Divinity School, he has served on the faculty of Harvard Divinity School and seminaries in New England and the Midwest. He's also the Creative Director and Producer of the Salt project -- which is where I uncovered his bio!

Links: 
The original Butterflyfish recording can be found here: Christian Music for Children by Butterflyfish (saltproject.org) 
  You can buy sheet music here, too, or use the contact button to ask permission to use the song further.
A shout out to Matt Myer (no relation), whose youtube video introduced me to the song: Music (We are going ) - YouTube

Nuts & Bolts: 2:2, Major,  harmonized

Sign up for the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Notes: Creativity is so often the process of connecting disparate things in a new way. Juliana Murphy crafted this sweet, reassuring wish for safety, wellness, and fearlessness by combining a text from a modern-day fable of awakening with a folk song that came with disturbing, murderous lyrics. She adjusted both and ended up with a song that to me, at least, sits easily in the voice, and lightly on the spirit. I can send this wish to myself, family members, friends, or strangers. I don't take "awakened" to be a politically-angsty, aggressive kind of "wokeness", but rather an eyes-opened kind of awareness and presence that lets me register the world immediately around me. As always, you get to take this song and make it your own now -- what is it that you wish for yourself and those around you that is actually already true? How much fear can we release as we sing?

Sign up for the A Breath of Song mailing list (the little form on the home page; you might have to scroll down a bit) to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Songwriter Info: Juliana Murphy (she/her) comes to the circle with a lifelong love of singing and a library of original and collected songs that connect us to ourselves, nature, and the cycles and rhythms of being a human on this planet. She brings a deep desire to sing a more beautiful, inclusive, loving, sustainable, and delightful world into being. Juliana co-leads the Tucson Community Song Circle and is a graduate of the Littlebird Songleader Flight School for community songleading.

Links: 
Juliana's blogpost about this song, with her recording: ​Be Safe, My Love — juliana murphy
Juliana's website: https://www.julianamurphy.com/waking-lullabies
Instagram: @wakinglullabies

Nuts & Bolts: 4:4, Major,  harmonized

Notes: As we prepare to leave our home of 22 years and shift to a new kind of community for us, let me tell you, this song is proving useful! As I sort belongings, as inspections get scheduled... and spring begins to rise, and world news swirls, and how to responsibly bring people together is still confusing and uncertain... something sweet, short and simple that I can repeat to myself, exchanging the words "It's all falling apart! I can't do this!" with "I am the calm in the eye of the storm..." is a huge gift I give myself with tenderness and with strength. Carole Marie wrote it in the early days of the pandemic, when even yoga practice felt overwhelming -- she could sing this to herself on her mat and take a breath. I think it is aging well, holding that kind of unpanicked settling effect that lets us function through it all. And while I sincerely hope you don't need this song right now, if you learn it this week, it will be snugged into your heart for any moment in the future when it becomes useful!

Sign up for the A Breath of Song mailing list (the little form on the home page; you might have to scroll down a bit) to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Songwriter Info: Carole Marie Downing is a songleader, music guide, and facilitator committed to sparking joy and creating connection in times of transition and change. She leads 'Simply Singing', a monthly community song circle and facilitates workshops and retreats integrating music with writing. As a music guide, she teaches introductory ukulele and guitar with a passion for supporting beginners to trust and nurture their innate musicality. Carole Marie lives in Portland, Oregon and finds inspiration for music and life in the natural beauty of the Pacific Northwest.

Links: Find Carole Marie in any of these places!
Website: https://www.tunetojoy.com
Facebook: https://www.facebook.com/TunetoJoy
Instagram: https://www.instagram.com/tunetojoymusic/

Nuts & Bolts: 2:2, Major, 2-layers, one harmonized

Notes: Conversations with songwriters can be illuminating. Moira and I talk about wanting our voices to make a difference, and how to evaluate that, how Moira's voice has protected and shaped her, rest as part of the job of being a creator, and so much more. She shares a song that is in the process of becoming, and we get a very special glimpse of this creative process, which includes a calling sound that fascinates Moira right now. As you sing along, you'll be able to really tune in to what feels good to you this day -- is it the commitment and determination of "each day we make a little light"? The seeking melodic curve of "mmm...render...mmm...a remedy?" The wild, aching cry of the calling sounds? Or something else that you feel called to bring to the song? As you're singing in your own space, I wonder if there will be movement -- stepping or dancing or swaying? 

Sign up for the A Breath of Song mailing list (the little form on the home page; you might have to scroll down a bit) to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Songwriter Info: As a composer, Moira Smiley is known worldwide for choral arrangements like Bring Me Little Water, Silvy and originals, Stand in That River and How Can I Cry. Her music is sung by millions of singers worldwide. She’s credited with helping to bring body percussion into the choral mainstream and is in demand as a commissioned composer, writing multi-movement pieces including Time In Our Voices and In The Desert With You for the Los Angeles Master Chorale, evening-length secular liturgy, The Song Among Us and Tis A Fearful Thing for Craig Hella Johnson’s Conspirare and CVAE, Vonnegut Requiem: Light Perpetual for Voces Novae, Loud My Soul for Ad Astra Festival and I Have A Voice for ACDA Women's Choral Consortium. The European premiere of Time In Our Voices was performed by the voices and mobile phones of Ars Nova Copenhagen under the direction of Paul Hillier.
  In 2018-2019 Moira released the album and choral songbook, Unzip The Horizon as companion to her ‘The Voice Is A Traveler’ solo show. In 2021 she released the all-vocal social-justice centered album, In Our Voices with four powerful singers of diverse ethnic and cultural backgrounds. She continues composing and improvising in collaboration with artists in film, video game production, theater and dance, and her work can be heard on feature film soundtracks, BBC & PBS television programs, NPR, and on more than 70 commercial albums.
  “Moira Smiley is marvel—an omnivorous singing and composing chameleon with a voice that can wail or caress at will!” -- Grant Gershon - artistic director, Los Angeles Master Chorale
  “Moira Smiley is a brilliant musician – an innovative composer and arranger, and a heartbreakingly beautiful singer. Her music transcends (and expands) boundaries.” -- Billy Childs - multi-grammy-winning composer/pianist
  “I’m so thankful I’ve had the privilege of performing and recording with Moira. She embodies the endless creative potential of the voice, and… (has made) a deeply moving body of work.” -- Merrill Garbus - Tune-Yards

Links:
www.moirasmiley.com for all info including sheet music, practice tracks!
https://moirasmileysubscription.com/ to support Moira monthly for as little as $4/mo.
https://www.instagram.com/moirasmiley/ for up-to-date personal and music pics
https://www.youtube.com/c/MoiraSmileyMusic for official music videos, song and body percussion tutorials and live performances

Lissa Schneckenburger -- the link goes to her interview on A Breath of Song, which includes her own site links and more
Night Song - Nusrat Fateh Ali Khan & Michael Brook. The link goes to the title song of the album. Here is the album on Apple Music.
Shara Nova - "My Brightest Diamond" -- This link goes to a live performance and interview (go to about 2'40" to get close to the start).

Nuts & Bolts: 4:4, Minor, Dorian & Aeolian, harmonized layers

Notes: Okay, I procrastinated on recording this episode for the longest of any song yet... I respect Moira so much, and I desperately wanted to share her song in a beautiful way that convinced you to love it, too. I felt like I wasn't good enough, and I got a good run of the whole imposter syndrome going, yada, yada, yada. But you know what shifted? I remembered why this podcast exists -- to share songs that help me heal, adapt, and grow, so you can sing them, too. And this song is one that I've sung to myself over and over in the middle of troubling times to help me release and let go. When I sing this into myself, I can see more clearly which actions might be mine to make next. And when the world is in turmoil, this is what helps me navigate a way forward. None of us (myself included) need to have a stunning voice for a song to be a companion... and I'm grateful to Moira for this gift. Please notice, I haven't shared the entire song here, only an excerpt... check out the links below to hear the whole song, and buy the music on her website for yourself or to share with others. Next episode: a conversation with Moira Smiley herself, who turns out to be absolutely lovely and generous -- we talk creativity, how rest is part of the job, how her voice has protected her, and more...​

Sign up for the A Breath of Song mailing list (the little form on the home page; you might have to scroll down a bit) to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! This week, for example, I shared a video collected by the Polyphony Project of Ukrainian women singing a traditional song about a son who has gone to be a soldier, and I included a list of possible organizations to support the people harmed by war. No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Songwriter Info: As a composer, Moira Smiley is known worldwide for choral arrangements like Bring Me Little Water, Silvy and originals, Stand in That River and How Can I Cry. Her music is sung by millions of singers worldwide. She’s credited with helping to bring body percussion into the choral mainstream and is in demand as a commissioned composer, writing multi-movement pieces including Time In Our Voices and In The Desert With You for the Los Angeles Master Chorale, evening-length secular liturgy, The Song Among Us and Tis A Fearful Thing for Craig Hella Johnson’s Conspirare and CVAE, Vonnegut Requiem: Light Perpetual for Voces Novae, Loud My Soul for Ad Astra Festival and I Have A Voice for ACDA Women's Choral Consortium. The European premiere of Time In Our Voices was performed by the voices and mobile phones of Ars Nova Copenhagen under the direction of Paul Hillier.
  In 2018-2019 Moira released the album and choral songbook, Unzip The Horizon as companion to her ‘The Voice Is A Traveler’ solo show. In 2021 she released the all-vocal social-justice centered album, In Our Voices with four powerful singers of diverse ethnic and cultural backgrounds. She continues composing and improvising in collaboration with artists in film, video game production, theater and dance, and her work can be heard on feature film soundtracks, BBC & PBS television programs, NPR, and on more than 70 commercial albums.
  “Moira Smiley is a marvel—an omnivorous singing and composing chameleon with a voice that can wail or caress at will!” -- Grant Gershon - artistic director, Los Angeles Master Chorale
  “Moira Smiley is a brilliant musician – an innovative composer and arranger, and a heartbreakingly beautiful singer. Her music transcends (and expands) boundaries.” -- Billy Childs - multi-grammy-winning composer/pianist
  “I’m so thankful I’ve had the privilege of performing and recording with Moira. She embodies the endless creative potential of the voice, and… (has made) a deeply moving body of work.” -- Merrill Garbus - Tune-Yards

Links:
www.moirasmiley.com for all info including sheet music, practice tracks!
https://moirasmileysubscription.com/ to support Moira monthly for as little as $4/mo.
https://www.instagram.com/moirasmiley/ for up-to-date personal and music pics
https://www.youtube.com/c/MoiraSmileyMusic for official music videos, song and body percussion tutorials and live performances
A beautiful recording of a quartet singing the full Stand In That River, part of "The Mt. Tom Sessions".
Moira's own recording of Stand In That River with VOCO.

Nuts & Bolts: ​3:4, Ionian, harmonized melody

Notes: I find I keep returning to Emily Roblyn's song after learning it many months ago... I find myself singing it when times are really sweet -- and when they're really hard. It helps me remember I don't need to try to clench the almost painfully beautiful, wonderful times, because they won't last forever no matter how hard I hold -- and it helps me trust that the difficult, heart-aching times will pass. And as I sing, I can feel my voice vibrate in my body, and it brings me into awareness of my own body. Now, I'm no sage or wise woman -- but I know that this kind of embodiment is good for my whole being, and I'm grateful for any song that gets me there! Lots of juicy harmony options, or a lovely melody that rises and falls like the waves.... you sing what feels good in you today.

Sign up for the A Breath of Song mailing list (the little form on the home page; you might have to scroll down a bit) to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Songwriter Info: Emily Roblyn is a Canadian born singer, choir leader and composer, who has made her home in Devon, UK where she has been leading choirs, workshops and singing retreats for over 18 years. She is a member of the Natural Voice Network and believes deeply in singing being a powerful tool for healing, change and connection. Her warmth and enthusiasm for sharing the blessings of singing together shines through in all her teaching, and her beautiful original songs are favorites in choirs across the UK.

Links: 
Visit Emily’s website and join her mailing list to be kept up to date with her new musical offerings. www.emilysinging.com
Or contact her directly to buy the license to teach any of her songs by emailing emroblyn@gmail.com
HearEmily herself sing this song, plus another verse here: www.youtube.com/watch?v=TVmM52zcCPk

Nuts & Bolts: 4:4, Minor, 2-layers -- one harmonized 3-ways.

Notes: "Hope lingers on"... I love singing this to myself as a reminder that a pandemic is not the only thing lingering around. There are so many beautiful recordings of this piece online, I encourage you, like always, to use this podcast as a way to learn the song, and then if it speaks to you, follow the links and sing along with gorgeous professional recordings! Sometimes, honestly, it makes me uncomfortable to put my voice with loops out there when there are such polished renditions available (that honestly might sound better!) -- but then I remind myself that I'm not here performing for you... I'm here sharing a song that makes a difference to me when I sing it to myself -- and maybe it will do that for you, too? Planting songs for wellness...   
  Next week I'm hugely excited to share a songwriter conversation with the composer of this song, Lissa Schneckenburger. We talk about some of the differences between voice and violin as instruments, music as a way of distilling learning and helping heal from trauma, how not to lose heart as a change-maker, touring on a bicycle and more.

Sign up for the A Breath of Song mailing list (the little form on the home page; you might have to scroll down a bit) to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Songwriter Info: Lissa Schneckenburger is a fiddle player and singer whose roots are in folk music in Maine. She lives in Brattleboro, Vermont, now, and says, “To me, music creates community. Music is what people sing along to, dance to, fall in love to… music brings people together." Giving concerts on her own or as part of the trio, Low Lily, as well as supporting other musicians with practice challenges (and jokes) through her website, Lissa consistently does her part to build community. Her solo album, Thunder In My Arms, is a tender, powerful collection of songs about attachment, parenting, and trauma. We talk about its origin and development in the next episode's conversation.

Links:
Lissa's website: lissafiddle.com
Low Lily's recording of Hope Lingers On: https://www.youtube.com/watch?v=lv9R60CSQ54
The totebag with the chorus lyrics: https://lissafiddle.com/store/hope-lingers-on-tote-bag/
Learn more about Thunder in My Arms :  https://lissafiddle.com/store/thunder-in-my-arms/
Vancouver Youth Choir singing Hope Lingers On:  https://www.youtube.com/watch?v=b0bmhcvPwTI
A combination of a college and middle school choir made one of the infamous virtual choir videos of Hope Lingers On:
   https://www.youtube.com/watch?v=506zikTDSMs

Nuts & Bolts: 4:4, Ionian, 3 verses & harmonized chorus

Notes: I stumbled upon Wendy Luella Perkins a few weeks before recording this episode, when I was browsing in facebook groups of songleaders, looking for new music I loved and wanted to share. I heard "What Am I Rushing To?", and went hunting online to learn more. Several Soulful Singing sessions later, I can say that this intuitive songleader and gracious, gentle song and space creator has become a great gift in my life. Not only do the most beautiful, varied songs seem to pour through her with ease and fluidity, but she understands how to tend herself and those around her with laughter, loving-kindness, and acceptance.
  Wendy Luella tells the painful origin of this song in a time of grief and conflict... and also how she and small groups of singers have sung it in bus depots, shopping malls, and other public spaces in the month of December, and the delighted reaction from passers-by. Wendy Luella has always dreamed of having this song pop-up in other communities, led by other folks, so if there are podcast listeners who are inspired to offer What Am I Rushing To? in your communities, please do and let her know about it!
  It can be sung beautifully as a unison song -- and today, I add harmonies to it that were created by members of my family. Rebecca Csuy, Elyse Wadsworth, and Elizabeth Norton joined me in singing it over the American Thanksgiving holiday, and as we played with different harmonies, this combination struck me as particularly suited to the song. It was magical, and gave me a way to imagine you all in the room, too... if I'd been really on top of it, I'd have brought a microphone and recorded us all together! 

Sign up for the A Breath of Song mailing list (the little form on the home page; you might have to scroll down a bit) to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Songwriter Info: Wendy Luella Perkins has been singing and making up songs since she was a very young child. When she was three years old, her older brother, Tim, took her to school as his Show+Tell item saying “this is my sister Wendy Lu, listen to her sing!” She's been going strong ever since.  
  As a singer-songwriter, Unitarian Universalist community minister, and founder, in 2002 of Soulful Singing (singing meditation for all) Wendy Luella leverages the power of song to build authentic, healing and joyful communities. A prolific writer of folk songs and meditative chants and supportive guide who helps others to create their own songs, Wendy Luella's greatest joy is to bring friends and strangers together in the transformational circle of song. Wendy Luella has produced three CDs of original music, which you can find on her website.   
  As a response to pandemic restrictions, and recognizing the need to keep on singing in community, especially in difficult times, Wendy Luella transitioned Soulful Singing to online sessions in March 2020. Soulful Singers from all over have been gathering online EVERY SINGLE DAY since then and once a week on THURSDAY evenings. Everyone is welcome to join Soulful Singing via Zoom. 
  Singing daily over the last 600+ days with wonderful folks from Kingston and around the world has encouraged Wendy Luella to share her original songs more broadly in what she calls her “Song Liberation Project” (The SLiP). She has written hundreds of songs and with The SLiP is sharing them one by one on TikTok. 
   Wendy Luella grew up in rural Nova Scotia, and has lived in Kingston Ontario for over 25 years with her sweetheart and fellow musician, Charlie Walker. She loves waking early, walking daily, eating communally, crafting publicly, sharing deeply, gardening bountifully, laughing abundantly and of course, singing soulfully!

Links:
Contact Wendy directly to join Soulful Singing, or to let her know how this song moved you at info@wendyluellaperkins.com
Find Wendy on TikTok and sing a duet with her! https://www.tiktok.com/@wendyluellaperkins
Explore Wendy's website: https://www.wendyluellaperkins.com

Nuts & Bolts: 4:4, major, unison, harmonies optional

Notes Heidi McCurdy used an ancient interval, the fifth, to create a song that invites awareness of resonation and connection across time and space. On the next episode, Heidi comes on A Breath of Song herself to share another song, and talk about her beginnings as a shy singer, experimenting in the car, what expressive arts therapy is, and how you might take a song and extend it further. I love the way this song invites me to turn inside and outside, to feel the inner resonation reaching out, for the song to be a drop and a bubble... and at the same time makes me smile with a little bit of a 50s-sounding riff!​

​Sign up for the A Breath of Song mailing list (the little form on the home page; you might have to scroll down a bit) to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Songwriter Info: Heidi McCurdy is a singer, songwriter and sound healer with a passion for teaching, sharing and creative collaboration. Having cultivated her own intimate relationship with the Muse, Heidi is a believer in the profound medicine and magic of Music – its power to heal, transform, elevate and connect us all. She draws from a diverse tapestry of soul, jazz, folk and new age influences for her unique blend of Global Soul original music. Her songs have received awards and have been featured on TV and Canadian radio, and she has performed at jazz, wine and music festivals throughout Canada and Europe as well as local venues. She is known for her warm, soulful voice, and her love of tuning into the music of the moment through improvisation. Her lyrics resonate with the beauty of dreams, a vital connection with nature, and our collective power to create positive change. Recently she has been exploring songwriting styles designed specifically for song circles, singing meditation, and encouraging vocal expression. As well as creating and performing, Heidi also leads transformational voice programs and community song circles. Guided by the Muse, she specializes in helping others to free their authentic voices and wild, creative spirits.

Links
Heidi's website: www.heidimccurdy.com
Heidi on facebook: www.facebook.com/heidimccurdymusic

Nuts & Bolts: 2:2, Minor (Dorian in the 2nd part harmony), both layer options and harmonies.

Notes: Ishka Shir says, "I created You've Got To Move Slow when I was hiking an area called Shining Rock wilderness in North Carolina. It was part of a healing from an abusive narcissistic relationship that I had been in." I learned it from Aimée Ringle at a Zoom circle, then shared it first with my Pocket Songs singing group in the summer of 2020. Personally, this song gives me a sense that I, myself, can create the space I need to heal. I love the practical, grounded approach Ishka has to singing and song making.... and for the next episode, #20, I get to have a conversation with them!!! Our conversation covers a lot of ground, and she shares a song of theirs that I've loved since I first heard it in the spring of 2020 when she and two of their good friends recorded a few "Fermentation Station" videos of songs to share.

Songwriter Info: Ishka is someone who sings from their heart.  She has been making up songs since she was a child and has been sharing songs at community song circles since 2007.  Ishka integrates song into most aspects of their life which include, hiking, gardening, cooking, biking, and cuddling clients.  Professionally Ishka is a therapeutic cuddler in Asheville NC. Ishka is especially drawn to songs that have simple yet powerful lyrics and believes that songs can help us heal.  

Links:
Ishka's Soundcloud site- https://soundcloud.com/user-943187430
Ishka's Therapeutic Cuddling website- holdmeavl.com 

Nuts & Bolts: 2:2, mostly Aeolian minor (the harmony is mostly Dorian), either unison, harmonized, or round.

​Notes: Kathleen says she caught this comforting song while lying on a huge rock next to the Schuylkill River in Philadelphia, crying her heart out over a relationship that was transforming.  A beautiful oak tree was growing out of the rock, and as the song was born her sorrowful feelings washed through with the sound of the river, and she was left feeling whole, and at peace with the way things were. She also shared this story with me, "One time I sang the song in a show with a group of women drummers. Their teacher, a lovely African man, also played with us in the concert and rehearsal. After I taught them in the rehearsal and we had played it for a while, the African drummer told me that the song felt like an African song to him. That was one of my happiest moments, since I have for so long felt inspired by African diaspora music. And I did not really feel like I wrote that song... it just came through as a whole as I cried by the river." 

Songwriter info: Kathleen has been writing, collecting and sharing songs for over 50 years. Her songs were awarded a North Carolina Arts Council Songwriter Fellowship. She currently leads the Bodies, Voices & Spirit Choruses in North Carolina and Maine, and is also a Dances of Universal Peace leader. She's a student of the Heart, and she facilitates The Work of Byron Katie.

Links:
Kathleen's blogpost & recording of Ancient Green with guitar, bass, piano, and drum. (So much fun to sing with!) 
​https://www.kathleenhannan.com/song-blog/songs-for-our-journey-26
Kathleen's online presence: www.kathleenhannan.com
Kathleen's chorus: https://bodiesvoicesandspirit.weebly.com/
Kathleen's song blog, which is searchable by title, subject or excerpts from lyrics: https://www.kathleenhannan.com/song-blog

Kathleen's most recent CD is Seen & Unseen: Songs from the Light of Midlife
Purchase CD here: https://www.kathleenhannan.com/seen--unseen-cd1.html
Lyrics are here: https://www.kathleenhannan.com/lyrics--credits.html
Photos from the recording process: https://www.kathleenhannan.com/photos.html

Nuts & Bolts: 4:4, Ionian (major), round with possible harmonies, or optionally could be taught as a layer song

Take 2 has arrived!  After listening, Tembre realized I was sharing an early, unfinished version of this song, which later evolved into a version she loves and shares. Tembre said, "As I remember when Rolling River was complete for me when the extra parts/delayed harmony was created , it was a special moment, as I felt this song was complete in that moment and it is loved.  I love the simpleness of the melody, as the other parts are added, it slowly becomes something that is resonant, full and fluid. " So here we have the version of Rolling River Tembre loves and would like shared...  I'm wondering if, for those who heard the first, mistake episode, if that's like owning one of those special stamps that was printed backward?​

Notes Rounding, smoothing, softening... I love the way this song invites us to relish the tumbling flow of life and let it comfort and carry us, let it reassure us that we are enough, we are home. There's a rocking, rolling melody, which can be harmonized, and then a lovely descant, or upper line, that responds to the melody. I love the way this song lets me, (not an eager swimmer!), sense the release and acceptance of allowing the water to carry me. Next episode, a conversation with Tembre that includes cold water swimming, how she supports singers who might not be matching yet, finding time to songwrite, what makes Ireland a special place for a songleader, and more!

Songwriter info Tembre de Carteret lives in County Clare, Ireland, and has led a beautiful online singing circle called "We May Sing" during the pandemic. You can learn more about her and the way in which she facilitates, mentors, and builds song communities at her website, www.tembresong.com

Sign up to know when a new episode is released either on the home page or in the shownotes for Episode #10. 

Nuts & Bolts The song is in 4:4, in 2 layers, one of which is harmonized. It is Aeolian (natural minor).

Notes I love the way songsharers around the country during the pandemic dug into music as a way of healing, comforting, hoping. So much new music came out of this time that helps us uncover the wellness that's already there, inside us. Now you might think those songs would all at tempo=comfort, or heartbeat pulse, or something else that soon feels trite. But this song, for instance, has a driving urgency as well as the sense of smiling just a bit, which feels fresh to me... and as it is unexpected, I can hear the message in a new way.

Songwriter info
Elisa S. Keeler is a composer, song leader and retreat facilitator who has taught voice workshops since 2003. She holds degrees in Music Education and Vocal Performance from Ithaca College and a Masters in Transpersonal Psychology from Sofia University with a focus on the therapeutic benefits of singing in groups. Elisa is the founder of Freeing Your Voice program for adults and the Music for Unity and Social Change program for public schools. As a songleader she has worked with Threshold Choirs, the American Association of Choral Directors, religious organizations, community choruses, colleges, universities, and staff community-building retreats. Since 2011, Elisa has facilitated personal and spiritual growth retreats for adults as a co-teacher of the Hidden Treasure Program at Light on the Hill Retreat Center. She lives with her family in Ithaca, NY. 

Songwriter contact
www.elisamusic.com for music, scores and information about workshops and retreats
www.patreon.com/elisaskeeler for Patreon account

Nuts & Bolts 4:4, harmonized song with a bass line, Aeolian (natural minor)

Notes I wrote this song a few months into the pandemic, at a point when I was disappointed with how I seem to know all this wisdom in my head, but have so much trouble translating it into body knowledge... I was tearful & fearful – and so frustrated with myself. Then I realized – oh, right -- this what it feels like to grow! Moving from comfortable to uncomfortable in a spiral of growth. Which started me thinking about prairie grass – the beauty of acres of grasses swaying and moving in the wind. Roots in the dirt and touching the sky... both growing up and coming down. Natural patterns that occur and recur -- including the spiral.

You can learn more about me and what influences my choices and work here​.

Nuts and Bolts 4:4, Layer song, Aeolian (minor)

Notes To be open to the possibility of something wonderful happening seems both counter-intuitive in the middle of the pandemic and multiple crises, and also surprisingly comforting and hopeful. And indeed, wonderful things are happening in addition to what's hard and perplexing and dismaying. I love how I feel lighter after singing this -- I wonder how you feel?
Debbie said she wrote this song to help a couple people in her life that were going through difficult times. She says it is a great song to help manifest a dream into being -- you can think of something you want to come into your life and sing that into being, to embody it as you sing and to really see it happening, to call it in for yourself.

Songwriter info Debbie Nargi-Brown started singing and dancing on the day she was born! A gifted community song leader, an award-winning dance teacher, and a talented songwriter, she offers her songs with love, compassion, and the hope of bringing joy and healing to others. Debbie’s lyrics and melodies are sung all over the world. She writes songs for the heart, healing, transformation, love, grief, and all that connects us as human beings. Bringing people together in dance and song is one of her greatest joys in life!

You can connect with Debbie and her work at debbienargi-brown.com

Nuts and Bolts 2 harmonized sections which can be sung as a round or layered, in 2:2, Ionian (major) mode.

Notes Maggie Wheeler talks about the bravery of this last year, how campfires affected her songleading, and how singing becomes a forgiveness practice. But first and last, she shares a song of hers, Find Our Way Home, which rose out of the pandemic, and will be included on a new project she has just started working on. (I go maybe a LITTLE fan-girl-squeaky, but, hey, my first interview, and someone I deeply admire -- I think I can be forgiven!)

Extra special thanks to Patty Piotrowski, who provides beautiful art for each episode; I particularly love the sea otters in this one!

Learn more about Maggie's extensive work, and sign up for her emails (I'm definitely on the list!) so you can keep up with what's coming up at goldenbridgechoir.com

I mention a Peter Occhiogrosso interview with Maggie, in which she eloquently describes the many benefits of singing, among other things...

Maggie talked about a few artists -- if you have a local music store, of course get them there -- but here are some links, as well:

Sweet Honey in the Rock Live at Carnegie Hall

Singer-songwriter Aimée Ringle -- Human and Tender 

The South African acapella group The Soil

​Maggie Wheeler is best know in the U.S and internationally for her work as an actress in film, television and voice-over and most notably as the character of Janice on NBC’s hit series Friends. Maggie is a passionate singer, songwriter, choir director and workshop facilitator. She has been teaching her vocal workshop "Singing In The Stream" for over 30 years at retreat centers, universities, communities and schools to provide the experience of creating interpersonal harmony and internal harmony through the powerful act of creating vocal harmony. Maggie directs the 100-voice Golden Bridge Community Choir in Hollywood, an inter-generational, non-auditioned choir now going in its 16th year.
She is a prolific songwriter with a catalog of powerful and timely songs that have been sung by choirs worldwide. Maggie’s original music for choirs and communities is available on Itunes and other music platforms. To accompany her most recent CD entitled 'Walk With Me’, Maggie has created a songbook available by request through her website www.goldenbridgechoir.com Throughout this year of change Maggie hosted a weekly online community gathering called Together In Song, bringing together people from around the world to join in the healing power of singing.

To learn more about Maggie’s work please visit: www.goldenbridgechoir.com and maggiewheeler.net

Nuts and Bolts This layered and harmonized song is in 3:4, Ionian mode (major)

Notes You'll hear me playing with different patterns and rhythms under this song... some of which work well right off, and some of which are more... umm... experimental! But we're all about exploring and growing and changing here -- and one of the downfalls of the highly polished recordings we are immersed in is that we forget that in real life, as we sing by ourselves or with each other, some of our experiments sound great, and some turn out to not be ones we want to continue -- heaven knows where we are going! But we'll get there...
Sol Amarifio was the Ghanian drummer of the band Osibisa. The band members were African and Caribbean musicians living in London: Teddy Osei, Sol Amarfio, Mac Tontoh, Spartacus R (Roy Bedeau) Wendell Richardson, Robert Bailey, Loughty Lasisi Amao. Here's Osibisa with the original.
This song is under copyright, so recordings or performances for profit are subject to copyright restrictions -- please sing freely at home and with family! Anaïs Mitchell and Kate Stables collaborated on a beautiful cover of this. 


Nuts and Bolts It’s harmonized, in 6:8, Ionian mode (major).

Notes: This is a grounding song that's popular in the community singing movement, and in August 2021, I learned from Heather Houston that she had just learned it is a Molly Hartwell original. As a white, European American cis female in my 50s, raised to value formal education, let me tell you, my brain is littered with words like, evaluate, compare, weigh, measure, process, careful…. For me, it can be a real challenge to get out of my head and into my body! But, oh the difference when I do… the connection, the power, the sense of being enough. I love the way this song reminds me of the soles of my feet and to sense the blood rushing through my body. Trillions of cells working together so I move and breathe… and I can just watch and feel all that with amazement.
   Here's the Thrive Choir singing it; I learned it in person from Lisa Littlebird, a vital, generous songleader whose course, Flight School, helped me expand my musical world in 2019. And here's an update in September 2021: Molly Hartwell shared her own original version in Heather Houston's song library (which is a magical internet spot to learn fabulous songs!). Molly also generously gave permission for songleaders to continue sharing the song however it came to them, since the song took on a life of its own after she created it!

Nuts and Bolts: It’s harmonized, in 4:4, Aeolian & Dorian modes (minor with shifting harmonies....)