Notes: There's a freedom in not waiting for a cure. Traditional music is a way to connect to your spiritual ancestral community; it can affirm your experience and there's the "big expansion of empathy that is happening when we sing." Ornamentation and pronunciation of words in oral tradition. We don't create in isolation. How Saro's mom conveyed joy in singing, and what Saro would love "every human being on the planet to understand about disability." The broad umbrella of disability. Speaking with compassion to our bodies, and how that relates to justice work. Why singing is too important to be left to the professionals. Need I say more? This conversation with Saro has left me mulling over so much, and learning "Navigate the Current" has touched me deeply. Here's a chance to dig into what authentic expression feels like...
​
Sign up for the A Breath of Song mailing list (the little form on the home page; you might have to scroll down a bit) to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Songwriter Info: Saro Lynch-Thomason is an award-winning ballad singer, song leader, folklorist, and documentarian from Asheville, North Carolina. Saro has been studying and teaching traditional song and balladry from the British Isles, Appalachia and the American South for over a decade. Saro believes that old songs help modern learners access history, folklore, and (most importantly) compassion for the experiences of others, and she uses in-person teaching, film documentary, podcasts and more to convey these lessons. She holds an M.A. in Appalachian Studies and a Certificate in Documentary Studies.

Links: 
www.sarosings.com
www.patreon.com/sarolynch,
Music at sarolyncht.bandcamp.com,
TikTok and Instagram at @songspeaksaro
Sign up for Saro's newsletter to be the first to hear when the class info is available...
​​Tim Eriksen Soul of the January Hills -- the link goes to Bandcamp, because if you buy the album there, the artist receives a larger % than any other source. Learn more about Tim Eriksen here: Tim Eriksen (timeriksenmusic.com)
Michael & Carrie Kline at ​Talking Across the Lines (folktalk.org)

Nuts & Bolts: 2:2, Aeolian (minor), ballad form

Notes: This particular song of Saro's has gained international attention, becoming an anthem in the movement to end global warming and garnering praise in the Huffington Post. You may already be familiar with it... in which case I'd really encourage you to use this podcast to explore it and use my voice as an opportunity for you to experiment with harmonies, or being a grounded, single note, or be able to pay extra attention to how it feels inside your body as you sing. Or maybe you don't know it yet? That's cause for celebration, because you have a treat waiting for you today! For me, when I sing this, I feel huge things -- grief at what is happening to our planet and a powerful, grounded determination to respond as I can -- and, like I said -- feeling those things strong and large. It taps into something bigger than myself, even when I'm singing alone, as I often am these days. And then Patty sent me her image for this, which she had developed independently, after listening to the song over and over -- and I was so moved by the force of this hippo! I'd be curious to hear how it feels to you to sing it with me?

Saro encourages people to sing this in groups -- "please share this song -- use it at protests, use it in church, use it in meetings, add new verses, spread it around!"
​
Sign up for the A Breath of Song mailing list (the little form on the home page; you might have to scroll down a bit) to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Songwriter Info: Saro Lynch-Thomason is an award-winning ballad singer, song leader, folklorist, and documentarian from Asheville, North Carolina. Saro has been studying and teaching traditional song and balladry from the British Isles, Appalachia and the American South for over a decade. Saro believes that old songs help modern learners access history, folklore, and (most importantly) compassion for the experiences of others, and she uses in-person teaching, film documentary, podcasts and more to convey these lessons. She holds an M.A. in Appalachian Studies and a Certificate in Documentary Studies.

Links: 
www.sarosings.com,
www.patreon.com/sarolynch,
Music at sarolyncht.bandcamp.com,
TikTok and Instagram at @songspeaksaro
Saro herself singing More Waters Rising. (SO worth singing with!!!)

Nuts & Bolts: 4:4, Aeolian, harmonizable

Notes: This is the first song Liesel wrote, on an island, starting the process of freeing her voice. What amazes me about this song, and keeps me coming back to it, is how good it feels to sing. From the opening jump of realization up to the word "free" to the rhythmic interplay that sets me swaying on the "love, I am love, I am love" line, the music and words strengthen each other. I added harmonies of my own, but you might choose different harmonies and end up with a very different kind of sound. I love how this song doesn't need complexity to be satisfying, and my focus is very quickly freed up to notice how my voice feels, how my body responds. Spacious and gracious -- and from my brief time with Liesel at a songleader workshop in 2019, I would say those are qualities of Liesel's as well.

Sign up for the A Breath of Song mailing list (the little form on the home page; you might have to scroll down a bit) to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! Last week, I shared sheet music for the piano part of Shadow Listening, for example. No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Songwriter Info: Liesel describes herself as an intuitive relationship coach -- she is also an author, mother, spouse, and successful entrepreneur.... and a heart-centered, laughter-filled wise presence, with an amazing Parking Fairy song to find those elusive spaces! Liesel shares freely guided meditations on her soundcloud channel... check them out!

Links: 
About - LieselRigsby.com
Stream Liesel Rigsby meditations

Nuts & Bolts: 4:4, Aeolian, harmonized

Notes: I didn't actually write this as a community singing song; I wasn't expecting anyone else to want to sing it. I wrote it because I was finding a way to comfort and strengthen myself through the process of sorting old journals... being placed back in some difficult times, times when I wasn't really able to treat myself compassionately. Going over to the piano and creating this song helped me listen to and love my younger, struggling self -- I really felt like I was catching myself. I shared it with a dear friend, who responded so strongly and positively, I began to share it with others, including eventually my Pocket Song singers... and now here.... because it seems I'm not the only one who gets to go back and tender gentle care to a previous self...
  So, you know how I say, "coming to you straight from my home in Vermont," with my voice just the way it is today? Well, I've got to admit with this episode, I fudged that... I couldn't loop the piano part (long story), so rather than record it live with my looper in one take, I had to layer the recordings to get you the whole song... which meant I could re-record when I didn't hit a note squarely in the middle, or squeaked or cracked. And it's still not perfect! Sigh.... I'm learning a lot from doing this podcast! Thanks for hanging out with me -- I hope this song can be a good companion to you, too.

Sign up for the A Breath of Song mailing list (the little form on the home page; you might have to scroll down a bit) to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! This week, I shared sheet music for the piano part of Shadow Listening, for example. No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Songwriter Info: Um... I think you can find this on either website. (Different accounts, but basically the same person!) :)

Links: 
abreathofsong.com
juneberrymusic.com

Nuts & Bolts: 4:4, Aeolian, 3 layers, one harmonized

Notes: Personally, I dread being trite or dull. And this hard-earned wisdom from the recovery community is so prevalent, it's tempting for me to dismiss it as "too common". Whenever I get obstreperous like that, it doesn't help me at all... just saying. I love the way this song voices my own experience with this wisdom in a way.... does that sound weird? Let me explain. The song seems almost annoyingly simple -- a call and response section with repetition and not many notes, and then two layers that use the same words and repeat the same phrase the same way three times in a row -- and part of me wonders is this going to hold my interest as a song, or am I going to get bored? Yet when you put it all together, it is seductively rich and complex and beautiful -- and I just want to sing it more. For me, it's kind of a hit-me-on-the-head-with-a-hammer similarity to when I hear the guidance itself. "Really, one day at a time??? Really, just keep it simple??? Sounds like a poster." But then if I actually do it, it works. Every time. Hmmm.....  For me, right now is a time of big shifting -- I recorded this two days after my father died, and five days before we leave our home of 22 years to move closer to our granddaughter and family. The excuse to sing this song and even explore a little at the end, off book, eased my day. Thanks for singing with me!

Sign up for the A Breath of Song mailing list (the little form on the home page; you might have to scroll down a bit) to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Songwriter Info: Penny Stone is a musician and activist based in Edinburgh, Scotland. She believes that everyone can sing and that every voice is valuable and beautiful. Penny facilitates singing groups and writes accessible music for community groups. She is currently working on a feminist requiem. Listen to episode #45 for more about this!

Links: 
Penny's website (with a donation box)...: www.singlouderthanguns.com
Learn and Sing along song videos: www.singlouderthanguns.com/singalong-songs/
Sing this song with with Penny: One Day At A Time (learn and sing along) - YouTube
Twitter: @singovertheguns
​The Serenity Singers of Edinborough

Nuts & Bolts: 4:4, Minor, Call & response with 2 more layers

Notes: Conversations with songwriters can be illuminating. Moira and I talk about wanting our voices to make a difference, and how to evaluate that, how Moira's voice has protected and shaped her, rest as part of the job of being a creator, and so much more. She shares a song that is in the process of becoming, and we get a very special glimpse of this creative process, which includes a calling sound that fascinates Moira right now. As you sing along, you'll be able to really tune in to what feels good to you this day -- is it the commitment and determination of "each day we make a little light"? The seeking melodic curve of "mmm...render...mmm...a remedy?" The wild, aching cry of the calling sounds? Or something else that you feel called to bring to the song? As you're singing in your own space, I wonder if there will be movement -- stepping or dancing or swaying? 

Sign up for the A Breath of Song mailing list (the little form on the home page; you might have to scroll down a bit) to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Songwriter Info: As a composer, Moira Smiley is known worldwide for choral arrangements like Bring Me Little Water, Silvy and originals, Stand in That River and How Can I Cry. Her music is sung by millions of singers worldwide. She’s credited with helping to bring body percussion into the choral mainstream and is in demand as a commissioned composer, writing multi-movement pieces including Time In Our Voices and In The Desert With You for the Los Angeles Master Chorale, evening-length secular liturgy, The Song Among Us and Tis A Fearful Thing for Craig Hella Johnson’s Conspirare and CVAE, Vonnegut Requiem: Light Perpetual for Voces Novae, Loud My Soul for Ad Astra Festival and I Have A Voice for ACDA Women's Choral Consortium. The European premiere of Time In Our Voices was performed by the voices and mobile phones of Ars Nova Copenhagen under the direction of Paul Hillier.
  In 2018-2019 Moira released the album and choral songbook, Unzip The Horizon as companion to her ‘The Voice Is A Traveler’ solo show. In 2021 she released the all-vocal social-justice centered album, In Our Voices with four powerful singers of diverse ethnic and cultural backgrounds. She continues composing and improvising in collaboration with artists in film, video game production, theater and dance, and her work can be heard on feature film soundtracks, BBC & PBS television programs, NPR, and on more than 70 commercial albums.
  “Moira Smiley is marvel—an omnivorous singing and composing chameleon with a voice that can wail or caress at will!” -- Grant Gershon - artistic director, Los Angeles Master Chorale
  “Moira Smiley is a brilliant musician – an innovative composer and arranger, and a heartbreakingly beautiful singer. Her music transcends (and expands) boundaries.” -- Billy Childs - multi-grammy-winning composer/pianist
  “I’m so thankful I’ve had the privilege of performing and recording with Moira. She embodies the endless creative potential of the voice, and… (has made) a deeply moving body of work.” -- Merrill Garbus - Tune-Yards

Links:
www.moirasmiley.com for all info including sheet music, practice tracks!
https://moirasmileysubscription.com/ to support Moira monthly for as little as $4/mo.
https://www.instagram.com/moirasmiley/ for up-to-date personal and music pics
https://www.youtube.com/c/MoiraSmileyMusic for official music videos, song and body percussion tutorials and live performances

Lissa Schneckenburger -- the link goes to her interview on A Breath of Song, which includes her own site links and more
Night Song - Nusrat Fateh Ali Khan & Michael Brook. The link goes to the title song of the album. Here is the album on Apple Music.
Shara Nova - "My Brightest Diamond" -- This link goes to a live performance and interview (go to about 2'40" to get close to the start).

Nuts & Bolts: 4:4, Minor, Dorian & Aeolian, harmonized layers

Notes Lissa Schneckenburger's song has a personal back story that we get into during the conversation part of the episode -- along with discussion of change-making as integral to music-making, the similarities and differences of violin and voice as instruments, why Lissa chose songs with words for her recent solo album... Lissa spills over with ideas, generosity, connections, and a deeply caring heart -- our time together was a treat for me. This song feels particularly appropriate at this turn of the year, when we are tired of COVID and injustice and it is easy to be fearful... "we are rising, we are shining, we have the power"... "we will not let this be the end". Something a little different on this episode -- after she invited us to join, I included myself singing with Lissa and experimenting (sometimes more successfully than others) with harmonies... my hope is that that encourages you, too, to explore. Brendan Taaffe says you're only ever one note away from a great harmony! If you want to hear the song already beautifully harmonized and sing along with a polished version after you've learned it on the podcast, check out the links below for Low Lily's video.

Sign up for the A Breath of Song mailing list (the little form on the home page; you might have to scroll down a bit) to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Songwriter Info: Lissa Schneckenburger is a fiddle player and singer whose roots are in folk music in Maine. She lives in Brattleboro, Vermont, now, and says, “To me, music creates community. Music is what people sing along to, dance to, fall in love to… music brings people together." Giving concerts on her own or as part of the trio, Low Lily, as well as supporting other musicians with practice challenges (and jokes) through her website, Lissa consistently does her part to build community. Her solo album, Thunder In My Arms, is a tender, powerful collection of songs about attachment, parenting, and trauma. We talk about its origin and development in today's conversation.

Links:
Lissa's website: lissafiddle.com
Low Lily's music video of Labor On: https://www.youtube.com/watch?v=R2XtOspP1Jc
Peter Mulvey (bike tours and music!) https://www.petermulvey.com/
The Road North by Alasdair Fraser and Paul MacHlis -- one of Lissa's influential albums
Moosewood borscht recipe by Mollie Katzen -- the link goes to a blogpost with the recipe, or buy the whole cookbook at your local bookstore -- a 40th anniversary edition was released and is still in print.
Kafari on kafarimusic.bandcamp.com/ -- a Black, Portland, Maine-based artist Lissa wishes more people knew about... piano and percussion music.
Duet with Lissa on TikTok here: https://www.tiktok.com/@lissafiddle?

Nuts & Bolts: 6:8, Aeolian, verses & chorus

Notes: This song began to appear Sunday morning, December 4th, as I was making breakfast, thinking about snowy drives through our town, looking at Christmas lights. It was one of those warmish, wet days with snow on the ground, so there was a mist lifting up from the snow, and the sky was the same color as the fields. December is a complicated month for me, with rich memories of so much happiness as a child, and difficult loss as an adult...  the longing to connect with and create happiness for all whom I love -- the rueful recognition that I can't "make" anyone happy. Thinking of all the stories in December about light in dark, fraught journeys, seeds, births, miracles -- all the hope and determination we try to share with each other in lights and decorations and candles. For me, the song is a good companion to the bittersweet, reflective mood I often find myself in in December.

Sign up for the A Breath of Song mailing list (the little form on the home page; you might have to scroll down a bit) to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Songwriter Info: Patricia is the fourth of five siblings, with eight years from oldest to youngest. Growing up in Boulder, Colorado, and western New York State, a snowy Christmas was virtually guaranteed, and the house was filled with beautiful traditions, from a fat Christmas tree we would go cut at a local farm decorated with white paper doves, tinsel, red balls, and lights, to much gift planning, making & secret, careful wrapping. Christmas cookies left out for Santa, waking up to go to midnight mass, the Westminster Choir College singing Britten's Ceremony of Carols on the turntable, holiday songs on the radio and the whole family watched whatever holiday specials were on tv. A special meal with tablecloth and candles on the table, sledding and snow forts and tunnels, plastic bread bags in the boots and over the mittens to try to keep us warm and dry... my childhood memories are of magical, generous, happy Christmases with music everywhere.
​  Of course, the world appeared more complex and nuanced as I grew, and the loss of loved ones I wanted to celebrate with, ugly commercialism, knowledge of economic disparity and the dark history and abuses of religious belief also became part of December.... and, as a church musician, holiday performance pressure -- the collision of expectations and what actually happens. This song is one of the ways I can be present with the whole catastrophe, as Jon Kabat-Zinn might say.

Nuts & Bolts: 6:8, Aeolian, unison with harmonized accompanying line

Notes: I asked the people who have signed up for the A Breath of Song mailing list to share words they'd like to hear in this song... and I got SO many responses!!! Narrowed down to 21 words... so we sing this song in three different ways, each time with seven different words. As you sing to uncover your own wellness, you may find a song feels better slower or faster on different days, or sung with high energy or very calmly. I explore three different options with this song -- you may find more. You'll hear my voice crack and squeak -- and you'll hear many of me at one point, because this is a great song for a crowd (and hey, sometimes it IS crowded in my mind with my own voices!) It is not simple to create a song that is easy to learn, and also is a strong container for many different emotions and recognitions. I love the way this song invites us to notice what we see in ourselves and each other, and then stretches us both up and down -- an alignment in song.

Sign up for the A Breath of Song mailing list (the little form on the home page; you might have to scroll down a bit) to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Songwriter Info: Mazal Etedgi (they/them/theirs) is a trans and Mizrahi ritualist, Drama Therapist, and herbal medicine maker living on Ohlone Land (so-called Berkeley, California).

Links:
Website: bsamimapothecary.com
Instagram: @bsamim.apothecary
Tiktok: @bsamimapothecary

Nuts & Bolts: 4:4, Minor (Aeolian with harmonies in 2nd go-round), zipper song

Notes: Ishka Shir says, "I created You've Got To Move Slow when I was hiking an area called Shining Rock wilderness in North Carolina. It was part of a healing from an abusive narcissistic relationship that I had been in." I learned it from Aimée Ringle at a Zoom circle, then shared it first with my Pocket Songs singing group in the summer of 2020. Personally, this song gives me a sense that I, myself, can create the space I need to heal. I love the practical, grounded approach Ishka has to singing and song making.... and for the next episode, #20, I get to have a conversation with them!!! Our conversation covers a lot of ground, and she shares a song of theirs that I've loved since I first heard it in the spring of 2020 when she and two of their good friends recorded a few "Fermentation Station" videos of songs to share.

Songwriter Info: Ishka is someone who sings from their heart.  She has been making up songs since she was a child and has been sharing songs at community song circles since 2007.  Ishka integrates song into most aspects of their life which include, hiking, gardening, cooking, biking, and cuddling clients.  Professionally Ishka is a therapeutic cuddler in Asheville NC. Ishka is especially drawn to songs that have simple yet powerful lyrics and believes that songs can help us heal.  

Links:
Ishka's Soundcloud site- https://soundcloud.com/user-943187430
Ishka's Therapeutic Cuddling website- holdmeavl.com 

Nuts & Bolts: 2:2, mostly Aeolian minor (the harmony is mostly Dorian), either unison, harmonized, or round.

Notes In 2018, Lyndsey made a quick facebook recording of Well Held, and she said, “This little ditty tapped me on the shoulder, came through intact, and has basically been hanging out in my lap…” That's very much how this song is for me -- it just gently rumbles around in my head, letting me know that even while there is part of me that is anxious or jittery or grieving, there is another part of me singing this song -- it  has my back, can remind me to breathe, and reassure me to pay attention to this very moment, in which all is well. Such a relief!
​  Here's Lyndsey singing the original song, shortly after its appearance in the world...

Sign up for the A Breath of Song mailing list (either go to the home page, or the songnotes of Episode #15) to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... plus occasional extras when they seem vitally important!

Songwriter info
Born and raised in Rantoul, IL, Lyndsey is no stranger to the strange, plain beauty of small town spaciousness. After studying painting at the University of Illinois, she fled to St. Louis, MO for a decade of community art & rambunctious collaboration, letting kids nurse back the creative soul that art school stole and letting the south side streets be the hard knocks school of social justice. One healing crisis, two superhero bike tours, a yoga teacher training, and a permaculture design course later, she followed insistent gut-tugs to move back and rekindle the Home fire, with these new treasures in tow. Led by the embodied inquiry: "What does earthspeed, restorative culture feel like from the inside?" ~ for 7 years, she practiced weaving a hyperlocal web with Song, gardens, circles, and art, as well as creating a small yoga studio and doing healing work with her blood family. During the pandemic, she closed the yoga studio, moved, taught art at the local juvenile detention center, and began gathering online groups to dismantle internalized scripts of patriarchy and white supremacy through community singing, study, & story-sharing. Now she’s asking in (covid-safe) travel motion:: if “grief and Love are sisters”, what rituals and pathways are needed now to tend this unique cultural threshold wisely and grow our bandwidth for building Beloved Community?

Songwriter contact
You can find Lyndsey lots of different ways online:
At her Patreon Account 
On Facebook: We Belong Community of Song
​On Youtube - "Song as Prayer" channel 
On Instagram @lila.gaia
​And a website! 

Nuts & Bolts 4:4, melody with optional lower harmonized layer, Aeolian (natural minor)

Notes Tembre shares her song that was created in a bathtub during lockdown, "Brave This World".  I learn it as she teaches it. We talk about free-ranging children in the natural world, cold water, slowing down, expanding, spicy sweet potato soup, how Tembre can SEE someone find their voice, Ireland, and more. Tembre has been leading group singing since May of 2001, and developed a beautiful online presence hosting "May We Sing" during the lockdown. She says, "Having an English accent and a French name growing up in a rural community here in Ireland was challenging at times," yet the strong connection she has to both the natural world and music means that Ireland has been a beautiful, nurturing home.

Resources mentioned
Tembre's website www.tembresong.com
Tembre's daughter, Amelia on instagram, going by the name of DECARTERET
Also find Amelia on Spotify 
Joni Mitchell's Blue album

Nuts & Bolts: 2:2, Aeolian (natural minor), 3 part layer song

Join the mailing list to know as each episode is released, get a larger version of Patty's artwork, and receive the occasional extra tip about ways of making the podcast useful to you.

Take 2 has arrived!  After listening, Tembre realized I was sharing an early, unfinished version of this song, which later evolved into a version she loves and shares. Tembre said, "As I remember when Rolling River was complete for me when the extra parts/delayed harmony was created , it was a special moment, as I felt this song was complete in that moment and it is loved.  I love the simpleness of the melody, as the other parts are added, it slowly becomes something that is resonant, full and fluid. " So here we have the version of Rolling River Tembre loves and would like shared...  I'm wondering if, for those who heard the first, mistake episode, if that's like owning one of those special stamps that was printed backward?​

Notes Rounding, smoothing, softening... I love the way this song invites us to relish the tumbling flow of life and let it comfort and carry us, let it reassure us that we are enough, we are home. There's a rocking, rolling melody, which can be harmonized, and then a lovely descant, or upper line, that responds to the melody. I love the way this song lets me, (not an eager swimmer!), sense the release and acceptance of allowing the water to carry me. Next episode, a conversation with Tembre that includes cold water swimming, how she supports singers who might not be matching yet, finding time to songwrite, what makes Ireland a special place for a songleader, and more!

Songwriter info Tembre de Carteret lives in County Clare, Ireland, and has led a beautiful online singing circle called "We May Sing" during the pandemic. You can learn more about her and the way in which she facilitates, mentors, and builds song communities at her website, www.tembresong.com

Sign up to know when a new episode is released either on the home page or in the shownotes for Episode #10. 

Nuts & Bolts The song is in 4:4, in 2 layers, one of which is harmonized. It is Aeolian (natural minor).

Notes I love the way songsharers around the country during the pandemic dug into music as a way of healing, comforting, hoping. So much new music came out of this time that helps us uncover the wellness that's already there, inside us. Now you might think those songs would all at tempo=comfort, or heartbeat pulse, or something else that soon feels trite. But this song, for instance, has a driving urgency as well as the sense of smiling just a bit, which feels fresh to me... and as it is unexpected, I can hear the message in a new way.

Songwriter info
Elisa S. Keeler is a composer, song leader and retreat facilitator who has taught voice workshops since 2003. She holds degrees in Music Education and Vocal Performance from Ithaca College and a Masters in Transpersonal Psychology from Sofia University with a focus on the therapeutic benefits of singing in groups. Elisa is the founder of Freeing Your Voice program for adults and the Music for Unity and Social Change program for public schools. As a songleader she has worked with Threshold Choirs, the American Association of Choral Directors, religious organizations, community choruses, colleges, universities, and staff community-building retreats. Since 2011, Elisa has facilitated personal and spiritual growth retreats for adults as a co-teacher of the Hidden Treasure Program at Light on the Hill Retreat Center. She lives with her family in Ithaca, NY. 

Songwriter contact
www.elisamusic.com for music, scores and information about workshops and retreats
www.patreon.com/elisaskeeler for Patreon account

Nuts & Bolts 4:4, harmonized song with a bass line, Aeolian (natural minor)

Notes: Written at a time when my soul felt dry and fragile in response to wildfires, drought, racial injustice, pandemic, climate and political crises... I needed a song that recognized how I felt, but could also call on hope, water, justice, breath, vision -- and a song I could bring to groups which could be quickly taught and singers could name what they wanted to call for themselves. I love the determination and sharpness I feel at the beginning, followed by a peaceful settling when the rain "falls down" on us all.

Check out the home page or the shownotes to Episode #10 to join the "in-group" that gets a colorful, thoughtful weekly email.

If you'd like to bring this song to your own groups, simply let me know at abreathofsong@gmail.com.

Nuts and Bolts: 4:4, Aeolian (natural minor) zipper song with body percussion.

Notes  Samara Jade and I talk embodied intuition, the musical Rent, vocal health, names, mycelium, Moonshadow and trust... and Samara shares "I Trust My Roots". I sing along, periodically smudging the words, as I often do when I first learn a song (maybe you do, too?). A squidge of laughter, a dollop of wonder... it was a fabulous hour!

Music referenced in the show:
Cat Stevens, Moonshadow
the musical Rent by Jonathan Larson
Pink Floyd The Dark Side of the Moon
singer/songwriter Johanna Warren

Songwriter Info A modern folk troubadour, Samara is dedicated to the art of listening deeply and crafting soul-centered songs that are medicine for the moment. Inspired greatly by the wild wisdom of nature and the landscape of the human psyche, her songs ride the crest of the unknown and balance between shadows and light.
Coming from a musical background as diverse as classical, jazz, folk, Broadway musical and progressive rock, Samara stitches together a unique tapestry of sounds with a quality of musicianship distinctly her own. As heart-opening as they are intellect-stimulating, A fan once coined the term "Philosopholk" to describe Samara's tunes, and no one has ever described it better in a one-word nutshell.
Samara lives in her van, Vincent VanGo, and is committed to sharing her song-beings around like thousands of spiraling maple helicopter seeds - which is, not coincidentally, what a samara is.

You can find her in all these places:

On Patreon: www.patreon.com/samarajade
On Bandcamp: https://samarajade.bandcamp.com/
On her website: www.samarajademusic.com
On Facebook: https://www.facebook.com/samarajademusic
On Youtube: https://www.youtube.com/user/WildPamplemousse/videos

Nuts and Bolts Zipper song in 4:4, Aeolian (natural minor).
Sign up to know when a new episode is released & get Patty's artwork personally -- I promise to treat your inbox with care, and will never sell your address! 

Notes I wrote this song a few months into the pandemic, at a point when I was disappointed with how I seem to know all this wisdom in my head, but have so much trouble translating it into body knowledge... I was tearful & fearful – and so frustrated with myself. Then I realized – oh, right -- this what it feels like to grow! Moving from comfortable to uncomfortable in a spiral of growth. Which started me thinking about prairie grass – the beauty of acres of grasses swaying and moving in the wind. Roots in the dirt and touching the sky... both growing up and coming down. Natural patterns that occur and recur -- including the spiral.

You can learn more about me and what influences my choices and work here​.

Nuts and Bolts 4:4, Layer song, Aeolian (minor)

Notes Let's highlight a song by next episode's guest artist Maggie Wheeler, Maggie said she wrote this on her birthday on a gray day by the beach in 2019. She told her husband and daughters to just hang on, because a song was coming through… I thought, ah, she treats her creative urges with honor. Both my cat and dog contribute to this particular recording, but although the purring and dream yips seemed really loud as I was recording, they're quite faint in the final product.... I decided to just let them blow through.

Maggie Wheeler is best known in the U.S and internationally for her work as an actress in film, television and voice-over and most notably as the character of Janice on NBC’s hit series Friends. Maggie is a passionate singer, songwriter, choir director and workshop facilitator. She has been teaching her vocal workshop "Singing In The Stream" for over 30 years at retreat centers, universities, communities and schools to provide the experience of creating interpersonal harmony and internal harmony through the powerful act of creating vocal harmony. Maggie directs the 100-voice Golden Bridge Community Choir in Hollywood, an inter-generational, non-auditioned choir now going in its 16th year.
She is a prolific songwriter with a catalog of powerful and timely songs that have been sung by choirs worldwide. Maggie’s original music for choirs and communities is available on iTunes and other music platforms. To accompany her most recent CD entitled 'Walk With Me’, Maggie has created a songbook available by request through her website www.goldenbridgechoir.com Throughout this year of change Maggie hosted a weekly online community gathering called Together In Song, bringing together people from around the world to join in the healing power of singing.

To learn more about Maggie’s work please visit: www.goldenbridgechoir.com and maggiewheeler.net

Nuts & Bolts This layer song is a slow 4:4, Aeolian mode (natural minor)

Notes: This is a grounding song that's popular in the community singing movement, and in August 2021, I learned from Heather Houston that she had just learned it is a Molly Hartwell original. As a white, European American cis female in my 50s, raised to value formal education, let me tell you, my brain is littered with words like, evaluate, compare, weigh, measure, process, careful…. For me, it can be a real challenge to get out of my head and into my body! But, oh the difference when I do… the connection, the power, the sense of being enough. I love the way this song reminds me of the soles of my feet and to sense the blood rushing through my body. Trillions of cells working together so I move and breathe… and I can just watch and feel all that with amazement.
   Here's the Thrive Choir singing it; I learned it in person from Lisa Littlebird, a vital, generous songleader whose course, Flight School, helped me expand my musical world in 2019. And here's an update in September 2021: Molly Hartwell shared her own original version in Heather Houston's song library (which is a magical internet spot to learn fabulous songs!). Molly also generously gave permission for songleaders to continue sharing the song however it came to them, since the song took on a life of its own after she created it!

Nuts and Bolts: It’s harmonized, in 4:4, Aeolian & Dorian modes (minor with shifting harmonies....)

Notes This song was inspired by ujjayi pranayama -- a breath practice for calming and strengthening that creates an ocean-like sound.
Here are links to two other songleaders sharing the song: Heidi McCurdy does a beautiful version with singing bowls and improvisation moving into the song, and Tembre de Carteret in Ireland, starting around 9'30", teaches it live very shortly after it was written, when we were all figuring out how to songlead and sing on Zoom! 
​​
​Nuts and Bolts It’s a round in 3:4, Aeolian mode.