Notes: Chloë Rose Vispap-Rich has uncovered such a glorious both/and song for me. The golden beauty of clear boundaries and choice-making -- how we can delineate our lives in response to our deepest inner voice and knowing of what we need and want -- and at the same time, life is full and rich and complex, and we can release into the flow of it swirling around and through us, let ourselves be swept into the dance. Whee!!! The sweetness and gentleness of both clarity and acceptance, in a song that has light and movement. I feel so completely spoiled by getting to spend my time making this podcast.

​Songwriter Info: Chloë is a music therapist from London, England. She is part of the Natural Voice Network and leads a community singing group. Chloë likes to write and share easily accessible but moving songs. In 2020 (during the national lockdown) she wrote and produced a song book called Songs In Harmony , a collection of 10 songs in 2 and 3 part harmony. They are short songs with themes such as connection, going with the flow, absence, love and dreams. Breathe Along With Life is about simultaneously taking control of the path of your life whilst also going with the flow.​

Sharing Info: Yes -- The song is free to share in oral tradition groups, but please contact Chloë for recording and/or performing permission at thesingingheartchoir@gmail.com

​Nuts & Bolts: 4:4, major, 2-part -- melody and harmony

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Notes: I often gather richness from the way different art forms play off each other – and I love the combination of the Rilke poem I read at the beginning of this episode, and Marv’s song. Honestly, I end up spending a lot of time looking for that tower of strength inside myself – the ancient heart core that is rooted in the earth and stretches to the sky, that connects to my ancestors, both past and future. When I catch glimpses of it, I sense a way-finding clarity; when I circle around it I feel the enticement of belonging; when I inhabit it, I am at home, whether as falcon, storm, or song. I love the way Marv’s song quests, circles, and settles back at home.

​Songwriter Info: Marv loves community singing, songleading, and bringing people together. At a time when so many of us feel a need to return more resonance and community to our lives, Marv is passionate about the unique power of singing together to connect us more deeply within, to each other, and to something larger than ourselves. He is a graduate of Littlebird Songleader Flight School, a member of The Living Room Choir, a proud alum of the West Marin Choir/Common Voice, and the chief cook and bottle-washer of SingOnline.org and the online SingOnline.org Song Circle, where, unlike on Zoom, through the miracle of free software everyone can see and hear every word from everyone. Later this year he’ll complete the Community Choir Leadership Training, following past graduates (and heroes!) like Maggie Wheeler, Laurence Cole, and MaMuse. In his previous careers he was Founder & CEO of a hunger relief organization; a psychotherapist & executive coach; and a technology executive at such companies as Apple. He has also restarted his psychotherapy and executive coaching practices; you can find details at TherapyWithMarv.com and CoachingWithMarv.com.​

Sharing Info: Yes -- The song is free to share in oral tradition groups, but please contact Marv for recording and/or performing permission

Links:
Marv's Website: http://singwithmarv.com
Marv's Instagram: http://instagram.com/singwithmarv
Marv's Facebook: http://facebook.com/singwithmarv
Rilke poem with translations: https://docs.google.com/document/d/1NYYMoFQ_78C5u4Ql6OyjpZEXD3TGJuuxAX1b8T1C07U/edit?usp=sharing
Hear Marv singing the song himself with Heather Stevenson on piano & harmony: I'm Coming Home on Soundcloud

​Nuts & Bolts: 4:4, Major, Call & response or unison or harmonized

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Notes: I love the way this song takes me into completely different scope of time -- geologic, massive, unimaginable -- and therefore inescapably present. "Ïn the Land of Oden" has a murky history, both for lyrics and melody… it was recorded in the 1960s by many different folk artists, including Peter and Gordon, Barry McGuire and the New Christy Minstrels, and the Townsmen… but is credited to different composers on each recording. And they are all slightly different than the version I learned from Adam Podd (check out episode #82!). This particular melody has stayed with me, though, and it resonated in me with a Buddhist story Jack Kornfield tells about something lasting for 1000 kalpas – and each kalpa is as long as it takes for a bird dragging a silk scarf across a mountain to wear it away. In a Grimm’s Fairy Tale, recorded in 1812, the Shepherd’s Boy responds to the king’s third question about eternity with a description very similar to this, although the mountain is made of diamond and is in the land of Pomerania! So for this moment, welcome to fairy-tale time.
​
Sharing Info: As far as I know, this song is free to share.

Links: 
Grimm's Fairy Tale: http://www.pinkmonkey.com/dl/library1/story139.pdf

Nuts & Bolts: 4:4, Mixolydian, round

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Notes: Angela Gabriel's gospel-infused setting of Clarissa Pink Estés' fierce words is enough to lift me out of bed into the January cold! You'll hear me play with adding my voice in the looper with different tonal qualities so it sounds like we're singing with a crowd... and then at the end, I'll invite you to sing it simply with me, as a heartfelt duet. Patty said her art for this episode is inspired by the images of boats and wood from the Clarissa Estés letter... "and the idea of standing together, so here are the trees, rooted and strong in all weather."

Songwriter Info:  Angela is a professional percussionist & pianist and community music/community singing facilitator. She lived in Santa Fe NM for the last 20 years, where she played with the opera, symphony, chamber music festival, as well as in African, Haitian, and samba gatherings, funk and ragtime bands.  
     She just moved to Bloomington, Indiana in the end of 2022.
Angela's mission in life is to facilitate expressive creative, musical, and vocal experiences and to encourage folks to replace judgement with curiosity and open themselves to their unique, creative flow.
    Part of how Angela does this is by singing and drumming online weekly with people living with Parkinson’s and other movement disorders.

This song is free to share but Angela always welcomes financial and/or networking support if/when folks are so moved.

Links: 
Letter to a Young Activist by Clarissa Pinkola Estés: https://www.mavenproductions.com/letter-to-a-young-activist
Angela's website: www.AngelaGabriel.me
Support Angela's work: find songs, rhythmic activities, and more at patreon.com/AngelaGabriel
Check out Hidden Whale, Angela's old band (she's the drummer): https://youtube.com/channel/UCpxdVqwSxzEBhgUilN3qQLg

Nuts & Bolts: 12:8, major, harmonized call & response

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Notes: I learned this song from Adam at the end of the summer at a group singing weekend workshop, and immediately decided to use it for my Pocket Songs welcome song during the fall, not only because of the generous, wide-open welcome of the words, but because of the way the music backs up the message. The lift and lightness of the rhythm, and the enjoyment of slightly surprising notes (I particularly love the first "are" of the tenor line, for example), the way we move from unison into connected harmonic diversity -- these musical things help me FEEL welcoming. Sometimes I shift the words to sing it to myself, as a reminder that whoever I am, whomever I love, wherever I am on this journey, I am welcome... and when I feel genuinely accepted as I am, it is so much easier to extend that welcome and acceptance to others.

Join the A Breath of Song mailing list by clicking here. You'll receive a heads-up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Songwriter Info: Adam Podd (he/him/his) is a Vermont-bred, Brooklyn-based music director, pianist, organist, bassist, composer, and arranger. As a pianist, Adam specializes in blues, jazz, and gospel. He plays regularly around NYC with his twin brother Matt, and their jazz and blues band Mimi and the Podd Brothers. He also plays keys, bass and music directs for singer/songwriter Dan Mills. I met Adam as he co-led a workshop on Star Island, off the coast of New Hampshire. I was struck by his unassuming, gentle manner and musical generosity. He welcomes sharing of this song.
​
Links: 
learn about Adam himself: ABOUT — Adam Podd
check out the choral music Adam and his brother arrange: The Podd Brothers
to read more of the writings of Ana Levy-Lyons: Home - Ana Levy-Lyons (analevylyons.com)

Nuts & Bolts: 3:4, Major, harmonized

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Notes: You get to hear Kate and I in deep conversation -- complete with creaky chair, and me messing up as Kate teaches me her beautiful song, Go Dark. Do you ever have the experience of being solid on a part, as long as the leader is singing it, but then when they leave to teach another part, you lose it? You'll hear me doing just that! :) We talk about building a bank of nourishing words for hard times -- and Kate shares a story about something that shook her certainty and ease with life, and how that made her vow not to judge people. She observes how giving time and a safe place to make mistakes makes it possible for most people to learn to sing, like almost all people learn to drive eventually. And then there's the handpan, and learning Arabic, and... I guess you'll just need to listen in!

Songwriter Info: Kate Thomas is a singer, song leader, songwriter and instrumentalist (guitar, piano and handpan) and has been leading singing groups in Sheffield for over 20 years. She has produced two songbooks, 'Honey and Salt' (from which 'Be Yourself' and 'Scattered Seeds'. If you are interested in contacting her about these resources, her email is honeyandsalt65@gmail.com. 

Links: 
Wendell Berry – Farming (counterpointpress.com) (Kate mentioned "Soul Food", but I think this ends up being the book with the poem in it.)
Barbara Brown Taylor – Learning to Walk in the Dark
Wanting Memories - Sweet Honey in the Rock
Handpan playing -- Kate suggests thishandpan duo, Mea
Raffi
The Singing Kettle
Tapestry – Carole King -- I'm pretty sure you can find the album, so here's an article that quotes many artists talking about the influence of the album on them... Talking about 'Tapestry': Musicians discuss the influence of Carole King's masterpiece - NJArts.net
Karine Polwart – Scottish Songbook, The Lost Words: Spell Songs -- and here's a bonus interview with Karine about the Spellsongs project
Youtube recordings of Kate’s songs -- here's her channel, where you can find all 10: Kate Thomas - YouTube
   And here are just a few links for specific songs:
  We Were Seeds: Kate's bold setting of the Dinos Christianopoulos quote, "They thought they could bury us; they did not know we were seeds.
  A Thousand Ways (with handpan! -- a beautiful meditation)
Kate's profile and choirs: Member profile - Natural Voice Network
Information about Honey and Salt (and Scattered Seeds is searchable there, too): Honey and Salt - Natural Voice Network

Nuts & Bolts: 6:8, major, 2-parts here, (SATB in the Honey & Salt book) or works beautifully unison, too
​
Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Tip Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

Notes: I'd like to highlight the custom art created for each episode by Patty Piotrowski. If you're following this on a podcast app that shows only the A Breath of Song logo, and not the artwork, then please go here to feast your eyes! Patty sang in a chorus with me for several years before the pandemic and included me in the friends with whom she shared an Advent calendar of one painting a day via email -- and I loved the experience of opening my email to see something beautiful. During the pandemic, she sang Pocket Songs with me, and we both leaned into song as resource. When I decided to start sharing songs that were making it easier for me to navigate life through this podcast, I wondered if Patty would be willing to share this creative process with me. For each song, she listens ahead of time, sings with it, lets it soak in... and then waits for an image to appear. She emails me a photo of the custom art, which delights me, and makes the process of preparing the podcast for release exponentially more pleasurable.
About this piece, she said:
   "Here is a tree for all of the seasons of this song
   I’ve been passing this tree along I91 and talking with it for two years
   It looks different depending on your orientation:
   when I approach it from the north on the highway, I see it whole and round with branches,
   but as I pass it, I see then actually there are no branches on the south side."

Dirk says about the song: "Winter Song was written for amateur groups to sing at the winter solstice. I chose the traditional English round form so the repetition can have a meditative effect and people can sing it for as long or short a time as they wish... It was my late wife Adrienne who suggested to me ten years ago that there was a need for new songs to celebrate the eight-fold year celebrations of solstices, equinoxes and cross-quarters that Druids traditionally observe. I did write some others but they were not as good as Winter Song and have passed deservedly into obscurity! 2012 was the last year of Adrienne’s life. She heard the song performed for her birthday in July that year. She was pleased with it. My awareness of her impending death is probably what gives the song its emotional charge."

Songwriter Info: Dirk Campbell has put this song into the public domain, so we are welcome to share it. Dirk was born in 1950 in the British military hospital in Ismailia, Egypt, and lived in Kenya till 1962, so was exposed to indigenous Arab and African music before its acculturation by western influence. He went on to a successful career as a composer for films, radio, stage, etc, His website is a fascinating dive (and I mean HOURS worth!!!) into many instruments from a wide variety of cultures around the world on which he has gained skill. He teaches musicians about ways of incorporating ancient and non-western music into contemporary composition.

Links: 
Dirk Campbell

Nuts & Bolts: 4:4, Dorian, 2-part layer song with optional drone.
​
Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Tip Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

Notes: For most of these episodes, I pick the song many months in advance, because what with artwork & permissions, not to mention my own anxiety levels(!), it helps to have things lined up before.... which sometimes means I haven't listened to the song much until I'm ready to record. Then I wonder -- will I still love it? Will I still want to learn and spend time with it, or was it a temporary infatuation? I can tell you unequivocally, I loved coming back to this song! Katie Sontag's "Share the Journey" felt like reconnecting with a wise, deeply beloved friend who loves me back.., you know that feeling of mutual warmth and trust that you can relax into, and at the same time feel empowered and energized by? Ahhhh.

Songwriter Info: Katie Sontag writes songs that are honest and vulnerable for her own healing and transformation and seeks to inspire the same in others. Based in Eugene, OR, but working on touring the world, Katie's songs will touch your heart and leave you feeling better then when you came. Listening to her music has been described as receiving "a big hug". She is also the lead vocalist and songwriter for her band, "Katie Sontag and the Love Notes" and half of the duo, "smalltime". She is a group song leader and aspiring choral director. Her songs have been adapted for choirs in Portland, Boulder, Austin, and Big Sur.

Links: 
Website: katiesontag.com
email for contact: katharine.sontag@gmail.com
Patreon: patreon.com/katiesontag
Facebook: facebook.com/katiesontagmusickatiesontag.com
Soundcloud: soundcloud.com/katiesontag
Bandcamp: https://katiesontag.bandcamp.com/
Youtube: https://www.youtube.com/c/KatieSontag
Spotify: https://open.spotify.com/artist/17B4xx4loeNl48GXD6oyBB?si=9p7YgO6FQQ6s-WjBS1VhOg&nd=1

Nuts & Bolts: 4:4, Major, 3-part harmony
​
Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Tip Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

Notes: Ever feel stuck in a really bad place? The hobbits got stuck, and Gandalf blesses the eagles who rescue them. I chose to start this episode with a quote by Cynewulf (9?th century), one of the four Old English poets whose works survive today, because that was a time period J.R.R. Tolkien, (20th century) was deeply influenced by -- and here's Joshua Blaine setting this blessing in the 21st century. This makes for a great "setting-off" song -- and also a song of trust in that wind carrying. As I sing this, I love to feel a connection with something ancient in my own bones. I played with it as I shared it with you, making up extra parts at the end -- please, explore -- let the wind bear you! -- as you sing with me.

Songwriter Info: Joshua Blaine (he/him) is a community songleader, Jewish ritualist & storyteller, and resonant healing facilitator & coach. His work as a songleader began as an inquiry into the state of protest songs after the 2016 election, which sent him out on the road to interview dozens of musicians and song leaders for a project called “Finding Our Voice.” Since then, he’s been a humble servant of song, singing in capitol rotundas, at meetings & marches and around dinner tables across the country. Whether as a songleader, organizer, or resonant healing facilitator, he draws upon the rich tradition of both his recent and ancient Jewish ancestors of seeding resistance and resilience through song. After spending eight years in the heart of Texas, Joshua now resides in Providence on the oceanic lands of the Narragansett and Wampanoag, also known as Rhode Island.

Links: 
The song is free to share but Josh always welcomes financial and/or networking support if/when folks are so moved.
http://linktr.ee/joshuahblaine
Joshua's live recording with a group (and his own Gandalf voice!)

Nuts & Bolts: 4:4, Minor (Dorian implied), 3 layers
​
Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Tip Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

Notes: This is the determined, comforting chorus of Shireen Amini's song, "We're Not Walking Alone". I love 'walking music' -- and this is one of my go-to's when I'm looking for an up-tempo walk. I'll sing the different parts consecutively, and if I can rope a co-walker into singing one of the parts, even better! Shireen says nature is the "enwrapping companion" that lets her own answers arise. The first verse of this song is, "When we stop trying to force all the answers -- 'cause they never will come from the mind -- they will come from a place that is peaceful; take a walk on the land, they will arise." I love the sense that the land itself is willing to care and tend us, and is, in the deepest sense, our home.
​
Songwriter Info: Shireen Amini (non-binary human using she in English / elle in Spanish) is a queer, Puerto Rican-Iranian, Earth-loving singer-songwriter, performer, percussionist and teaching artist. With a BA in Ethnomusicology from UCLA and a certificate in Sound, Voice, and Music Healing from CIIS in San Francisco, Shireen has also come to believe strongly in music as a tool for personal and collective transformation. As a songleader, Shireen loves to share medicine songs with healing and empowering messages, infectious grooves, and soulful melodies, often engaging her participants in rhythmic play and movement while singing. She also offers music classes, facilitation, and coaching for her local and virtual communities through her project Shireen Amini Music Medicine.

Links: 
Listen to Shireen's recording of the whole song from her album, "Break Myself Free": https://youtu.be/UWlLZ_36iVI
Shireen's website
Shireen's community singing website
Shireen on facebook
Shireen on Instagram (@shireenaminimusic)

Nuts & Bolts: 4:4, Mixolydian, 3 layers

Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Tip Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

Notes: Wendy Luella Perkins sings to telemarketers, tells of her brother choosing her for his show-and-tell, and why she has a tik-tok channel. She talks about auditory memory, singing as refuge, and the reclamation of her voice. She describes the transition from singer/songwriter work into the Soulful Singing in 2002, and the challenges unique to this kind of therapeutic singing which is not professional therapy. We have the awkward conversation about money -- is it possible to make a living as a songwriter without commodifying song, which is a birthright? Patty Piotrowski has created the most appropriate beautiful art in my mind because of the generosity and openness of the bloom.

Songwriter Info: Wendy Luella Perkins has been singing and making up songs since she was a very young child. When she was three years old, her older brother, Tim, took her to school as his Show+Tell item saying, “this is my sister Wendy Lu, listen to her sing!” She's been going strong ever since. As a singer-songwriter, Unitarian Universalist community minister, and founder, in 2002 of Soulful Singing (singing meditation for all) Wendy Luella leverages the power of song to build authentic, healing and joyful communities.

A prolific writer of folk songs and meditative chants and supportive guide who helps others to create their own songs, Wendy Luella's greatest joy is to bring friends and strangers together in the transformational circle of song. Wendy Luella has produced three CDs of original music, which you can find on her website. As a response to pandemic restrictions and recognizing the need to keep on singing in community, especially in difficult times, Wendy Luella transitioned Soulful Singing to online sessions in March 2020. Soulful Singers from all over have been gathering online EVERY SINGLE DAY since then and once a week on THURSDAY evenings.
​
Everyone is welcome to join Soulful Singing via Zoom. Singing daily over the last 875+ days with wonderful folks from Kingston and around the world has encouraged Wendy Luella to share her original songs more broadly in what she calls her “Song Liberation Project” (The SLiP). She has written hundreds of songs and with The SLiP is sharing them one by one on TikTok. Wendy Luella grew up in rural Nova Scotia, and has lived in Kingston Ontario for over 25 years with her sweetheart and fellow musician, Charlie Walker. She loves waking early, walking daily, eating communally, crafting publicly, sharing deeply, gardening bountifully, laughing abundantly and of course, singing soulfully!

Links: 
Wendy Luella's website: https://www.wendyluellaperkins.com
and tiktok page: https://www.tiktok.com/@wendyluellaperkins
To email Wendy Luella: info@wendyluellaperkins.com
To join Soulful Singing every day from 9:00-9:45 a.m. Eastern Time, please click here for information: Wendy Luella Perkins | SoulfulSinging
(notice you'll need to email ahead of time to receive a link for joining, so don't leave it to the very last minute!)
Album that mattered: Joni Mitchell, Blue
Songwriter Wendy Lu wishes more people would listen to: Coco Love Alcorn

Nuts & Bolts: 
​Loving-Kindness: 3:4, major, zipper.
When All Is Swirling: 2:2, minor, zipper.
We're All Connected: 4:4, major, unison.
Trust In the Power: 4:4, major, zipper.
It's Good to Have a Song or Two: 4:4, major, unison.
To Love I Do Return: 3:4, major, zipper.

Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Tip Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

Notes: What are summer songs for you? I think of summer as a time of greeting and gathering and workshops and camps and goodbyes and endings... a time of physicality, sensuality, heat, languor... I notice my body responding to light and heat. When I tune inward, I listen for what hums, what hurts, what is healing. Especially in this time, I notice what memories are loosened and how tender connections feel -- which brings me to this song, which is a farewell wish that could be sung to anyone -- family, friends, people we don't yet know. It might even be sung to an inner self that we are extra aware of, or listen to, and then ask to wait while we tend to other demands. As we leave gatherings of family or friends or memories, we can hum this song, envisioning each, wishing them well. In the last line of lyrics, I use the pronoun "her" for love -- but please, sing whichever pronoun embodies love for you -- his, her, their, our, xer, sher -- craft a version that evokes warmth in you.

Songwriter Info: That would be me, so both of the websites below have stuff...

Links: 
abreathofsong.com
juneberrymusic.com

Nuts & Bolts: 4:4, Ionian, melody with counter-harmony

Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

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Notes: I keep singing this to myself... so grateful that Kaitie caught this song-morsel that provides so much release. This idea that life keeps rearranging, sometimes feeling awkward -- but that's not the end -- I get to keep moving through that... for some reason I can hear this so much more easily when it's coming in a song. Kaitie isn't done with this song -- she is still listening for the harmonies -- which means you're getting it at this sweet moment of openness and exploration -- how will you harmonize it, or will you stay with the melody, singing the reassurance into your bones? The songwriter conversation that follows ranges across the Ubuntu philosophy origin and how/why it applies to choirs, caring for a group, straight talk about singing in groups when not everyone's on pitch, what we can learn from small children, musings on flexibility versus predictability ... and more!

Songwriter Info: Kaitie Ty Warren (she) is a Bay Area-based songleader, teacher, writer, cartoonist and performer. Passionate about creating joyful experiences through music, Kaitie uses simple yet luscious harmonies to build bridges within communities and bring people together in song. In early 2020, Kaitie's Living Room Choir moved online, and that fall her first child was born. Living Room Choir continued online, and in 2021 Kaitie added Simple Harmonies: Songs for Babies & Their Grown-Ups. Nowadays, Kaitie is still leading online but also exploring pandemic-conscious opportunities to sing together in person. Her dream, pandemic-willing, is to host a vibrant, in-person, intergenerational choir for babies, children and adults of all ages to sing together. ​

Links: 
To contact Kaitie directly: kaitietywarren@gmail.com
To learn more of Kaitie's songs: https://thelivingroomchoir.com/original-music/
To sing with Kaitie: thelivingroomchoir.com
Kaitie's cartoons: https://www.instagram.com/kaitietywarren/
For cartoons & things for sale: https://society6.com/kaitietywarren

Jagged Little Pill by Alanis Morrisette MORISSETTE,ALANIS - Jagged Little Pill Acoustic - Amazon.com Music
Simon Webbe: https://music.apple.com/us/artist/simon-webbe/78729485
more about the Bird/Cat/Dog idea for community reengagement
Ubuntu and Bishop Desmond Tutu... here's an article about ubuntu by Desmond Tutu’s granddaughter

Nuts & Bolts: 4:4, Major (Ionian), melody with optional harmonies
​
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Notes: Judi is wishing for sunshine, then some rain; moonlight and starlight -- for herself, and for all of us... and when we get to sing this song of hers, we get to wish it for ourselves -- and each other. Every little wish for me and for we.... such a good feeling to remember our social connection, how natural it feels as humans to care for each other. I love the way each part you can sing in this song builds to a natural ending note... and those notes, stacked on each other, create a sweet, surprising chord. I also find the silence intriguing -- lots of space in these layers; chances to listen to the other voices. It's a little bit like remembering there are other people in the room with their own lives and stories and sorrows and delights, and there's space for them, too.... and maybe, combined, we're even more intriguing and colorful than alone? I particularly appreciate this song as I tentatively explore gathering more frequently with real, live people now... and I am surprised by the intensity of the experience. Disclosure: Judi has been my mentor and teacher and friend since 2015.... I asked her nicely (pleaded) to create a pocket song for the podcast. So I think this counts as a bespoke song?!

Songwriter Info: Judi (Donaghy) Vinar

“The incredible thing about Judi is that no matter what style she happens to be singing, it sounds as though she doesn’t do anything else”…Rick Carlson – Pianist

A member of the Twin Cities music scene since 1989, Judi has sung with the Wolverines, JazzMN, St. Croix Jazz Orchestra, The Girls, and numerous shows under the production of Lori Dokken.  Judi tours worldwide with Vocal Master Bobby McFerrin as a member of his latest band “Gimme5”. By day Judi is a freelance Vocal instructor and Choral Director for Unity Minneapolis.  She has been a faculty member of Bobby McFerrin’s “Circlesongs” workshops since 2005. Also an award winning songwriter (JAZZIZ), Judi’s songs have been recorded by Debbie Duncan, the Girls, Paula Lammers, and Three Hits & a Miss.

To find Judi’s recordings on ITunes or Youtube, search under Judi Donaghy. 
To learn more about upcoming events or join her mailing list, go to www.judivinar.com.

Links: 
Judi's website: www.judivinar.com
Judi singing "I Can See Clearly Now" with Bobby McFerrin (just one of my favorite videos ever)
judivinar@gmail.com

Nuts & Bolts: 4:4, Mostly minor... except for that one crucial note. Layer song.

Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Tip Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

Notes: This particular song of Saro's has gained international attention, becoming an anthem in the movement to end global warming and garnering praise in the Huffington Post. You may already be familiar with it... in which case I'd really encourage you to use this podcast to explore it and use my voice as an opportunity for you to experiment with harmonies, or being a grounded, single note, or be able to pay extra attention to how it feels inside your body as you sing. Or maybe you don't know it yet? That's cause for celebration, because you have a treat waiting for you today! For me, when I sing this, I feel huge things -- grief at what is happening to our planet and a powerful, grounded determination to respond as I can -- and, like I said -- feeling those things strong and large. It taps into something bigger than myself, even when I'm singing alone, as I often am these days. And then Patty sent me her image for this, which she had developed independently, after listening to the song over and over -- and I was so moved by the force of this hippo! I'd be curious to hear how it feels to you to sing it with me?

Saro encourages people to sing this in groups -- "please share this song -- use it at protests, use it in church, use it in meetings, add new verses, spread it around!"
​
Songwriter Info: Saro Lynch-Thomason is an award-winning ballad singer, song leader, folklorist, and documentarian from Asheville, North Carolina. Saro has been studying and teaching traditional song and balladry from the British Isles, Appalachia and the American South for over a decade. Saro believes that old songs help modern learners access history, folklore, and (most importantly) compassion for the experiences of others, and she uses in-person teaching, film documentary, podcasts and more to convey these lessons. She holds an M.A. in Appalachian Studies and a Certificate in Documentary Studies.

Links: 
www.sarosings.com,
www.patreon.com/sarolynch,
Music at sarolyncht.bandcamp.com,
TikTok and Instagram at @songspeaksaro
Saro herself singing More Waters Rising. (SO worth singing with!!!)

Nuts & Bolts: 4:4, Aeolian, harmonizable
​
Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Tip Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

Notes: I didn't actually write this as a community singing song; I wasn't expecting anyone else to want to sing it. I wrote it because I was finding a way to comfort and strengthen myself through the process of sorting old journals... being placed back in some difficult times, times when I wasn't really able to treat myself compassionately. Going over to the piano and creating this song helped me listen to and love my younger, struggling self -- I really felt like I was catching myself. I shared it with a dear friend, who responded so strongly and positively, I began to share it with others, including eventually my Pocket Song singers... and now here.... because it seems I'm not the only one who gets to go back and tender gentle care to a previous self...
  So, you know how I say, "coming to you straight from my home in Vermont," with my voice just the way it is today? Well, I've got to admit with this episode, I fudged that... I couldn't loop the piano part (long story), so rather than record it live with my looper in one take, I had to layer the recordings to get you the whole song... which meant I could re-record when I didn't hit a note squarely in the middle, or squeaked or cracked. And it's still not perfect! Sigh.... I'm learning a lot from doing this podcast! Thanks for hanging out with me -- I hope this song can be a good companion to you, too.

Songwriter Info: Um... I think you can find this on either website. (Different accounts, but basically the same person!) :)

Links: 
abreathofsong.com
juneberrymusic.com

Nuts & Bolts: 4:4, Aeolian, 3 layers, one harmonized

Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Tip Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

Notes: Personally, I dread being trite or dull. And this hard-earned wisdom from the recovery community is so prevalent, it's tempting for me to dismiss it as "too common". Whenever I get obstreperous like that, it doesn't help me at all... just saying. I love the way this song voices my own experience with this wisdom in a way.... does that sound weird? Let me explain. The song seems almost annoyingly simple -- a call and response section with repetition and not many notes, and then two layers that use the same words and repeat the same phrase the same way three times in a row -- and part of me wonders is this going to hold my interest as a song, or am I going to get bored? Yet when you put it all together, it is seductively rich and complex and beautiful -- and I just want to sing it more. For me, it's kind of a hit-me-on-the-head-with-a-hammer similarity to when I hear the guidance itself. "Really, one day at a time??? Really, just keep it simple??? Sounds like a poster." But then if I actually do it, it works. Every time. Hmmm.....  For me, right now is a time of big shifting -- I recorded this two days after my father died, and five days before we leave our home of 22 years to move closer to our granddaughter and family. The excuse to sing this song and even explore a little at the end, off book, eased my day. Thanks for singing with me!

Songwriter Info: Penny Stone is a musician and activist based in Edinburgh, Scotland. She believes that everyone can sing and that every voice is valuable and beautiful. Penny facilitates singing groups and writes accessible music for community groups. She is currently working on a feminist requiem. Listen to episode #45 for more about this!

Links: 
Penny's website (with a donation box)...: www.singlouderthanguns.com
Learn and Sing along song videos: www.singlouderthanguns.com/singalong-songs/
Sing this song with with Penny: One Day At A Time (learn and sing along) - YouTube
Twitter: @singovertheguns
​The Serenity Singers of Edinborough

Nuts & Bolts: 4:4, Minor, Call & response with 2 more layers
​
Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Tip Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

Notes: This song has an Appalachian feel, and a wonderful way of rising and falling, gradually filling you up with the music that it's singing about as you sing it. Matthew says, “Great songs have great ideas in them, too. They are simple but they are not simplistic.” On the podcast, you'll hear me poking around with different rhythms and experimenting with harmonies and interspersing... and I encourage you to explore, too, as soon as you feel comfortable with the song. Let the music do its thing by filling us up, and let's enjoy the feeling of our voices today.

Songwriter Info: Matthew Myer Boulton is an author, teacher, filmmaker, and proud papa of Jonah and Margaret. A graduate of Northwestern University, Harvard Divinity School, and the University of Chicago Divinity School, he has served on the faculty of Harvard Divinity School and seminaries in New England and the Midwest. He's also the Creative Director and Producer of the Salt project -- which is where I uncovered his bio!

Links: 
The original Butterflyfish recording can be found here: Christian Music for Children by Butterflyfish (saltproject.org) 
  You can buy sheet music here, too, or use the contact button to ask permission to use the song further.
A shout out to Matt Myer (no relation), whose youtube video introduced me to the song: Music (We are going ) - YouTube

Nuts & Bolts: 2:2, Major,  harmonized

Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Tip Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

Notes: Conversations with songwriters can be illuminating. Moira and I talk about wanting our voices to make a difference, and how to evaluate that, how Moira's voice has protected and shaped her, rest as part of the job of being a creator, and so much more. She shares a song that is in the process of becoming, and we get a very special glimpse of this creative process, which includes a calling sound that fascinates Moira right now. As you sing along, you'll be able to really tune in to what feels good to you this day -- is it the commitment and determination of "each day we make a little light"? The seeking melodic curve of "mmm...render...mmm...a remedy?" The wild, aching cry of the calling sounds? Or something else that you feel called to bring to the song? As you're singing in your own space, I wonder if there will be movement -- stepping or dancing or swaying? 

Songwriter Info: As a composer, Moira Smiley is known worldwide for choral arrangements like Bring Me Little Water, Silvy and originals, Stand in That River and How Can I Cry. Her music is sung by millions of singers worldwide. She’s credited with helping to bring body percussion into the choral mainstream and is in demand as a commissioned composer, writing multi-movement pieces including Time In Our Voices and In The Desert With You for the Los Angeles Master Chorale, evening-length secular liturgy, The Song Among Us and Tis A Fearful Thing for Craig Hella Johnson’s Conspirare and CVAE, Vonnegut Requiem: Light Perpetual for Voces Novae, Loud My Soul for Ad Astra Festival and I Have A Voice for ACDA Women's Choral Consortium. The European premiere of Time In Our Voices was performed by the voices and mobile phones of Ars Nova Copenhagen under the direction of Paul Hillier.
  In 2018-2019 Moira released the album and choral songbook, Unzip The Horizon as companion to her ‘The Voice Is A Traveler’ solo show. In 2021 she released the all-vocal social-justice centered album, In Our Voices with four powerful singers of diverse ethnic and cultural backgrounds. She continues composing and improvising in collaboration with artists in film, video game production, theater and dance, and her work can be heard on feature film soundtracks, BBC & PBS television programs, NPR, and on more than 70 commercial albums.
  “Moira Smiley is marvel—an omnivorous singing and composing chameleon with a voice that can wail or caress at will!” -- Grant Gershon - artistic director, Los Angeles Master Chorale
  “Moira Smiley is a brilliant musician – an innovative composer and arranger, and a heartbreakingly beautiful singer. Her music transcends (and expands) boundaries.” -- Billy Childs - multi-grammy-winning composer/pianist
  “I’m so thankful I’ve had the privilege of performing and recording with Moira. She embodies the endless creative potential of the voice, and… (has made) a deeply moving body of work.” -- Merrill Garbus - Tune-Yards

Links:
www.moirasmiley.com for all info including sheet music, practice tracks!
https://moirasmileysubscription.com/ to support Moira monthly for as little as $4/mo.
https://www.instagram.com/moirasmiley/ for up-to-date personal and music pics
https://www.youtube.com/c/MoiraSmileyMusic for official music videos, song and body percussion tutorials and live performances

Lissa Schneckenburger -- the link goes to her interview on A Breath of Song, which includes her own site links and more
Night Song - Nusrat Fateh Ali Khan & Michael Brook. The link goes to the title song of the album. Here is the album on Apple Music.
Shara Nova - "My Brightest Diamond" -- This link goes to a live performance and interview (go to about 2'40" to get close to the start).

Nuts & Bolts: 4:4, Minor, Dorian & Aeolian, harmonized layers
​
Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Tip Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

​Notes: I love the bloom of trust I can feel inside myself after singing Ian Carrick's "Lead With Your Heart, Friends" for long enough to let it settle inside me. I find myself relaxing, trusting that my heart knows the way already, that the day can unfold and I can follow it without worry or fret. It's a generous gift of a song, and I'm happy to share it forward... including all my mess-ups and squidgely tuning (highly technical term right there!) I figure the point of this podcast is for YOU to do the singing and take this song away with you, make it your own, let yourself sing it when YOU need to hear its message; let the breath and the vibration take you where you want to go!

Songwriter Info: Ian Carrick is a songleader, musician and songwriter based in his hometown of Bend, Oregon. He aspires to be a sort of modern-day bard, telling stories of the land, tending the heart of his people, singing for life with rhythmic refrains and refreshing harmonies. Ian has been honored to lead singing for students of all ages, educators, homeless shelter residents, recovering addicts, corporate groups and grief ceremonies. He is thrilled to have released his first album as a songwriter and is excited to carry the ethos of community singing into the conventional realm of performance music.

Links: Original songs by Ian for singing together can be found both at https://soundcloud.com/iancarrick
and https://www.openhubsinging.com/song-library
Enjoy and/or buy Ian's first-ever professional album, released October 2021, at https://iancarrick.bandcamp.com/
Listen to Ian himself sing this at Lead with Your Heart

Nuts & Bolts: 4:4, Ionian, round
​
Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Tip Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

Notes: Lisa Forkish shares her song, Hymn to Loving, and talks about song titling, songwriting away from keyboards, deconstructing binaries, singing as a pure, liberating expression of the self, learning to love and be tender with our voice... and the surprise of connections through Zoom. Now, maybe that's all immediately appealing to you, or maybe it sounds complicated and brain-challenging! Let me tell you, Lisa has a gentle, welcoming presence and wide-open curiosity and questioning that makes this conversation a pleasure to eavesdrop on -- and whether her views raise questions for you, or drop easily into your pocket, I hope you will find useful connections through Lisa's explanations and in the links to help you follow up on whatever sparks your interest. She talks a lot about what she experiences as healing in voice work... and a tiny bit about her experience with the movie, Pitch Perfect, and her role in popularizing and opening up the collegiate acapella world.

Songwriter Info: Lisa Forkish (she/they) is a queer singer-songwriter, community-builder, artivist, song-healer, and self-described "Love Warrior," infusing all she creates with fierce authenticity and heart. For the past 20 years, Lisa has been using song as both an expressive art and a tool for building connection. For Lisa, facilitating music spaces is much more than a job; it is a sacred calling. Lisa breathes humanity into their music and teaching with infectious joy and compassion, aiming to heal the wounds of music elitism and not-enoughness through an embodied, trauma-informed and heart-centered approach. For Lisa, Love is paramount and closeness is the antidote to cisheteropatriarchy, white supremacist delusion and cultural disconnection. Lisaʻs mission is to utilize music for personal and collective healing and liberation. 

Links:
Lisa's website: lisaforkish.com
Lisa's singing offerings: wesingthebody.com
adrienne maree brown (principles of emergent strategy): https://adriennemareebrown.net/
Holistic Resistance (Black-led movement facilitating racial justice and other work to heal oppression): https://www.holisticresistance.com/
white supremacy culture (what exactly does that mean?): https://www.whitesupremacyculture.info/
Rev angel Kyodo williams (radical dharma): https://angelkyodowilliams.com/
On Being podcast (Krista Tippett interviews with various people): https://onbeing.org/
Brene Brown (wholehearted, daring living): https://brenebrown.com/
Rhiannon (vocal art as vehicle for change; improvisation): https://rhiannonmusic.com/

Nuts & Bolts: 4:4, Mixolydian, verse followed by layer
​
Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Tip Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

Notes: I love a layer song which gives me options -- what do I feel like singing? Is singing low and warm feeling yummy? Or floating high? Or getting snuggled in the middle of a set of harmonies? Lisa Forkish's "Possibility" song offers all those choices, starting with a low, potentially gritty, determined line that says "An end is not THE end -- it can be the beginning." Then a fluid river line that requires some release to sing, as it flows among notes. Finally, when singing about being open, there is an amazing note on the word "open" that moves the whole song into a slightly unexpected place, giving a visceral experience of opening up to a different possibility. Love it. A song that helps me embody the knowledge of possibility that change brings.

Songwriter Info: Lisa Forkish (she/they) is a queer singer-songwriter, community-builder, artivist, song-healer, and self-described "Love Warrior," infusing all she creates with fierce authenticity and heart. For the past 20 years, Lisa has been using song as both an expressive art and a tool for building connection. For Lisa, facilitating music spaces is much more than a job; it is a sacred calling. Lisa breathes humanity into their music and teaching with infectious joy and compassion, aiming to heal the wounds of music elitism and not-enoughness through an embodied, trauma-informed and heart-centered approach. For Lisa, Love is paramount and closeness is the antidote to cisheteropatriarchy, white supremacist delusion and cultural disconnection. Lisaʻs mission is to utilize music for personal and collective healing and liberation. 

Links:
lisaforkish.com
wesingthebody.com
www.patreon.com/lisaforkish
Insta and Youtube / lisaforkish

Nuts & Bolts: 4:4, Dorian, 3 layer song with 2 layers harmonized, so 5 parts
​
Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Tip Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

Notes Lissa Schneckenburger's song has a personal back story that we get into during the conversation part of the episode -- along with discussion of change-making as integral to music-making, the similarities and differences of violin and voice as instruments, why Lissa chose songs with words for her recent solo album... Lissa spills over with ideas, generosity, connections, and a deeply caring heart -- our time together was a treat for me. This song feels particularly appropriate at this turn of the year, when we are tired of COVID and injustice and it is easy to be fearful... "we are rising, we are shining, we have the power"... "we will not let this be the end". Something a little different on this episode -- after she invited us to join, I included myself singing with Lissa and experimenting (sometimes more successfully than others) with harmonies... my hope is that that encourages you, too, to explore. Brendan Taaffe says you're only ever one note away from a great harmony! If you want to hear the song already beautifully harmonized and sing along with a polished version after you've learned it on the podcast, check out the links below for Low Lily's video.

Songwriter Info: Lissa Schneckenburger is a fiddle player and singer whose roots are in folk music in Maine. She lives in Brattleboro, Vermont, now, and says, “To me, music creates community. Music is what people sing along to, dance to, fall in love to… music brings people together." Giving concerts on her own or as part of the trio, Low Lily, as well as supporting other musicians with practice challenges (and jokes) through her website, Lissa consistently does her part to build community. Her solo album, Thunder In My Arms, is a tender, powerful collection of songs about attachment, parenting, and trauma. We talk about its origin and development in today's conversation.

Links:
Lissa's website: lissafiddle.com
Low Lily's music video of Labor On: https://www.youtube.com/watch?v=R2XtOspP1Jc
Peter Mulvey (bike tours and music!) https://www.petermulvey.com/
The Road North by Alasdair Fraser and Paul MacHlis -- one of Lissa's influential albums
Moosewood borscht recipe by Mollie Katzen -- the link goes to a blogpost with the recipe, or buy the whole cookbook at your local bookstore -- a 40th anniversary edition was released and is still in print.
Kafari on kafarimusic.bandcamp.com/ -- a Black, Portland, Maine-based artist Lissa wishes more people knew about... piano and percussion music.
Duet with Lissa on TikTok here: https://www.tiktok.com/@lissafiddle?

Nuts & Bolts: 6:8, Aeolian, verses & chorus
​
Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Tip Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

Notes: I stumbled upon Wendy Luella Perkins a few weeks before recording this episode, when I was browsing in facebook groups of songleaders, looking for new music I loved and wanted to share. I heard "What Am I Rushing To?", and went hunting online to learn more. Several Soulful Singing sessions later, I can say that this intuitive songleader and gracious, gentle song and space creator has become a great gift in my life. Not only do the most beautiful, varied songs seem to pour through her with ease and fluidity, but she understands how to tend herself and those around her with laughter, loving-kindness, and acceptance.
  Wendy Luella tells the painful origin of this song in a time of grief and conflict... and also how she and small groups of singers have sung it in bus depots, shopping malls, and other public spaces in the month of December, and the delighted reaction from passers-by. Wendy Luella has always dreamed of having this song pop-up in other communities, led by other folks, so if there are podcast listeners who are inspired to offer What Am I Rushing To? in your communities, please do and let her know about it!
  It can be sung beautifully as a unison song -- and today, I add harmonies to it that were created by members of my family. Rebecca Csuy, Elyse Wadsworth, and Elizabeth Norton joined me in singing it over the American Thanksgiving holiday, and as we played with different harmonies, this combination struck me as particularly suited to the song. It was magical, and gave me a way to imagine you all in the room, too... if I'd been really on top of it, I'd have brought a microphone and recorded us all together! 

Songwriter Info: Wendy Luella Perkins has been singing and making up songs since she was a very young child. When she was three years old, her older brother, Tim, took her to school as his Show+Tell item saying “this is my sister Wendy Lu, listen to her sing!” She's been going strong ever since.  
  As a singer-songwriter, Unitarian Universalist community minister, and founder, in 2002 of Soulful Singing (singing meditation for all) Wendy Luella leverages the power of song to build authentic, healing and joyful communities. A prolific writer of folk songs and meditative chants and supportive guide who helps others to create their own songs, Wendy Luella's greatest joy is to bring friends and strangers together in the transformational circle of song. Wendy Luella has produced three CDs of original music, which you can find on her website.   
  As a response to pandemic restrictions, and recognizing the need to keep on singing in community, especially in difficult times, Wendy Luella transitioned Soulful Singing to online sessions in March 2020. Soulful Singers from all over have been gathering online EVERY SINGLE DAY since then and once a week on THURSDAY evenings. Everyone is welcome to join Soulful Singing via Zoom. 
  Singing daily over the last 600+ days with wonderful folks from Kingston and around the world has encouraged Wendy Luella to share her original songs more broadly in what she calls her “Song Liberation Project” (The SLiP). She has written hundreds of songs and with The SLiP is sharing them one by one on TikTok. 
   Wendy Luella grew up in rural Nova Scotia, and has lived in Kingston Ontario for over 25 years with her sweetheart and fellow musician, Charlie Walker. She loves waking early, walking daily, eating communally, crafting publicly, sharing deeply, gardening bountifully, laughing abundantly and of course, singing soulfully!

Links:
Contact Wendy directly to join Soulful Singing, or to let her know how this song moved you at info@wendyluellaperkins.com
Find Wendy on TikTok and sing a duet with her! https://www.tiktok.com/@wendyluellaperkins
Explore Wendy's website: https://www.wendyluellaperkins.com

Nuts & Bolts: 4:4, major, unison, harmonies optional
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Notes: Ishka Shir says, "I created You've Got To Move Slow when I was hiking an area called Shining Rock wilderness in North Carolina. It was part of a healing from an abusive narcissistic relationship that I had been in." I learned it from Aimée Ringle at a Zoom circle, then shared it first with my Pocket Songs singing group in the summer of 2020. Personally, this song gives me a sense that I, myself, can create the space I need to heal. I love the practical, grounded approach Ishka has to singing and song making.... and for the next episode, #20, I get to have a conversation with them!!! Our conversation covers a lot of ground, and she shares a song of theirs that I've loved since I first heard it in the spring of 2020 when she and two of their good friends recorded a few "Fermentation Station" videos of songs to share.

Songwriter Info: Ishka is someone who sings from their heart.  She has been making up songs since she was a child and has been sharing songs at community song circles since 2007.  Ishka integrates song into most aspects of their life which include, hiking, gardening, cooking, biking, and cuddling clients.  Professionally Ishka is a therapeutic cuddler in Asheville NC. Ishka is especially drawn to songs that have simple yet powerful lyrics and believes that songs can help us heal.  

Links:
Ishka's Soundcloud site- https://soundcloud.com/user-943187430
Ishka's Therapeutic Cuddling website- holdmeavl.com 

Nuts & Bolts: 2:2, mostly Aeolian minor (the harmony is mostly Dorian), either unison, harmonized, or round.

Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Tip Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!