Notes: My interest in Eli Marienthal's song, "Ocean Wide" comes directly from how it expands my capacity to be present with deep grief and pain -- that of my own or that of others. My fear of feeling -- fear that somehow the world will crumble if I recognize how much pain I feel -- that fear is eased by the sense of having enough space inside me -- an ocean of space, in fact -- that is wide enough, deep enough, capacious enough for every drop of pain, every howl of grief. I love that this song has so much space for the singer inside it -- do you need to just sing a melody, over and over, to soothe and center yourself? Do you want to experiment, explore, let your voice speak to you? I hope I left space in this for you to fill in your own way -- and I hope you, too, find it healing to sense that oceanic space inside you.

Songwriter Info: Since 2014, Eli has co-led one of Northern California's wilderness immersion and rite of passage organization for youth. He has wide interests -- geography, comparative lit, poetry, songwriting, spoken-word performance, theater, peacemaking, nature awareness, cross cultural respect, qi gong, leadership development and more.

Song Learning Time Stamps:
Start time of teaching: 00:03:25
Start time of reprise: 00:13:34​

Links: 
Eli's website: www.backtoearth.org

Nuts & Bolts: 4:4, Minor, unison

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Song: Navigate the Current  Words by Saro Lynch-Thomason  Melody based on the traditional Irish tune ​known as "Star of the County Down"

Notes: There's a freedom in not waiting for a cure. Traditional music is a way to connect to your spiritual ancestral community; it can affirm your experience and there's the "big expansion of empathy that is happening when we sing." Ornamentation and pronunciation of words in oral tradition. We don't create in isolation. How Saro's mom conveyed joy in singing, and what Saro would love "every human being on the planet to understand about disability." The broad umbrella of disability. Speaking with compassion to our bodies, and how that relates to justice work. Why singing is too important to be left to the professionals. Need I say more? This conversation with Saro has left me mulling over so much, and learning "Navigate the Current" has touched me deeply. Here's a chance to dig into what authentic expression feels like...
​
Songwriter Info: Saro Lynch-Thomason is an award-winning ballad singer, song leader, folklorist, and documentarian from Asheville, North Carolina. Saro has been studying and teaching traditional song and balladry from the British Isles, Appalachia and the American South for over a decade. Saro believes that old songs help modern learners access history, folklore, and (most importantly) compassion for the experiences of others, and she uses in-person teaching, film documentary, podcasts and more to convey these lessons. She holds an M.A. in Appalachian Studies and a Certificate in Documentary Studies.

Links: 
www.sarosings.com
www.patreon.com/sarolynch,
Music at sarolyncht.bandcamp.com,
TikTok and Instagram at @songspeaksaro
Sign up for Saro's newsletter to be the first to hear when the class info is available...
​​Tim Eriksen Soul of the January Hills -- the link goes to Bandcamp, because if you buy the album there, the artist receives a larger % than any other source. Learn more about Tim Eriksen here: Tim Eriksen (timeriksenmusic.com)
Michael & Carrie Kline at ​Talking Across the Lines (folktalk.org)

Nuts & Bolts: 2:2, Aeolian (minor), ballad form
​
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Exchange energy with A Breath of Song with dollars at the Gratitude Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

Notes: This particular song of Saro's has gained international attention, becoming an anthem in the movement to end global warming and garnering praise in the Huffington Post. You may already be familiar with it... in which case I'd really encourage you to use this podcast to explore it and use my voice as an opportunity for you to experiment with harmonies, or being a grounded, single note, or be able to pay extra attention to how it feels inside your body as you sing. Or maybe you don't know it yet? That's cause for celebration, because you have a treat waiting for you today! For me, when I sing this, I feel huge things -- grief at what is happening to our planet and a powerful, grounded determination to respond as I can -- and, like I said -- feeling those things strong and large. It taps into something bigger than myself, even when I'm singing alone, as I often am these days. And then Patty sent me her image for this, which she had developed independently, after listening to the song over and over -- and I was so moved by the force of this hippo! I'd be curious to hear how it feels to you to sing it with me?

Saro encourages people to sing this in groups -- "please share this song -- use it at protests, use it in church, use it in meetings, add new verses, spread it around!"
​
Songwriter Info: Saro Lynch-Thomason is an award-winning ballad singer, song leader, folklorist, and documentarian from Asheville, North Carolina. Saro has been studying and teaching traditional song and balladry from the British Isles, Appalachia and the American South for over a decade. Saro believes that old songs help modern learners access history, folklore, and (most importantly) compassion for the experiences of others, and she uses in-person teaching, film documentary, podcasts and more to convey these lessons. She holds an M.A. in Appalachian Studies and a Certificate in Documentary Studies.

Links: 
www.sarosings.com,
www.patreon.com/sarolynch,
Music at sarolyncht.bandcamp.com,
TikTok and Instagram at @songspeaksaro
Saro herself singing More Waters Rising. (SO worth singing with!!!)

Song Learning Time Stamps:
Start time of teaching: 00:02:57
Start time of reprise: 00:13:17​

Nuts & Bolts: 4:4, Aeolian, harmonizable
​
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Exchange energy with A Breath of Song with dollars at the Gratitude Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

Notes: Personally, I dread being trite or dull. And this hard-earned wisdom from the recovery community is so prevalent, it's tempting for me to dismiss it as "too common". Whenever I get obstreperous like that, it doesn't help me at all... just saying. I love the way this song voices my own experience with this wisdom in a way.... does that sound weird? Let me explain. The song seems almost annoyingly simple -- a call and response section with repetition and not many notes, and then two layers that use the same words and repeat the same phrase the same way three times in a row -- and part of me wonders is this going to hold my interest as a song, or am I going to get bored? Yet when you put it all together, it is seductively rich and complex and beautiful -- and I just want to sing it more. For me, it's kind of a hit-me-on-the-head-with-a-hammer similarity to when I hear the guidance itself. "Really, one day at a time??? Really, just keep it simple??? Sounds like a poster." But then if I actually do it, it works. Every time. Hmmm.....  For me, right now is a time of big shifting -- I recorded this two days after my father died, and five days before we leave our home of 22 years to move closer to our granddaughter and family. The excuse to sing this song and even explore a little at the end, off book, eased my day. Thanks for singing with me!

Songwriter Info: Penny Stone is a musician and activist based in Edinburgh, Scotland. She believes that everyone can sing and that every voice is valuable and beautiful. Penny facilitates singing groups and writes accessible music for community groups. She is currently working on a feminist requiem. Listen to episode #45 for more about this!

Links: 
Penny's website (with a donation box)...: www.singlouderthanguns.com
Learn and Sing along song videos: www.singlouderthanguns.com/singalong-songs/
Sing this song with with Penny: One Day At A Time (learn and sing along) - YouTube
Twitter: @singovertheguns
​The Serenity Singers of Edinborough

Nuts & Bolts: 4:4, Minor, Call & response with 2 more layers
​
Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Gratitude Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

Notes: Okay, I procrastinated on recording this episode for the longest of any song yet... I respect Moira so much, and I desperately wanted to share her song in a beautiful way that convinced you to love it, too. I felt like I wasn't good enough, and I got a good run of the whole imposter syndrome going, yada, yada, yada. But you know what shifted? I remembered why this podcast exists -- to share songs that help me heal, adapt, and grow, so you can sing them, too. And this song is one that I've sung to myself over and over in the middle of troubling times to help me release and let go. When I sing this into myself, I can see more clearly which actions might be mine to make next. And when the world is in turmoil, this is what helps me navigate a way forward. None of us (myself included) need to have a stunning voice for a song to be a companion... and I'm grateful to Moira for this gift. Please notice, I haven't shared the entire song here, only an excerpt... check out the links below to hear the whole song, and buy the music on her website for yourself or to share with others. Next episode: a conversation with Moira Smiley herself, who turns out to be absolutely lovely and generous -- we talk creativity, how rest is part of the job, how her voice has protected her, and more...​
​
Songwriter Info: As a composer, Moira Smiley is known worldwide for choral arrangements like Bring Me Little Water, Silvy and originals, Stand in That River and How Can I Cry. Her music is sung by millions of singers worldwide. She’s credited with helping to bring body percussion into the choral mainstream and is in demand as a commissioned composer, writing multi-movement pieces including Time In Our Voices and In The Desert With You for the Los Angeles Master Chorale, evening-length secular liturgy, The Song Among Us and Tis A Fearful Thing for Craig Hella Johnson’s Conspirare and CVAE, Vonnegut Requiem: Light Perpetual for Voces Novae, Loud My Soul for Ad Astra Festival and I Have A Voice for ACDA Women's Choral Consortium. The European premiere of Time In Our Voices was performed by the voices and mobile phones of Ars Nova Copenhagen under the direction of Paul Hillier.
  In 2018-2019 Moira released the album and choral songbook, Unzip The Horizon as companion to her ‘The Voice Is A Traveler’ solo show. In 2021 she released the all-vocal social-justice centered album, In Our Voices with four powerful singers of diverse ethnic and cultural backgrounds. She continues composing and improvising in collaboration with artists in film, video game production, theater and dance, and her work can be heard on feature film soundtracks, BBC & PBS television programs, NPR, and on more than 70 commercial albums.
  “Moira Smiley is a marvel—an omnivorous singing and composing chameleon with a voice that can wail or caress at will!” -- Grant Gershon - artistic director, Los Angeles Master Chorale
  “Moira Smiley is a brilliant musician – an innovative composer and arranger, and a heartbreakingly beautiful singer. Her music transcends (and expands) boundaries.” -- Billy Childs - multi-grammy-winning composer/pianist
  “I’m so thankful I’ve had the privilege of performing and recording with Moira. She embodies the endless creative potential of the voice, and… (has made) a deeply moving body of work.” -- Merrill Garbus - Tune-Yards

Links:
www.moirasmiley.com for all info including sheet music, practice tracks!
https://moirasmileysubscription.com/ to support Moira monthly for as little as $4/mo.
https://www.instagram.com/moirasmiley/ for up-to-date personal and music pics
https://www.youtube.com/c/MoiraSmileyMusic for official music videos, song and body percussion tutorials and live performances
A beautiful recording of a quartet singing the full Stand In That River, part of "The Mt. Tom Sessions".
Moira's own recording of Stand In That River with VOCO.

Nuts & Bolts: ​3:4, Ionian, harmonized melody

Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Gratitude Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

Notes: I find I keep returning to Emily Roblyn's song after learning it many months ago... I find myself singing it when times are really sweet -- and when they're really hard. It helps me remember I don't need to try to clench the almost painfully beautiful, wonderful times, because they won't last forever no matter how hard I hold -- and it helps me trust that the difficult, heart-aching times will pass. And as I sing, I can feel my voice vibrate in my body, and it brings me into awareness of my own body. Now, I'm no sage or wise woman -- but I know that this kind of embodiment is good for my whole being, and I'm grateful for any song that gets me there! Lots of juicy harmony options, or a lovely melody that rises and falls like the waves.... you sing what feels good in you today.

Songwriter Info: Emily Roblyn is a Canadian born singer, choir leader and composer, who has made her home in Devon, UK where she has been leading choirs, workshops and singing retreats for over 18 years. She is a member of the Natural Voice Network and believes deeply in singing being a powerful tool for healing, change and connection. Her warmth and enthusiasm for sharing the blessings of singing together shines through in all her teaching, and her beautiful original songs are favorites in choirs across the UK.

Links: 
Visit Emily’s website and join her mailing list to be kept up to date with her new musical offerings. www.emilysinging.com
Or contact her directly to buy the license to teach any of her songs by emailing [email protected]
HearEmily herself sing this song, plus another verse here: www.youtube.com/watch?v=TVmM52zcCPk

​Song Learning Time Stamps:
Start time of teaching: 00:02:16
Start time of reprise: 00:15: 38

Nuts & Bolts: 4:4, Minor, 2-layers -- one harmonized 3-ways.
​
Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Gratitude Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

Notes: A song with two voices, in a way -- the cry of the heart which feels swallowed by darkness and lost, and the response or presence of a wisdom -- an angel, or ancestor, or Yoda?! -- who sees the seed inside the darkness that holds the dream of green during the waiting time.  I love the way this song lets me give voice to different experiences. Barbara has given us an extremely satisfying lift on the "call to the sky" line... and a lovely low rumble for "cannot remember", and "to the night." In western classical baroque times, that was called word painting... a wonderful way of yoking different parts of our brains into a whole, connected intent.

Songwriter Info: Barbara McAfee is a master voice coach, singer/songwriter, song leader, and river walker who lives an hour outside of Minneapolis/St. Paul in St Croix Falls, Wisconsin.

Links:
Barbara's website is at www.barbaramcafee.com
Barbara's Tedx talk on the Full Voice: https://www.youtube.com/watch?v=Ze763kgrWGg

Song Learning Time Stamps:
Start time of teaching: 00:02:16
Start time of reprise: 00:13:34​

Nuts & Bolts: 4:4, minor, 3 layers, 2 with the same words.
​
Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Gratitude Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

Notes: This song began to appear Sunday morning, December 4th, as I was making breakfast, thinking about snowy drives through our town, looking at Christmas lights. It was one of those warmish, wet days with snow on the ground, so there was a mist lifting up from the snow, and the sky was the same color as the fields. December is a complicated month for me, with rich memories of so much happiness as a child, and difficult loss as an adult...  the longing to connect with and create happiness for all whom I love -- the rueful recognition that I can't "make" anyone happy. Thinking of all the stories in December about light in dark, fraught journeys, seeds, births, miracles -- all the hope and determination we try to share with each other in lights and decorations and candles. For me, the song is a good companion to the bittersweet, reflective mood I often find myself in in December.

Songwriter Info: Patricia is the fourth of five siblings, with eight years from oldest to youngest. Growing up in Boulder, Colorado, and western New York State, a snowy Christmas was virtually guaranteed, and the house was filled with beautiful traditions, from a fat Christmas tree we would go cut at a local farm decorated with white paper doves, tinsel, red balls, and lights, to much gift planning, making & secret, careful wrapping. Christmas cookies left out for Santa, waking up to go to midnight mass, the Westminster Choir College singing Britten's Ceremony of Carols on the turntable, holiday songs on the radio and the whole family watched whatever holiday specials were on tv. A special meal with tablecloth and candles on the table, sledding and snow forts and tunnels, plastic bread bags in the boots and over the mittens to try to keep us warm and dry... my childhood memories are of magical, generous, happy Christmases with music everywhere.
​  Of course, the world appeared more complex and nuanced as I grew, and the loss of loved ones I wanted to celebrate with, ugly commercialism, knowledge of economic disparity and the dark history and abuses of religious belief also became part of December.... and, as a church musician, holiday performance pressure -- the collision of expectations and what actually happens. This song is one of the ways I can be present with the whole catastrophe, as Jon Kabat-Zinn might say.

Links
My web center...juneberrymusic.com 

Nuts & Bolts: 6:8, Aeolian, unison with harmonized accompanying line

Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Gratitude Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

Notes: It's a generous mast year here around the Connecticut River -- another gift of the trees, our breathing partners. Joy brought this song to my Pocket Songs group in the fall of 2020, and it is much loved by the Pocket Song Singers. A thing to know about Joy is that she has an extraordinary ability to be present with the feelings of those around her -- and an incredible capacity for delight and kindness… as well as an openness to learning that is hard to have unless you feel confident about your own innate worth. There's something about this song that transmits that sense of one's own standing: present, and also willing to change. It is a TOUGH one for me to sing in tune!!! (Thanks, Joy!) There are back-up parts that remind me of my once-upon-a-time deep desire to be one of the Shirelles, and a sweeping melodic line for the first part, followed by a breathing, in-and-out line for the second part. I hope you find it as satisfying and affirming as I do.

Songwriter Info: Joy Tru combines heartfelt harmonies with vocal percussion, electronic layers, guitar and flute to create unique, honest folk and pop songs evoking love and hope. She also leads circlesinging and creates live improvised prayer songs and soundscapes using a loop station.

Links: 
Joy's website: joytru.com
Joy singing Falling Acorns herself: https://www.youtube.com/watch?v=DFLvejDaz7E

Song Learning Time Stamps:
Start time of teaching: 00:02:43
Start time of reprise: 00:16:41
​
Nuts & Bolts: 6:8, Ionian (major), 2-layers with 4-layer background
​
Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Gratitude Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

​Notes: Kathleen says she caught this comforting song while lying on a huge rock next to the Schuylkill River in Philadelphia, crying her heart out over a relationship that was transforming.  A beautiful oak tree was growing out of the rock, and as the song was born her sorrowful feelings washed through with the sound of the river, and she was left feeling whole, and at peace with the way things were. She also shared this story with me, "One time I sang the song in a show with a group of women drummers. Their teacher, a lovely African man, also played with us in the concert and rehearsal. After I taught them in the rehearsal and we had played it for a while, the African drummer told me that the song felt like an African song to him. That was one of my happiest moments, since I have for so long felt inspired by African diaspora music. And I did not really feel like I wrote that song... it just came through as a whole as I cried by the river." 

Songwriter info: Kathleen has been writing, collecting and sharing songs for over 50 years. Her songs were awarded a North Carolina Arts Council Songwriter Fellowship. She currently leads the Bodies, Voices & Spirit Choruses in North Carolina and Maine, and is also a Dances of Universal Peace leader. She's a student of the Heart, and she facilitates The Work of Byron Katie.

Links:
Kathleen's blogpost & recording of Ancient Green with guitar, bass, piano, and drum. (So much fun to sing with!) 
​https://www.kathleenhannan.com/song-blog/songs-for-our-journey-26
Kathleen's online presence: www.kathleenhannan.com
Kathleen's chorus: https://bodiesvoicesandspirit.weebly.com/
Kathleen's song blog, which is searchable by title, subject or excerpts from lyrics: https://www.kathleenhannan.com/song-blog

Kathleen's most recent CD is Seen & Unseen: Songs from the Light of Midlife
Purchase CD here: https://www.kathleenhannan.com/seen--unseen-cd1.html
Lyrics are here: https://www.kathleenhannan.com/lyrics--credits.html
Photos from the recording process: https://www.kathleenhannan.com/photos.html

Nuts & Bolts: 4:4, Ionian (major), round with possible harmonies, or optionally could be taught as a layer song

​Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Gratitude Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

Notes This song was inspired by ujjayi pranayama -- a breath practice for calming and strengthening that creates an ocean-like sound.
Here are links to two other songleaders sharing the song: Heidi McCurdy does a beautiful version with singing bowls and improvisation moving into the song, and Tembre de Carteret in Ireland, starting around 9'30", teaches it live very shortly after it was written, when we were all figuring out how to songlead and sing on Zoom! 

Songleader info & links: find out more about me and opportunities to sing with me at juneberrymusic.com

Song Learning Time Stamps:
Start time of teaching: 00:01:07
Start time of reprise: 00:11:31
​​
​Nuts and Bolts It’s a round in 3:4, Aeolian mode.

Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

Exchange energy with A Breath of Song with dollars at the Gratitude Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!