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    126. Meditation

    Song: Meditation
    Music by:​ Neal Jolly
    Lyrics:

    The beat of the heart in the chest,
    The pulsing of blood in the hands,
    The in and the out of the breath,
    The here, the now, the you.
    Picture
    Notes: A vivid reminder of what it's like to drop into hyper-awareness of breath and body... combined with a song that makes me extra aware of breath flow (like, it runs out! ) Very satisfying combination. The harmonies also move in intriguing ways -- now close, now far, now drawing back together and intertwining. As often happens, I struggled a bit to release this episode -- it's not perfectly, exquisitely in-tune... and it's not a perfect, exquisite voice that's singing! But I remind myself again and again that the point here is not perfection -- it's good that you'll be able to understand the song and sing it, too... and carry it off into your world. It's good that I spent an evening singing a song that helps me be more aware of my breath and body. It's good that I got to gaze at Patty Piotrowski's artwork for this piece as I sang. This is just a darn good way to be spending my life... so thanks for your company in this practice of singing beyond perfection!

    Songwriter Info: Neal has been leading singing sessions in Cornwall for seven years. His style is influenced by membership of the Natural Voice Network and the sessions are non-performance, inclusive, mindful and with an ear to the spiritual/sacred in the widest sense of those words. Neal's songwriting is inspired by outdoor spaces where he does regular singing events, and being in the present: the only place where we can experience the world and each other.

    Sharing Info: Please share this song and make a donation to https://www.paypal.com/paypalme/jollygoodsinging, the amount reflecting your own income and assessment of the song's worth to you.

    Links:
    Jolly Good Singing on Facebook: https://www.facebook.com/jollygoodsinging/

    Song Learning Time Stamps:
    Start time of teaching: 00:04:00
    Start time of reprise: 00:14:41

    Nuts & Bolts: 6:8 minor with harmonic minor moment, 3 part harmony

    Join the A Breath of Song mailing list (https://dashboard.mailerlite.com/forms/335811/81227018071442567/share) to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

    Exchange energy with A Breath of Song with dollars at the Gratitude Jar https://www.abreathofsong.com/gratitude-jar.html (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!
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    98. Between Nothing and Everything

    Song: Between Nothing and Everything
    Music: Angela Gabriel
    Words: based on text by Nisahrgadatta Maharaj

    ​Lyrics:

    Wisdom is knowing, knowing I am nothing.
    Love is knowing I am everything, everything, everything, and be-
    tween​ the two, between the two, between the two my life moves.

    Picture
    NotesAngela Gabriel has given us a brilliant setting based on words by Nisargadatta Maharaj, “Wisdom is knowing I am nothing, Love is knowing I am everything, and between the two my life moves.” The first line twists around on itself disappears into nothingness. The second line starts an octave away and drops into the security of "everything." Then, on a note in the middle of the two starting pitches, and in 6:8 instead of 3:4, the song begins to dance and flow, and ends on a slightly surprised major third. You don't have to know any of that for it to work its magic, though -- simply let it wind into your body as a beautiful melodic invitation to release. I'll be singing this one to myself long after this podcast is wrapped up, reminding me of both-and, flow, fluidity.

    Songwriter InfoAngela is a professional percussionist & pianist and community music/community singing facilitator. She lived in Santa Fe NM for the last 20 years, where she played with the opera, symphony, chamber music festival, as well as in African, Haitian, and samba gatherings, funk and ragtime bands.  She just moved to Bloomington, Indiana in the end of 2022.
    Angela's mission in life is to facilitate expressive creative, musical, and vocal experiences and to encourage folks to replace judgement with curiosity and open themselves to their unique, creative flow. Part of how Angela does this is by singing and drumming online weekly with people living with Parkinson’s and other movement disorders.

    Sharing Info: This song is free to share but Angela always welcomes financial and/or networking support if/when folks are so moved.

    Links: 
    Angela's website: www.AngelaGabriel.me
    Support Angela's work: find songs, rhythmic activities, and more at patreon.com/AngelaGabriel
    Check out Hidden Whale, Angela's old band (she's the drummer): https://youtube.com/channel/UCpxdVqwSxzEBhgUilN3qQLg
    Nisargadatta Maharajhttps://en.wikipedia.org/wiki/Nisargadatta_Maharaj

    Nuts & Bolts: ​​3:4, Aeolian with major final third, round

    Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

    Exchange energy with A Breath of Song with dollars at the Gratitude Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!
  • Published on

    80. Go Dark with guest Kate Thomas

    Song: Go Dark
    Words from Wendell Berry
    Music ​by Kate Thomas
    Lyrics
    To go in the dark with a light is to know the light.
    To know the dark, go dark; go without sight,
    and find that the dark, too, blooms and sings,
    And is traveled by dark feet, and dark wings.
    Picture
    Notes: You get to hear Kate and I in deep conversation -- complete with creaky chair, and me messing up as Kate teaches me her beautiful song, Go Dark. Do you ever have the experience of being solid on a part, as long as the leader is singing it, but then when they leave to teach another part, you lose it? You'll hear me doing just that! :) We talk about building a bank of nourishing words for hard times -- and Kate shares a story about something that shook her certainty and ease with life, and how that made her vow not to judge people. She observes how giving time and a safe place to make mistakes makes it possible for most people to learn to sing, like almost all people learn to drive eventually. And then there's the handpan, and learning Arabic, and... I guess you'll just need to listen in!

    Songwriter Info: Kate Thomas is a singer, song leader, songwriter and instrumentalist (guitar, piano and handpan) and has been leading singing groups in Sheffield for over 20 years. She has produced two songbooks, 'Honey and Salt' (from which 'Be Yourself' and 'Scattered Seeds'. If you are interested in contacting her about these resources, her email is honeyandsalt65@gmail.com. 

    Links: 
    Wendell Berry – Farming (counterpointpress.com) (Kate mentioned "Soul Food", but I think this ends up being the book with the poem in it.)
    Barbara Brown Taylor – Learning to Walk in the Dark
    Wanting Memories - Sweet Honey in the Rock
    Handpan playing -- Kate suggests thishandpan duo, Mea
    Raffi
    The Singing Kettle
    Tapestry – Carole King -- I'm pretty sure you can find the album, so here's an article that quotes many artists talking about the influence of the album on them... Talking about 'Tapestry': Musicians discuss the influence of Carole King's masterpiece - NJArts.net
    Karine PolwartScottish Songbook, The Lost Words: Spell Songs -- and here's a bonus interview with Karine about the Spellsongs project
    Youtube recordings of Kate’s songs -- here's her channel, where you can find all 10: Kate Thomas - YouTube
       And here are just a few links for specific songs:
      We Were Seeds: Kate's bold setting of the Dinos Christianopoulos quote, "They thought they could bury us; they did not know we were seeds.
      A Thousand Ways (with handpan! -- a beautiful meditation)

    Kate's profile and choirs: Member profile - Natural Voice Network
    Information about Honey and Salt (and Scattered Seeds is searchable there, too): Honey and Salt - Natural Voice Network

    Song Learning Time Stamps:
    Start time of teaching: 00:04:44 
    Start time of reprise: 00:57:07​

    Nuts & Bolts: 6:8, major, 2-parts here, (SATB in the Honey & Salt book) or works beautifully unison, too

    Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

    Exchange energy with A Breath of Song with dollars at the Gratitude Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!
  • Published on

    39. Stand In That River

    Song: Stand In That River
    Words & Music​ by Moira Smiley
    Lyrics
    Chorus: Come and stand in that river, Current, gentle and slow,
    Send your troubles down water, Down on that water flow.

    1. When you stand in that river, Angels sing in your head.
    Secrets beyond every worry. Dreams beyond every dread.
    Picture
    Notes: Okay, I procrastinated on recording this episode for the longest of any song yet... I respect Moira so much, and I desperately wanted to share her song in a beautiful way that convinced you to love it, too. I felt like I wasn't good enough, and I got a good run of the whole imposter syndrome going, yada, yada, yada. But you know what shifted? I remembered why this podcast exists -- to share songs that help me heal, adapt, and grow, so you can sing them, too. And this song is one that I've sung to myself over and over in the middle of troubling times to help me release and let go. When I sing this into myself, I can see more clearly which actions might be mine to make next. And when the world is in turmoil, this is what helps me navigate a way forward. None of us (myself included) need to have a stunning voice for a song to be a companion... and I'm grateful to Moira for this gift. Please notice, I haven't shared the entire song here, only an excerpt... check out the links below to hear the whole song, and buy the music on her website for yourself or to share with others. Next episode: a conversation with Moira Smiley herself, who turns out to be absolutely lovely and generous -- we talk creativity, how rest is part of the job, how her voice has protected her, and more...​

    Songwriter Info: As a composer, Moira Smiley is known worldwide for choral arrangements like Bring Me Little Water, Silvy and originals, Stand in That River and How Can I Cry. Her music is sung by millions of singers worldwide. She’s credited with helping to bring body percussion into the choral mainstream and is in demand as a commissioned composer, writing multi-movement pieces including Time In Our Voices and In The Desert With You for the Los Angeles Master Chorale, evening-length secular liturgy, The Song Among Us and Tis A Fearful Thing for Craig Hella Johnson’s Conspirare and CVAE, Vonnegut Requiem: Light Perpetual for Voces Novae, Loud My Soul for Ad Astra Festival and I Have A Voice for ACDA Women's Choral Consortium. The European premiere of Time In Our Voices was performed by the voices and mobile phones of Ars Nova Copenhagen under the direction of Paul Hillier.
      In 2018-2019 Moira released the album and choral songbook, Unzip The Horizon as companion to her ‘The Voice Is A Traveler’ solo show. In 2021 she released the all-vocal social-justice centered album, In Our Voices with four powerful singers of diverse ethnic and cultural backgrounds.
     She continues composing and improvising in collaboration with artists in film, video game production, theater and dance, and her work can be heard on feature film soundtracks, BBC & PBS television programs, NPR, and on more than 70 commercial albums.
      “Moira Smiley is a marvel—an omnivorous singing and composing chameleon with a voice that can wail or caress at will!” -- Grant Gershon - artistic director, Los Angeles Master Chorale
      “Moira Smiley is a brilliant musician – an innovative composer and arranger, and a heartbreakingly beautiful singer. Her music transcends (and expands) boundaries.” -- Billy Childs - multi-grammy-winning composer/pianist
      “I’m so thankful I’ve had the privilege of performing and recording with Moira. She embodies the endless creative potential of the voice, and… (has made) a deeply moving body of work.” -- Merrill Garbus - Tune-Yards


    Links:
    www.moirasmiley.com for all info including sheet music, practice tracks!
    https://moirasmileysubscription.com/ to support Moira monthly for as little as $4/mo.
    https://www.instagram.com/moirasmiley/ for up-to-date personal and music pics
    https://www.youtube.com/c/MoiraSmileyMusic for official music videos, song and body percussion tutorials and live performances
    A beautiful recording of a quartet singing the full Stand In That River, part of "The Mt. Tom Sessions".
    Moira's own recording of Stand In That River with VOCO.


    Nuts & Bolts: ​3:4, Ionian, harmonized melody

    Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

    Exchange energy with A Breath of Song with dollars at the Gratitude Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!
  • Published on

    36. Brighter Days

    Song Brighter Days
    Words & Music by Jennifer Cook
    Lyrics
    There's so much hope in a snowdrop,
    the promise of spring to come.
    Hold on, hold on
    through the cold,
    brighter days will come.

    Picture

    Notes: Whether or not you have snowdrops blooming right now, who doesn't recognize the promise we sometimes can sense in a bloom? The cycle of blooming, falling, disintegrating, resting, reforming, growing, blooming... this song has a beautiful criss-cross of lines, so the first line burrows into the second line, while the second line starts low and grounded, then rises hopefully above the first. The third line lets you sing out a sort of commentary and affirmation of the first two. I take time teaching the first part, especially, so you can feel really confident as the song develops...

    Songwriter Info: Jenny is a community singing leader and songwriter with a passion for using song to bring joy and build communities and friendships. She runs a-cappella harmony singing groups in Knaresborough and has two young children aged 7 and 4. She also writes beautiful, soulful and easy to teach songs often inspired by and celebrating her love of nature.

    Links: A license to teach the song along with the score and learning/ part tracks are available for £5 by sending an email to Jenny at Jenny.j.cook21@gmail.com
    You can also find more of Jenny's songs at her facebook page: https://www.facebook.com/jennycookmusic/ (you don't need to belong to facebook to look & listen)
    Jenny singing Brighter Days herself in a beautiful video with Patty's art, among other lovely snowdrops: 
    https://www.youtube.com/watch?v=e1HBLiURzqI

    Nuts & Bolts: 6:8, Ionian, 2 layer, one harmonized

    Song Learning Time Stamps:
    Start time of teaching: 00:02:39
    Start time of reprise: 00:14:01

    Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

    Exchange energy with A Breath of Song with dollars at the Gratitude Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!
  • Published on

    30. Labor On with Lissa Schneckenburger

    Song: Labor On
    Words & Music by Lissa Schneckenburger
    Lyrics
    When the darkness overtakes you and you shiver in the cold
    When disparity wakes you, and you know you must be bold
    When you put your body on the line don’t hesitate in fear
    We know the train it is coming, it is near


    Chorus: Labor on my children, labor on my friend
    Labor on my children, we will not let this be the end


    When they dig the earth and turn it into dollars to be made
    You can’t help but try to save her, for her sake don’t be afraid
    While the fire it rages onward, burning everything it sees
    And destruction consumes our decency

    Chorus
    When the powerful corrupt us and complacency sets in
    They’ll distract you, they’ll placate you, but we can not let them win 
    With each step we take together, we are stronger by the hour
    And we are rising, we are shining, we have the power

    Chorus

    Picture
    Notes Lissa Schneckenburger's song has a personal back story that we get into during the conversation part of the episode -- along with discussion of change-making as integral to music-making, the similarities and differences of violin and voice as instruments, why Lissa chose songs with words for her recent solo album... Lissa spills over with ideas, generosity, connections, and a deeply caring heart -- our time together was a treat for me. This song feels particularly appropriate at this turn of the year, when we are tired of COVID and injustice and it is easy to be fearful... "we are rising, we are shining, we have the power"... "we will not let this be the end". Something a little different on this episode -- after she invited us to join, I included myself singing with Lissa and experimenting (sometimes more successfully than others) with harmonies... my hope is that that encourages you, too, to explore. Brendan Taaffe says you're only ever one note away from a great harmony! If you want to hear the song already beautifully harmonized and sing along with a polished version after you've learned it on the podcast, check out the links below for Low Lily's video.

    Songwriter Info: Lissa Schneckenburger is a fiddle player and singer whose roots are in folk music in Maine. She lives in Brattleboro, Vermont, now, and says, “To me, music creates community. Music is what people sing along to, dance to, fall in love to… music brings people together." Giving concerts on her own or as part of the trio, Low Lily, as well as supporting other musicians with practice challenges (and jokes) through her website, Lissa consistently does her part to build community. Her solo album, Thunder In My Arms, is a tender, powerful collection of songs about attachment, parenting, and trauma. We talk about its origin and development in today's conversation.

    Links:
    Lissa's website: lissafiddle.com
    Low Lily's music video of Labor On: https://www.youtube.com/watch?v=R2XtOspP1Jc
    Peter Mulvey (bike tours and music!) https://www.petermulvey.com/
    The Road North by Alasdair Fraser and Paul MacHlis -- one of Lissa's influential albums
    Moosewood borscht recipe by Mollie Katzen -- the link goes to a blogpost with the recipe, or buy the whole cookbook at your local bookstore -- a 40th anniversary edition was released and is still in print.
    Kafari on kafarimusic.bandcamp.com/ -- a Black, Portland, Maine-based artist Lissa wishes more people knew about... piano and percussion music.
    Duet with Lissa on TikTok here: https://www.tiktok.com/@lissafiddle?

    Song Learning Time Stamps:
    Start time of teaching: 00:03:16
    Start time of reprise: 00:56:30​

    Nuts & Bolts: 6:8, Aeolian, verses & chorus

    Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me.

    Exchange energy with A Breath of Song with dollars at the Gratitude Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!